Alexander von Humboldt (1769–1859) was a world traveler, bestselling writer, and versatile researcher, a European salon sensation, and global celebrity. Yet the enormous literary echo he generated has remained largely unexplored. Humboldt inspired generations of authors, from Goethe and Byron to Enzensberger and García Márquez, to reflect on cultural difference, colonial ideology, and the relation between aesthetics and science. This collection of one-hundred texts features tales of adventure, travel reports, novellas, memoirs, letters, poetry, drama, screenplays, and even comics—many for the first time in English. The selection covers the foundational myths and magical realism of Latin America, the intellectual independence of Emerson, Thoreau, Poe, and Whitman in the United States, discourses in Imperial, Weimar, Nazi, East, and West Germany, as well as recent films and fiction. This documented source book addresses scholars in cultural and postcolonial studies as well as readers in history and comparative literature.

Exploring the ways in which transatlantic relationships functioned in the nineteenth century to unsettle hierarchical models of gender, race, and national and cultural differences, this collection demonstrates the generative potential of transatlantic studies to loosen demographic frames and challenge conveniently linear histories. The contributors take up a rich and varied range of topics, including Charlotte Smith's novelistic treatment of the American Revolution, The Old Manor House; Anna Jameson's counter-discursive constructions of gender in a travelogue; Felicia Hemans, Herman Melville, and the 'Queer Atlantic'; representations of indigenous religion and shamanism in British Romantic literary discourse; the mid-nineteenth-century transatlantic abolitionist movement; the transatlantic adventure novel; the exchanges of transatlantic print culture facilitated by the Minerva Press; British and Anglo-American representations of Niagara Falls; and Charles Brockden Brown's intervention in the literature of exploration. Taken together, the essays underscore the strategic power of the concept of the transatlantic to enable new perspectives on the politics of gender, race, and cultural difference as manifested in late eighteenth- and nineteenth-century Britain and North America.

A transatlantic study focusing on African American resistance through unexplored oratorical and performative testimony in the British Isles.

This book uncovers startling contributions to transatlantic culture and makes the argument that literature is dependent upon other modes of professional creativity in order to thrive.

Dale M. Schlitt presents a study of trinitarian thought as it was understood and debated by the German Idealists broadly—engaging Schelling's philosophical interpretations of Trinity as well as Hegel's—and analyzing how these Idealist interpretations influenced later philosophers and theologians. Divided into different sections, one considers nineteenth-century central Europeans Philipp Marheineke, Isaak August Dorner, and Vladimir Sergeyevich Solovyov under the rubric "testimonials." Another section studies twentieth-century Germans Karl Barth, Karl Rahner, and Wolfhart Pannenberg, who share "family resemblances" with the Idealists, and a third addresses the work of twentieth- and twenty-first century Americans, Robert W. Jenson, Catherine Mowry LaCugna, Joseph A. Bracken, and Schlitt himself, whose work reverberates with what Schlitt terms "transatlantic Idealist echoes." The book concludes with reflection on the overall German Idealist trinitarian legacy, noting several challenges it offers to those who will pursue creative trinitarian reflection in the future.

Spanish poet, playwright, and novelist Félix Lope de Vega (1562–1635) was a key figure of Golden Age Spanish literature, second only in stature to Cervantes, and is considered the founder of Spain’s classical theater. In this rich and informative study, Javier Lorenzo investigates the symbolic use of space in Lope’s drama and its function as an ideological tool to promote an imagined Spanish national past. In specific plays, this book argues, historical landscapes and settings were used to foretell and legitimize the imperial present in Hapsburg Spain, allowing audiences to visualize and plot, as on a map, the country’s expansionist trajectory throughout the centuries. By focusing on connections among space, drama, and empire, this book makes an important contribution to the study of literature and imperialism in early modern Spain and equally to our understanding of the role and political significance of spatiality in Siglo de Oro comedia.

Humboldt and Jefferson explores the relationship between two fascinating personalities: the Prussian explorer, scientist, and geographer Alexander von Humboldt (1769–1859) and the American statesman, architect, and naturalist Thomas Jefferson (1743–1826). In the wake of his famous expedition through the Spanish colonies in the spring of 1804, Humboldt visited the United States, where he met several times with then-president Jefferson. A warm and fruitful friendship resulted, and the two men corresponded a good deal over the years, speculating together on topics of mutual interest, including natural history, geography, and the formation of an international scientific network. Living in revolutionary societies, both were deeply concerned with the human condition, and each vested hope in the new American nation as a possible answer to many of the deficiencies characterizing European societies at the time. The intellectual exchange between the two over the next twenty-one years touched on the pivotal events of those times, such as the independence movement in Latin America and the applicability of the democratic model to that region, the relationship between America and Europe, and the latest developments in scientific research and various technological projects. Humboldt and Jefferson explores the world in which these two Enlightenment figures lived and the ways their lives on opposite sides of the Atlantic defined their respective convictions.