A comprehensive overview of New Mexican folk arts from the 16th century to the present time.

It rises suddenly out of the Sonoran Desert landscape, towering over the tallest tree or cactus, a commanding building with a sensuous dome, elliptical vaults, and sturdy bell towers. There is nothing else like it around, nor does it seem there should be. This incongruity of setting is what strikes first-time visitors to Mission San Xavier del Bac. This great church is of another place and another time, while its beauty is universal and timeless. Mission San Xavier del Bac is a two-century-old Spanish church in southern Arizona located just a few miles from downtown Tucson, a metropolis of more than half a million people in the American Southwest. A National Historic Landmark since 1963, the missionÕs graceful baroque art and architecture have drawn visitors from all over the world. Now Bernard FontanaÑthe leading expert on San XavierÑand award-winning photographer Edward McCain team up to bring us a comprehensive view of the mission as weÕve never seen it before. With 200 stunning full-color photographs and incisive text illuminating the religious, historical, and motivational context of these images, A Gift of Angels is a must-have for tourists, scholars, and other visitors to San Xavier. From its glorious architecture all the way down to the finest details of its art, Mission San Xavier del Bac is indeed a gift of angels.

Coca's Gone examines the legacy of violence and shattered expectations that shaped the stories told by people of Peru's Upper Huallaga Valley in the aftermath of a twenty-year cocaine boom.

A study and edition of one of the most ignored works of early Spanish literature because of its strong sexual content, this work examines the social ideology that conditioned the reactions of people to the events it describes as well as Fernando de Rojas's masterpiece, Celestina.

'War of Shadows' is the haunting story of a failed uprising in the Peruvian Amazon - told largely by people who were there. Anthropologists Brown and Fernández write about an Amazonian people whose contacts with outsiders have repeatedly begun in hope and ended in tragedy.