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Each suicide is as unique as the individuals involved, especially if one examines the nature of the act and to what extent these acts can be viewed as a theatrical performance. Focusing on the dramatic aspects of suicide may seem tangential to the physical and mental pain experienced by those who try to kill themselves, but dramatic aspects often provide important clues for understanding the mental state of suicidal individuals. David Lester and Steven Stack investigate what happens in the weeks, days and hours before a suicide when the suicidal individual must make decisions and formulate the script for his or her suicidal act. The editors argue that these choices may help us understand and prevent other suicides and stimulate new and innovative research in this important area. Through twenty-five substantive chapters, including both quantitative and qualitative analyses, this book offers insights into suicide as a dramatic act, with chapters on the intended audience, the suicide note, the location and method chosen, and cultural scripts, including suicide-by-cop, sati, seppuku, and duels. The contributors to this volume argue that psychological, social, and cultural factors influence these choices and that the decisions made by the individual are important for understanding the mental state of the person choosing to die by suicide.

This book presents a review and criticism of all sociological literature on suicide, from Emile Durkheim's influential Suicide (1897) to contemporary writings by sociologists who have patterned their own work on Durkheim's. Douglas points out fundamental weaknesses in the structural-functional study of suicide, and offers an alternative theoretical approach. He demonstrates the unreliability of official statistics on suicide and contends that Durkheim's explanations of suicide rates in terms of abstract social meanings are founded on an inadequate and misleading statistical base. The study of suicidal actions, Douglas argues, requires an examination of the individual's own construction of his actions. He analyzes revenge, escape, and sympathy motives; using diaries, notes, and observers' reports, he shows how the social meanings of actual cases should be studied. Originally published in 1967. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Written with the same graceful narrative voice that made his bestselling National Book Award finalist The Big House such a success, George Howe Colt's November of the Soul is a compassionate, compelling, thought-provoking, and exhaustive investigation into the subject of suicide. Drawing on hundreds of in-depth interviews and a fascinating survey of current knowledge, Colt provides moving case studies to offer insight into all aspects of suicide -- its cultural history, the latest biological and psychological research, the possibilities of prevention, the complexities of the right-to-die movement, and the effects on suicide's survivors. Presented with deep compassion and humanity, November of the Soul is an invaluable contribution not only to our understanding of suicide but also of the human condition.

Critical reading for parents, educators, and anyone wanting to understand the tragic epidemic of suicide—”a powerful book [that] will change people's lives—and, doubtless, save a few" (Newsday). The first major book in a quarter century on suicide—and its terrible pull on the young in particular—Night Falls Fast is tragically timely: suicide has become one of the most common killers of Americans between the ages of fifteen and forty-five. From the author of the best-selling memoir, An Unquiet Mind—and an internationally acknowledged authority on depression—Dr. Jamison has also known suicide firsthand: after years of struggling with manic-depression, she tried at age twenty-eight to kill herself. Weaving together a historical and scientific exploration of the subject with personal essays on individual suicides, she brings not only her remarkable compassion and literary skill but also all of her knowledge and research to bear on this devastating problem. This is a book that helps us to understand the suicidal mind, to recognize and come to the aid of those at risk, and to comprehend the profound effects on those left behind.