Jimmy's garden on the Lower East Side of Manhattan--an assortment of stones and garbage bags, five tires, a chair, a skid, a refrigerator shelf, some ailanthus trees and goldfish, a wooden fence, and a pond with water carried by hand from a nearby fire hydrant--was recently bulldozed by the city. Jimmy then disappeared. Anna's garden is surrounded by a tall chainlink fence and filled with a menagerie of dolls and stuffed animals. The animals are whole, the dolls are maimed. Anna is a recluse who speaks to no one. The neighbors say she was in a concentration camp as a child. Gardens have always been associated with wealth and leisure, viewed as an addition to home. In this remarkable book a landscape architect and a photographer show us, in word and pictures, gardens built by homeless or impoverished New York City inhabitants. Like traditional gardens, these spaces are designed for pleasure, social activity, or private retreat. Unlike traditional gardens, they are connected to a more active and ephemeral use of the land. Transitory gardens speak the language of our times: here we find the reuse of nearly everything discarded, a sparing use of water and plant materials, an economical treatment of space, and a penchant for icons, toys, flags, and symbols of freedom and nationality. The gardens expand our definition of what makes a garden and what its design means for its creator. Diana Balmori's commentary and Margaret Morton's photographs combine with the garden-makers' own descriptions to encourage us to take note of gardens grown in unlikely places, on abandoned, littered lots, bounded by debris. By focusing on what homeless people make not for material comfort but from social and spiritual need, the book offers insight into both the meaning of landscape and the place of a garden in the life of an individual under duress.

With TRANSITORY NATURE, radical Buddhist and spiritual guide Sue Hunt walks readers through a nine-month Consciousness Design Process to dismantle Binary Worldview.

As an operative for Mitchell Security, Colt has spent much of his adult life being someone else. Presently, he's undercover as a bartender at a strip club to prove that its owner is part of a sex-trafficking ring. On his way home late one night, someone tries to kill him. Only Sax Lowe's fast actions save him -- which would be well and good, if Colt and Mitchell didn't suspect the whole thing was a set-up engineered by Sax as a way to insert himself into Colt's life. Sax is a freelance photographer who often uses his job as a cover while working for the FBI. If he hadn't been following Colt, as part of his present assignment, he wouldn't have been around to save his life. A fortuitous event as it gave him a reason to stop by the bar the Bureau suspected was the center of a sex-trafficking ring. Things escalate when Colt has a chance to obtain the final proof he needs to bring down the club's owner and the man's cohorts. When Colt and Sax's paths collide, again, the result is a surprise to both of them. Even more surprising, once the dust clears, is Sax's suggestion they work off their tensions in bed. Things don't go quite as planned, however ... But then, that's often the case for men whose jobs require them to be someone other than themselves.

This paper documents the determinants of real oil price in the global market based on SVAR model embedding transitory and permanent shocks on oil demand and supply as well as speculative disturbances. We find evidence of significant differences in the propagation mechanisms of transitory versus permanent shocks, pointing to the importance of disentangling their distinct effects. Permanent supply disruptions turn out to be a bigger factor in historical oil price movements during the most recent decades, while speculative shocks became less influential.

Examining Bernini's works from 1665 on, from Paris and Rome, this book demonstrates the wealth of material still to be drawn from close visual and material examination, archival research, and comparative textual analysis. On the whole, this collection deals with Bernini's position as the leading creator of portraits - in oils, marble, monumental architecture, and metaphor - of some of the most powerful political players of his day. These studies speak to the growing distance of Gallic absolutism from the fading dreams of papal hegemony over Europe, and to the complexities of Bernini's role as mouthpiece, obstacle, and flatterer of the Princes of the Papal States.

This volume provides a theoretical and empirical review of the societal and educational factors that contribute to ‘emerging adulthood’. This developmental stage occurs between adolescence and adulthood and can be regarded as a relatively new phase in research on development. The book specifically examines how these societal and educational changes have contributed to the transitory nature of emerging adulthood and the resulting consequences. Particular attention is paid to the transitory nature of this stage of life, primarily in regard to relationship dynamics. The book examines the nature of the parental relationship during emerging adulthood. It uses qualitative data from a recent phenomenological study to illustrate unique aspects of the parental relationship during this stage and discusses the findings in the context of existing empirical work. The book provides a holistic and thorough examination of emerging adulthood in general and the parental dynamics present during this stage, in particular.