The American Cowboy, Cowpoke, Cowhand, Vaquero, Buckaroo, etc. Lariets, Lass Ropes, Hackamores, Saddles, and Spurs. A comprehensive accurate, and colorful story of the Cowboy and his Horse. Profusely illustrated with the fascinating and lively drawings of Jo Mora!

Throughout the length and breadth of the sun-bleached cow town of Mescal, Arizona, seethes an undercurrent of suppressed excitement. In front of the town’s blacksmith shop a group of Mormon homesteaders gather about their potential leader, Webb Nichols, in grave discussion. In a lodge room the special meeting of the Magdalena Stockmen’s Association, comprising the big cow outfits of the county, has turned into a deluge of hot words and very pointed accusations. Is the long conflict between the homesteaders and the big outfits about to flare into violence again? For years this particular part of Arizona has been a rustler’s paradise. And as long as homesteaders like Webb Nichols and Shad Caney cover up for the rustlers, the notorious Steve Jennings among them, they’re asking for trouble from the big cattlemen. The Association decides to bring matters to a head by calling in Clay Roberts, a lone wolfer stock-detective with a reputation for getting results. “It don’t seem like one man could make much hell for us,’’ says Webb Nichols, but in that thought Webb, as he is soon to discover, couldn’t be more wrong. Clay Roberts has a couple of strikes on him from the beginning in Deputy Sheriff Dufors, a weak and embittered tool of the homesteaders, and in Webb and Shad, whose bitter, unreasoning feud is carried on by their children during school hours. These youthful hatreds make life miserable for the pretty new teacher, Eudora Stoddard, who is startled one day to find herself sheltering the head of the rustlers, Steve Jennings. From then on matters get tougher by the minute. Men who should be seeing eye to eye regard one another with cold hostility, the grisly episode at Parley Scott’s takes place, the rustlers move in on one of the big cowmen and Clay heads for the hills in deadly pursuit, only to find himself forced to save the life of the dangerous rustler he is hired to capture. And that is only the beginning of new trouble for the fearless stock-detective, the cattlemen, and pretty Eudora Stoddard, whom Clay had hoped to make his wife.

An essential addition to any collection of Western art and Americana, The Life and Times of Jo Mora provides an in-depth biography of this gifted illustrator, painter, writer, cartographer, and sculptor. Jo Mora (1876–1947) lived the Western life he depicted in his prolific body of visual art, comprising sculpture, paintings, architectural adornments, dioramas, and maps. He explored California Missions, the natural glories of Yosemite, California’s ranch life, and eventually the culture of the Hopi and Navajo in Arizona. During his travels, Mora documented observations that became the source material and inspiration for much of his later artwork. The magnitude of Mora’s insights into his life and work, as described in his own words—many presented here in this book—cannot be underestimated. Jo Mora’s many diaries, journals, and literary efforts reveal an intellectual discernment, originality, and humor that enhance our appreciation of his work. Remarkably, throughout his life Mora supported his family solely through a series of art commissions that ranged from restaurant murals to heroic-scale sculpture. He welcomed risks and challenges, was unafraid of hard work, and did nearly everything well, from writing children’s stories to commanding an army battalion-in-training to shooting mountain lions. Ever modest, he seemed to think that this versatility was nothing extraordinary. Peter Hiller’s thoughtful presentation of Jo Mora’s life is seen here in all of its creative glory.

Eleven-year-old Fish Rawlings has always wanted to be a cowboy. Now, in the spring of 1868, he has his chance. His uncle is driving a cattle herd across Texas, and Fish is going with him as far as Horsehead Crossing on the Pecos River. Little does Fish know that he is saddling up for the wildest rides of his life. With his cousin Gid, Fish is about to face mean broncs, angry longhorns, and a dozen cowboys ready to play pranks. The days ahead will be filled with sandstorms and stampedes, lightning and twisters. It's the roughest stretch of cattle trail in Texas, and it will either make a cowhand out of a boy or break him.

What does it take to raise cattle in the 21st century? Ask John Erickson. For any aspiring cowboy, this is an essential guide.

Best known to Americans as the “singing cowboy,” beloved entertainer Gene Autry (1907–1998) appeared in countless films, radio broadcasts, television shows, and other venues. While Autry’s name and a few of his hit songs are still widely known today, his commitment to political causes and public diplomacy deserves greater appreciation. In this innovative examination of Autry’s influence on public opinion, Michael Duchemin explores the various platforms this cowboy crooner used to support important causes, notably Franklin D. Roosevelt’s New Deal and foreign policy initiatives leading up to World War II. As a prolific performer of western folk songs and country-western music, Autry gained popularity in the 1930s by developing a persona that appealed to rural, small-town, and newly urban fans. It was during this same time, Duchemin explains, that Autry threw his support behind the thirty-second president of the United States. Drawing on a wealth of primary sources, Duchemin demonstrates how Autry popularized Roosevelt’s New Deal policies and made them more attractive to the American public. In turn, the president used the emerging motion picture industry as an instrument of public diplomacy to enhance his policy agendas, which Autry’s films, backed by Republic Pictures, unabashedly endorsed. As the United States inched toward entry into World War II, the president’s focus shifted toward foreign policy. Autry responded by promoting Americanism, war preparedness, and friendly relations with Latin America. As a result, Duchemin argues, “Sergeant Gene Autry” played a unique role in making FDR’s internationalist policies more palatable for American citizens reluctant to engage in another foreign war. New Deal Cowboy enhances our understanding of Gene Autry as a western folk hero who, during critical times of economic recovery and international crisis, readily assumed the role of public diplomat, skillfully using his talents to persuade a marginalized populace to embrace a nationalist agenda. By drawing connections between western popular culture and American political history, the book also offers valuable insight concerning the development of leisure and western tourism, the information industry, public diplomacy, and foreign policy in twentieth-century America.