Establishing trans philosophy as a unique field of inquiry, offering tools for our quest toward a more just and equitable world Trans Philosophy defines this burgeoning and polymorphous discipline as philosophical work that is accountable to and illuminative of cross-cultural and global trans experiences, histories, and cultural productions. Across language and politics, feminism and phenomenology, and decolonial theory, it addresses trans worldmaking in all its beauty and mundanity. Critically, the editors center the contributions of trans and gender-nonconforming philosophers from around the globe. Showcasing work from a range of emerging and established voices, Trans Philosophy addresses discrimination, embodiment, identity, language, and law, utilizing diverse philosophical methods to attend to significant intersections between trans experience and class, disability, race, nationality, and sexuality. At a time when trans-exclusionary views are gaining traction in politics as well as philosophy, this volume urgently redraws the contours of trans discourse, centering the wisdom already generated in trans and other gender-disruptive communities. Contributors: Megan Burke, Sonoma State U; Robin Dembroff, Yale U; Marie Draz, San Diego State U; Che Gossett, U of Pennsylvania; Ryan Gustafsson, U of Melbourne; Stephanie Kapusta, Dalhousie U; Tamsin Kimoto, Washington U, St. Louis; Hil Malatino, Pennsylvania State U and Rock Ethics Institute; Amy Marvin, Lafayette U; Marlene Wayar. Retail e-book files for this title are screen-reader friendly.

Few, if any, U.S. writers are as important to the history of world literature as Edgar Allan Poe, and few, if any, U.S. authors owe so much of their current reputations to the process of translation. Translated Poe brings together 31 essays from 19 different national/literary traditions to demonstrate Poe’s extensive influence on world literature and thought while revealing the importance of the vehicle that delivers Poe to the world—translation. Translated Poe is not preoccupied with judging the “quality” of any given Poe translation nor with assessing what a specific translation of Poe must or should have done. Rather, the volume demonstrates how Poe’s translations constitute multiple contextual interpretations, testifying to how this prolific author continues to help us read ourselves and the world(s) we live in. The examples of how Poe’s works were spread abroad remind us that literature depends as much on authorial creation and timely readership as on the languages and worlds through which a piece of literature circulates after its initial publication in its first language. This recasting of signs and symbols that intervene in other cultures when a text is translated is one of the principal subjects of the humanistic discipline of Translation Studies, dealing with the the products, functions, and processes of translation as both a cognitive and socially regulated activity. Both literary history and the history of translation benefit from this book’s focus on Poe, whose translated fortune has helped to shape literary modernity, in many cases importantly redefining the target literary systems. Furthermore, we envision this book as a fountain of resources for future Poe scholars from various global sites, including the United States, since the cases of Poe’s translations—both exceptional and paradigmatic—prove that they are also levers that force the reassessment of the source text in its native literature.

In this book the author critiques the work of various writers within the framework of a globalized study of the Americas.

The Oxford Anthology of the Brazilian Short Story contains a selection of short stories by the best-known authors in Brazilian literature from the late nineteenth century to the present. With few exceptions, these stories have appeared in English translation, although widely separated in time and often published in obscure journals. Here they are united in a coherent edition representing Brazil's modern, vibrant literature and culture. J.M. Machado de Assis, who first perfected the genre, wrote at least sixty stories considered to be masterpieces of world literature. Ten of his stories are included here, and are accompanied by strong and diverse representations of the contemporary story in Brazil, featuring nine stories by Clarice Lispector and seven by Joao Guimaraes Rosa. The remaining 34 authors include Mario de Andrade, Graciliano Ramos, Osman Lins, Dalton Trevisan, and other major names whose stories in translation exhibit profound artistry.The anthology is divided into four major periods, "Tropical Belle-Epoque," "Modernism," "Modernism at Mid-Century," and "Contemporary Views." There is a general introduction to Brazilian literary culture and introductions to each of the four sections, with descriptions of the authors and a general bibliography on Brazil and Brazilian literature in English. It includes stories of innovation (Mario de Andrade), psychological suspense (Graciliano Ramos), satire and perversion (Dalton Trevisan), altered realities and perceptions (Murilo Rubiao), repression and sexuality (Hilda Hilst, Autran Dourado), myth (Nelida Pinon), urban life (Lygia Fagundes Telles, Rubem Fonescal), the oral tale (Jorge Amado, Rachel de Queiroz) and other overarching themes and issues of Brazilian culture. The anthology concludes with a haunting story set in the opera theater in Manaus by one of Brazil's most recently successful writers, Milton Hatoum.

This volume offers a counterbalance to the dismissal that Orosius’s Histories Against the Pagans has suffered in most recent criticism. Orosius is traditionally considered to be a mediocre scholar and an essentially worthless historian. This book takes his literary endeavour seriously, recognizing the unique contribution the Histories made at a crucial moment of debate and uncertainty, where the present was shaped by restructuring the past. The significance of the Histories is recognised intrinsically rather than only in comparison with other texts and authors, principally Augustine of Hippo, Orosius's mentor. The approach of the book is historiographical, exploring the form, purpose, and meaning of the Histories. The themes of divine providence, monotheism, and imperial authority are examined, and the subjects of war and the sack of Rome receive extended analysis. The book foregrounds Orosius's significant historiographical innovations that are seldom explored, such as the subversion of imperial history within a Christian spectrum in the synchronization of the emperor Augustus and Christ. Each chapter contributes to the progression of knowledge about Orosius’s Histories and the wider literary and historiographical culture of disruption that characterised the late fourth and early fifth centuries CE.

What did it mean to be Roman once the Roman Empire had collapsed in the West? Staying Roman examines Roman identities in the region of modern Tunisia and Algeria between the fifth-century Vandal conquest and the seventh-century Islamic invasions. Using historical, archaeological and epigraphic evidence, this study argues that the fracturing of the empire's political unity also led to a fracturing of Roman identity along political, cultural and religious lines, as individuals who continued to feel 'Roman' but who were no longer living under imperial rule sought to redefine what it was that connected them to their fellow Romans elsewhere. The resulting definitions of Romanness could overlap, but were not always mutually reinforcing. Significantly, in late antiquity Romanness had a practical value, and could be used in remarkably flexible ways to foster a sense of similarity or difference over space, time and ethnicity, in a wide variety of circumstances.