Biographical note: Danae Gallo González, Dr. phil., ist wissenschaftliche Mitarbeiterin für hispanische und lusophone Literatur- und Kulturwissenschaft am Institut für Romanistik der Justus-Liebig-Universität Gießen.

Today it is widely accepted that some people feel they are born in the wrong body, we call them transgender. Can we accept that some people feel that they are born in the wrong era? Can we accept that they are transtime? Twenty-nine-year-old Esme has always felt a pull towards the late eighteenth century and feels isolated in 2015. Meanwhile Zilpha Clarke, a spinster in Swanford, is frustrated with her lot in 1790. Would they really be happier in each other’s eras or would travelling through time only exchange one set of problems for another?

A timely and comprehensive history of female husbands in Anglo-America from the eighteenth through the turn of the twentieth century.

W. G. Sebald meets Maggie Nelson in an autobiographical narrative of embodiment, visual art, history, and loss. How do the bodies we inhabit affect our relationship with art? How does art affect our relationship to our bodies? T Fleischmann uses Felix Gonzáles-Torres’s artworks—piles of candy, stacks of paper, puzzles—as a path through questions of love and loss, violence and rejuvenation, gender and sexuality. From the back porches of Buffalo, to the galleries of New York and L.A., to farmhouses of rural Tennessee, the artworks act as still points, sites for reflection situated in lived experience. Fleischmann combines serious engagement with warmth and clarity of prose, reveling in the experiences and pleasures of art and the body, identity and community.

This title is part of American Studies Now and available as an e-book first. Visit ucpress.edu/go/americanstudiesnow to learn more. In the last decade, public discussions of transgender issues have increased exponentially. However, with this increased visibility has come not just power, but regulation, both in favor of and against trans people. What was once regarded as an unusual or even unfortunate disorder has become an accepted articulation of gendered embodiment as well as a new site for political activism and political recognition. What happened in the last few decades to prompt such an extensive rethinking of our understanding of gendered embodiment? How did a stigmatized identity become so central to U.S. and European articulations of self? And how have people responded to the new definitions and understanding of sex and the gendered body? In Trans*, Jack Halberstam explores these recent shifts in the meaning of the gendered body and representation, and explores the possibilities of a nongendered, gender-optional, or gender-queer future.

The first full-length study of transgender representations in art, fiction, film, video, and music In her first book since the critically acclaimed Female Masculinity, Judith Halberstam examines the significance of the transgender body in a provocative collection of essays on queer time and space. She presents a series of case studies focused on the meanings of masculinity in its dominant and alternative forms’ especially female and trans-masculinities as they exist within subcultures, and are appropriated within mainstream culture. In a Queer Time and Place opens with a probing analysis of the life and death of Brandon Teena, a young transgender man who was brutally murdered in small-town Nebraska. After looking at mainstream representations of the transgender body as exhibited in the media frenzy surrounding this highly visible case and the Oscar-winning film based on Brandon's story, Boys Don’t Cry, Halberstam turns her attention to the cultural and artistic production of queers themselves. She examines the “transgender gaze,” as rendered in small art-house films like By Hook or By Crook, as well as figurations of ambiguous embodiment in the art of Del LaGrace Volcano, Jenny Saville, Eva Hesse, Shirin Neshat, and others. She then exposes the influence of lesbian drag king cultures upon hetero-male comic films, such as Austin Powers and The Full Monty, and, finally, points to dyke subcultures as one site for the development of queer counterpublics and queer temporalities. Considering the sudden visibility of the transgender body in the early twenty-first century against the backdrop of changing conceptions of space and time, In a Queer Time and Place is the first full-length study of transgender representations in art, fiction, film, video, and music. This pioneering book offers both a jumping off point for future analysis of transgenderism and an important new way to understand cultural constructions of time and place.

The IFIP TC6 WG 6.1 Joint International Conference on Formal Techniques for Networked and Distributed Systems, FORTE 2002, was held this year at Rice University, Houston, Texas, on November 11–14. This annual conference provides a forum for researchers and practitioners from universities and industry to meet and advance technologies in areas of speci?cation, testing, and veri?cation of distributed systems and communication protocols. The main topics are: – FDT-based system and protocol engineering. – Semantical foundations. – Extensions of FDTs. – Formal approaches to concurrent/distributed object-oriented systems. – Real-time and probability aspects. – Performance modeling and analysis. – Quality of service modeling and analysis. – Veri?cation and validation. – Relations between informal and formal speci?cation. – FDT-based protocol implementation. – Software tools and support environments. – FDT application to distributed systems. – Protocol testing, including conformance testing, interoperability testing, and performance testing. – Test generation, selection, and coverage. – Practical experience and case studies. – Corporate strategic and ?nancial consequences of using formal methods. A total of 61 papers were submitted to FORTE 2002, and reviewed by m- bers of the program committee and additional reviewers. The program committee selected 22 regular papers, two tool papers, and two posters for presentation at the conference. The program also included three tutorials and ?ve invited talks.