Drawn from the Chu-tsing Li collection of modern and contemporary Chinese paintings--the finest and most comprehensive of its kind in the West--A Tradition Redefined is the first in-depth exploration of the development of Chinese ink painting during the last half century. These extraordinary paintings demonstrate the reinvigoration of classical techniques and materials by artists throughout Mainland China, Taiwan, Hong Kong, and abroad working with distinctly contemporary perspectives. Illuminating essays situate these new works within the rich history of ink painting in China, revealing how avant-garde artists, schools, and trends evoke traditional and early modern Chinese art while engaging with developments in the international art world. With artist biographies and handsome reproductions of many previously unpublished paintings, this book is essential for scholars and collectors of Asian art as well as for participants in the increasingly globalized contemporary art scene. Distributed for the Harvard Art Museum Exhibition Schedule: Arthur M. Sackler Museum, Harvard University Art Museums (November 3, 2007 - January 27, 2008) Phoenix Art Museum, Arizona (June 28 - September 14, 2008) Norton Museum of Art, West Palm Beach, Florida (October 11, 2008 - January 4, 2009) Spencer Museum of Art, University of Kansas, Lawrence (February 11 - May 24, 2009)

This book explores examples of this process of invention and addresses the complex interaction of past and present in a fascinating study of ritual and symbolism.

This new text is a detailed study of an important process in modern Indian history. During the late nineteenth and early twentieth century, India experienced an intellectual renaissance, which owed as much to the influx of new ideas from the West as to traditional religious and cultural insights. Gosling examines the effects of the introduction of Western science into India, and the relationship between Indian traditions of thought and secular Western scientific doctrine. He charts the early development of science in India, its role in the secularization of Indian society, and the subsequent reassertion, adaptation and rejection of traditional modes of thought. The beliefs of key Indian scientists, including Jagadish Chandra Bose, P.C. Roy and S.N. Bose are explored and the book goes on to reflect upon how individual scientists could still accept particular religious beliefs such as reincarnation, cosmology, miracles and prayer. Science and the Indian Tradition gives an in-depth assessment of results of the introduction of Western science into India, and will be of interest to scholars of Indian history and those interested in the interaction between Western and Indian traditions of intellectual thought.

Cullman & Kravis, an AD100 Hall of Fame design firm, creates interiors in a fresh traditional style that celebrates color, unique furnishings and finishes, vibrant modern art, and the best antiques. This is their most comprehensive book in many years and celebrates a renowned firm working at the peak of its forty-year practice. Ceaseless in its pursuit to create “an alchemy of old and new,” the highly esteemed firm of Cullman & Kravis is renowned for its ability to fashion modern, cohesive, richly layered homes rooted in tradition and the respect for function and decoration. Utilizing their decades of experience, they build out rooms from the finest classical foundations, then infuse bold, stylish, and modish elements, mixing exquisite antiques with contemporary art to create truly dynamic spaces conceived to stand the test of time. The homes in this book (the majority exclusive to the volume) include sumptuous Manhattan apartments, a historic house overlooking the Long Island Sound, a contemporary beach house in the Hamptons, and a modern minimalist Palm Beach waterfront estate. Cullman & Kravis explain their approach to each, from the big picture of client preference to the smallest detail. In the process, they deliver a master class in twenty-first-century design that covers such topics as: creative solutions for imparting personality, texture, and shine, with carpets, fabrics, and finishes; when to use custom furniture and artisanal/craft/art pieces; and when to embellish with standout details and when to keep things subtle. With spectacular photography from Eric Piasecki, this volume will be a must-have for every enthusiast of interior design.

Brown's theory of tradition stands on its own as a significant contribution to the academic study of religions, but it also provides the framework for a challenging critique of contemporary American theologies—conservative, liberal, and radical — and the basis for a novel understanding of the significance of the racial/ethnic, feminist, and class-identified theologies now emerging.

"At a time when much literary criticism remains deliberately abstruse and unduly professionalized, this book, at once anecdotal and quietly argumentative, feels like nothing so much as a fine collection of short stories about the most fascinating people you never met."—Morris Dickstein, author of A Mirror in the Roadway "To read this book is to watch the workings of a brilliant mind—sharp, quirky, always ready to reimagine texts we thought we knew well and to shed light on others we might have passed over. Campbell fits into no theoretical camp: he is simply one of the rare critics on whom, to cite Henry James, 'nothing is lost.'"—Marjorie Perloff, author of Wittgenstein's Ladder "Rises above the usual divisions in American literature. James Campbell is one of the most eloquent and consistently challenging writers on the British literary scene."—Caryl Phillips, author of Dancing in the Dark