In this penetrating book, renowned intuitive, speaker, and teacher Robert Ohotto guides us on an investigation of the Heroic Journey of the Soul. Exploring three modern-day manifestations of Fate, he shows how psychic energy from family patterns, cultural influences, generational legacy, and global evolution inform our self-concept every day, and how they often block our highest potential and "Fate" us to challenging circumstances and relationships. But, he reveals, these Fated encounters are actually the keys to our unlived life. Each chapter maps our psyche and unravels the mysterious connections of Fate, Free Will, and Destiny, transforming our Fate into Destiny and our limitations into gifts. Through this seminal work, based on years of experience, discover how we’ve made two fundamental agreements with the Universe as part of our Heroic Journey—one with Fate and the other with Destiny. As we learn to dance with these two forces, they become two voices challenging and beckoning us to discover our ultimate purpose—the primary task of the modern-day Hero and Heroine; and in the process, serve to unleash the power of our Soul in delivering grace to the world.

Stanley Hauerwas is a distinctive and controversial theologian. His work demands attention in every debate on theological ethics today. His project is to transform Christian ethics from the fate of the individual in crisis to the destiny of the Church in its faithfulness. In this critical evaluation of Hauerwas' work, Samuel Wells sets out the drama and debate of Hauerwas' new agenda. He agrees that the Christian story is at the heart of the Church's practice. Yet he goes beyond Hauerwas. He draws attention to the neglect, in narrative ethics, of the way the Church's story ends. Wells intends that Christians finally see their lives in the context, not of blind fate, but of divine destiny.

Stanley Hauerwas is a distinctive and controversial theologian. His work demands attention in every debate on theological ethics today. His project is to transform Christian ethics from the fate of the individual in crisis to the destiny of the Church in its faithfulness. In this critical evaluation of Hauerwas' work, Samuel Wells sets out the drama and debate of Hauerwas' new agenda. He agrees that the Christian story is at the heart of the Church's practice. Yet he goes beyond Hauerwas. He draws attention to the neglect, in narrative ethics, of the way the Church's story ends. Wells intends that Christians finally see their lives in the context, not of blind fate, but of divine destiny.

What does one do as a Jewish philosopher if one is convinced by much of the Nietzschean critique of religion? Is there a contemporary Jewish philosophical theology that can convince in a post-metaphysical age? The argument of this book is that Rabbi Joseph Soloveitchik (1903–1993) - the leading twentieth-century exponent of Modern Orthodoxy - presents an interpretation of halakhic Judaism, grounded in traditional sources, that brings a life-affirming Nietzschean sensibility to the religious life. Soloveitchik develops a form of Judaism replete with key Nietzschean ideas, which parries Nietzsche's critique by partially absorbing it. This original study of Soloveitchik's philosophy highlights his unique contribution to Jewish thought for students and scholars in Jewish studies, while also revealing his wider significance for those working more broadly in fields such as philosophy and religious studies.

A full color book featuring Tsonga and Shangaan art and culture Dunga Manzi / Stirring Waters features Tsonga and Shangaan art, culture and heritage, and accompanies an exhibition of the same name at the Johannesburg Art Gallery. It tracks the history of these cultural groups through essays and a wealth of images of material culture and art. Divided into four sections, the catalogue first highlights the histories of the Tsonga and Shangaan, including a personal narrative of the Makhubele family. The second section explores the magnificent beading tradition and the third, the complex legacy of woodcarving from the late nineteenth century to contemporary times. The historical trajectory as well as the spectacular attire and equipment of sangomas, also known as traditional healers and diviners, form the subject of the fourth and last section. This full-colour book showcases some of South Africa's most treasured heritage, aiming to make readers aware of the high degree of artistic skill that exists in South Africa today.