In 1860, Damascus was a sleepy provincial capital of the weakening Ottoman Empire, a city defined in terms of its relationship to the holy places of Islam in the Arabian Hijaz and its legacy of Islamic knowledge. Yet by 1918 Damascus had become a seat of Arab nationalism and a would-be modern state capital. How can this metamorphosis be explained? Here Leila Hudson describes the transformation of Damascus. Within a couple of generations the city changed from little more than a way-station on the Islamic pilgrimage routes that had defined the city's place for over a millennium. Its citizens and notables now seized the opportunities made available through transport technology on the eastern Mediterranean coast and in the European economy. Shifts in marriage patterns, class, education and power ensued. But just when the city's destiny seemed irrevocably linked to the Mediterranean world and economy, World War I literally starved the urban centre of Damascus and empowered its Bedouin hinterland. The consequences shaped Syria for the rest of the twentieth century and beyond.

This book presents a new perspective on Islamic urban society: a dynamism of social networking and justice which caused both rapid development and sudden decay in the Ṣāliḥiyya quarter. Founded in the northern suburbs of Damascus by Hanbali ulama who migrated from Palestine to Syria in the mid-12th century, the quarter developed into a city through waqf endowments. It has attracted the attention of historians and travelers for its unique location, popular movements and religious features. Through the study of local chronicles, topographies and archival sources and through modern field research, Toru Miura explores the history of the Ṣāliḥiyya quarter from its foundation to the early 20th century, comparing it to European, Chinese and Japanese cities.

Sufism in Ottoman Damascus analyzes thaumaturgical beliefs and practices prevalent among Muslims in eighteenth-century Ottoman Syria. The study focuses on historical beliefs in baraka, which religious authorities often interpreted as Allah's grace, and the alleged Sufi-ulamaic role in distributing it to Ottoman subjects. This book highlights considerable overlaps between Sufis and ʿulamāʾ with state appointments in early modern Province of Damascus, arguing for the possibility of sociologically defining a Muslim priestly sodality, a group of religious authorities and wonder-workers responsible for Sunni orthodoxy in the Ottoman Empire. The Sufi-ʿulamāʾ were integral to Ottoman networks of the holy, networks of grace that comprised of hallowed individuals, places, and natural objects. Sufism in Ottoman Damascus sheds new light on the appropriate scholarly approach to historical studies of Sufism in the Ottoman Empire, revising its position in official early modern versions of Ottoman Sunnism. This book further re-approaches early modern Sunni beliefs in wonders and wonder-working, as well as the relationship between religion, thaumaturgy, and magic in Ottoman Sunni Islam, historical themes comparable to other religions and other parts of the world.

"Damascus succeeds in conveying a big-hearted vision." —The Wall Street Journal "At once gripping, lucid and fierce, Damascus is the mature effort of an artist devoted to personal growth and as such contains the glints of real gold." -San Francisco Chronicle It's 2003 and the country is divided evenly for and against the Iraq War. Damascus, a dive bar in San Francisco's Mission District, becomes the unlikely setting for a showdown between the opposing sides. Tensions come to a boil when Owen, the bar's proprietor who has recently taken to wearing a Santa suit full-time, agrees to host the joint's first (and only) art show by Sylvia Suture, an ambitious young artist who longs to take her act to the dramatic precipice of the high-wire by nailing live fish to the walls as a political statement. An incredibly creative and fully rendered cast of characters orbit the bar. There's No Eyebrows, a cancer patient who has come to the Mission to die anonymously; Shambles, the patron saint of the hand job; Revv, a lead singer who acts too much like a lead singer; and Owen, donning his Santa costume to mask the most unfortunate birthmark imaginable. Damascus is the place where confusion and frustration run out of room to hide. By gracefully tackling such complicated topics as cancer, Iraq, and issues of self-esteem, Joshua Mohr has painted his most accomplished novel yet. Joshua Mohr is the San Francisco Chronicle best-selling author of Some Things That Meant the World to Me and Termite Parade, a New York Times Book Review editors' choice selection.

While recent scholarship has focused on wartime Syria, this book is dedicated to heads of state in the immediate post-Ottoman era until the end of the French Mandate in 1946. Here, renowned Syrian historian, Sami Moubayed, examines Syria's first eleven heads of state who led the country between 1918 and 1946. With a chapter dedicated to each leader, Moubayed sheds light on the political culture of the time and traces the trajectory of how Syria was governed through colonialism, monarchism and federalism and republicanism. The study draws on numerous archives, political memoirs and first-hand interviews with key figures who were active between the 1930's and 1950's, providing a rich picture of Syrian political culture during this forgotten period.

In Preserving the Old City of Damascus, Totah examines the recent gentrification of the historic urban core of the Syrian capital and the ways in which urban space becomes the site for negotiating new economic and social realities. The book illustrates how long-term inhabitants of the historic quarter, developers, and government officials offer at times competing interpretations of urban space and its use as they vie for control over the representation of the historic neighborhoods. Based on over two years of ethnographic and archival research, this book expands our understanding of neoliberal urbanism in non-western cities.