Ordet tradition kan tillægges mange betydninger, og som begreb har det en lang historie bag sig i den vestlige kultur. Selve ordet stammer fra det latinske tradere, at overlevere, og er et vigtigt begreb, når man forsøger at tolke det antikke menneskes sociale relationer ud fra arkæologiske fund. Forandring kan ikke forklares uden man kender til og er bevidst om den materielle kultur set over en længere tidsperiode. Derfor søger arkæologer ved hjælp af longue durée-perspektivet at spore vedvarende forandringer i det arkæologiske materiale. Dette rigt illustrerede værk fører læseren fra det forhistoriske Santorini til senantikkens Rom, fra detaljerede tekstilbeskrivelser til prædikantlister hugget i sten, for at undersøge, hvordan tradition har spillet en rolle i overleveringen af kultur. Hver af bogens bidragydere undersøger et specifikt aspekt af traditionens afgørende rolle i forståelsen af, hvordan identitet skabes og bevares i antikkens verden. Kultiske ritualer, brugen af magiske objekter og symboler, offerfund i græske helligdomme, begravelsesportrætter og jernalderens keramik er blandt de mange elementer, der bliver beskrevet. Tradition viser, hvordan kultur er iboende i os alle, og hvordan handlinger og objekter spiller en afgørende rolle i kulturel kontinuitet og forandring. Med sin grundige tværfaglige tilgang til emnet tilfører Tradition ny viden til forståelsen af den klassiske og antikke verden. Bidragydere: Niels Bargfeldt/Cecilie Brøns/Jane Fejfer/Solvejg Hansen/Signe Isager/Ifke van Kam-pen/Arja Karivieri/Jens Krasilnikoff/Eva Mortensen/Christian Mühlenbock/Marjatta Nielsen/Nora Petersen/Rubina Raja/Sine Grove Saxkjær & Jan Kindberg Jacobsen/Stine Schierup/Lone Wriedt Sørensen/Christina Videbech/Kristina Winther-Jacobsen. Jane Fejfer er lektor i klassisk arkæologi på Københavns Universitet Mette Moltesen er tidligere museumsinspektør ved Ny Carlsberg Glyptotek. Annette Rathje er lektor emerita i klassisk arkæologi ved Københavns Universitet. Tradition – from the Latin tradere, literally to hand over or hand down – has many meanings and as a concept has a long history in Western culture. When using archaeological remains to interpret the social relations of people of Antiquity, tradition becomes an important concept. We cannot explain change without knowing and being conscious of la longue durée of material culture. Thus, over a long-term perspective archaeologists seek to trace a record of continual change. This lavishly illustrated book takes readers from prehistoric Santorini to Late Antique Rome and discusses the role of tradition in the transmission of culture and the creation, maintenance and negotiation of identity in the ancient world. Covering a wide array of subjects, including cultic rituals and the use of magical objects and symbols, votive traditions in Greek sanctuaries, funerary portraits, and Iron Age pottery, Tradition reveals how culture inheres in each and how actions and objects alike play a role in the continuation and change of culture. With its thoroughly interdisciplinary approach, Tradition breaks new ground in the studies of the classical and ancient world. Contributors: Niels Bargfeldt/Cecilie Brøns/Jane Fejfer/Solvejg Hansen/Signe Isager/Ifke van Kampen/Arja Karivieri/Jens Krasilnikoff/Eva Morten-sen/Christian Mühlenbock/Marjatta Nielsen/Nora Petersen/Rubina Raja/Sine Grove Saxkjær & Jan Kindberg Jacobsen/Stine Schierup/Lone Wriedt Sørensen/Christina Videbech/Kristina Winther-Jacobsen. Jane Fejfer is associate professor of classical archaeology at the University of Copenhagen. Mette Moltesen is former curator of Ancient Sculp-ture at Ny Carlsberg Glyptotek in Copenhagen. Annette Rathje is associate professor emerita of classical archaeology at the University of Copenhagen.

In Society in Action, Piotr Sztompka sets forth a highly topical contribution to central theoretical debates of contemporary sociology. Taking the idea and practice of collective mobilization as his theme, Sztompka argues that modern institutions, particularly of late, are characterized by an increasing awareness of collective empowerment. The most obvious concrete expression of this phenomenon, as Sztompka makes clear, is the rise of a diversity of active social movements such as those which dramatically transformed Europe in the 1980s, from the birth of Solidarity in 1980 to the 1989 "Autumn of Nations." Sztompka connects the interpretations of such collective activity to a wider grasp of the nature of social action. The result is a comprehensive and original theory of social change which focuses on the self-transforming influence on society of its members' striving for freedom, autonomy, and self-fulfillment. He develops his theory by means of a general concept of "social becoming," the roots of which he traces to the early romantic and humanist work of Karl Marx and his followers and to two influential sociological schools of today, the theory of agency and historical sociology. Sztompka situates his theory midway between the rigid determinism of social totalities and the unbridled voluntarism of free individuals. Social change, he demonstrates, can be understood neither as the outcome of individual actions taken alone nor as structurally determined actions. Instead, he confers upon social organizations and movements a "self-transcending" quality: they express human agency yet, by virtue of their active character, are quite often able to achieve unpredictable outcomes. Throughout his analysis of social movements and revolutions in history, Sztompka emphasizes the dynamics of spontaneous social change generated from below—a theoretical testimony to the rapid and fundamental social change in Eastern Europe in recent history. Against the fashions of postmodernist malaise, boredom, and disenchantment, his theory of social becoming expresses the possibility of emancipation, of change leading to positive gains. His work registers a belief in progress, not inevitably gained, but its attainment fully dependent upon the creativity and optimism of an active citizenry.

On the world stage, the Holy See acts as both a religious and a political actor. As the head of over 1.2 billion Catholics, the pope is a widely recognized spiritual authority. Politically, the Holy See maintains diplomatic relations with other states and actively participates in international organizations such as the United Nations. A Living Tradition examines the normative sources and the dilemmas underpinning papal diplomacy. It does so in the context of four diverse case studies: the Vietnam War, John Paul II and Poland, the United Nations conferences in Cairo and Beijing, and the global campaign for debt relief. While Catholic Social Doctrine offers a principled basis for Holy See diplomacy, living out religious norms is more complicated than simply preaching them, especially in global politics. This process leads to political and ethical policy dilemmas as well as to changing patterns of conflict and cooperation with other international actors. By drawing upon unpublished archival documents from five countries, A Living Tradition offers a fresh and interdisciplinary view of both Catholic Social Doctrine and papal diplomacy that explores a key issue of the religious resurgence we are experiencing in the twenty-first century: how religious traditions function in global politics.

Why is Old English poetry so preoccupied with mental actions and perspectives, giving readers access to minds of antagonists as freely as to those of protagonists? Why are characters sometimes called into being for no apparent reason other than to embody a psychological state? Britt Mize provides the first systematic investigation into these salient questions in Traditional Subjectivities. Through close analysis of vernacular poems alongside the most informative analogues in Latin, Old English prose, and Old Saxon, this work establishes an evidence-based foundation for new thinking about the nature of Old English poetic composition, including the 'poetics of mentality' that it exhibits. Mize synthesizes two previously disconnected bodies of theory – the oral-traditional theory of poetic composition, and current linguistic work on conventional language – to advance our understanding of how traditional phraseology makes meaning, as well as illuminate the political and social dimensions of surviving texts, through attention to Old English poets' impulse to explore subjective perspectives.