TRANS-FUGUE-I
Title | TRANS-FUGUE-I PDF eBook |
Author | R. C. Noyes |
Publisher | |
Pages | 54 |
Release | 1965 |
Genre | Heat |
ISBN |
Power Reactor Technology and Reactor Fuel Processing
Title | Power Reactor Technology and Reactor Fuel Processing PDF eBook |
Author | |
Publisher | |
Pages | 1110 |
Release | 1967 |
Genre | Nuclear engineering |
ISBN |
Reactor and Fuel-processing Technology
Title | Reactor and Fuel-processing Technology PDF eBook |
Author | |
Publisher | |
Pages | 650 |
Release | 1967 |
Genre | Nuclear engineering |
ISBN |
Feasibility Study of a 1000-Mwe Sodium-cooled Fast Reactor: Methods development
Title | Feasibility Study of a 1000-Mwe Sodium-cooled Fast Reactor: Methods development PDF eBook |
Author | North American Aviation. Atomics International Division |
Publisher | |
Pages | 192 |
Release | 1966 |
Genre | Nuclear reactor kinetics |
ISBN |
Simulation of Reactor Dynamics
Title | Simulation of Reactor Dynamics PDF eBook |
Author | R. A. Blaine |
Publisher | |
Pages | 120 |
Release | 1967 |
Genre | Nuclear reactors |
ISBN |
Government-wide Index to Federal Research & Development Reports
Title | Government-wide Index to Federal Research & Development Reports PDF eBook |
Author | |
Publisher | |
Pages | 1576 |
Release | 1966 |
Genre | Government publications |
ISBN |
Schenker's Argument and the Claims of Music Theory
Title | Schenker's Argument and the Claims of Music Theory PDF eBook |
Author | Leslie David Blasius |
Publisher | Cambridge University Press |
Pages | 176 |
Release | 1996-10-03 |
Genre | Music |
ISBN | 0521550858 |
Heinrich Schenker's theoretical and analytical works claim to resubstantiate the unique artistic presence of the canonic work, and thus reject those musical disciplines such as psychoacoustics and systematic musicology which derive from the natural sciences. In this respect his writing reflects the counter-positivism endemic to the German academic discourse of the first decades of the twentieth century. The rhetoric of this stance, however, conceals a sophisticated programme wherein Schenker situates his project in relation to these sciences, arguing his reading of the musical text as a synthesis of a descriptive psychology and an explanatory historiography (which itself embeds both paleographic and philological assumptions). This book rereads Schenker's project as an attempt to reconstruct music theory as a discipline against the background of the empirical musical sciences of the later nineteenth century.