“Jane Porter at her best . . . Kalen Nuri’s a superb sheikh hero, dangerous and sexy and oh, so deliciously alpha. Highly recommended!” —Romance Readers Connection Showered with diamonds: Many women have enjoyed the numerous benefits of being Sheikh Kalen Nuri’s mistress. Draped in exquisite lingerie: Not one of them has managed to keep him interested for very long. Whisked around the world: Kalen has given beautiful and independent Keira all of these things and more—but she’s still refusing to be his! And Keira’s the woman who’s been chosen as Kalen’s virgin bride . . . “Set in the land of shimmering heat, soft sand dunes, camels and tall, shady palm trees,The Sheikh’s Virginpromises passion, seduction and an intriguing dose of the unpredictability too.” —The Best Reviews

The Sheikh's wife is back...in his bed! Sheikh Kahlil al–Assad hasn't forgiven Bryn for abandoning her wedding vows. Then he discovers that he's also missed out on the first years of his son's life. Kahlil decides to take revenge. Bryn didn't realize they are still husband and wife! She knows she can't deny Ben the daddy he's been asking for. So she agrees to return to Kahlil's desert kingdom. There she finds herself consigned to the harem quarters, where she must prepare for being taken back...into the Sheikh's bed!

'You belong to me.' In the desert, Sheikh Kavian's word is law. So the defiance of his promised Queen Amaya, who flees after their betrothal ceremony, is intolerable! Kavian's already tasted her sweetness, perhaps his reluctant bride-to-be needs reminding of the pleasure he can give... Once Amaya is back in his kingdom, Kavian commands her total sensual surrender in the secluded harem baths. Amaya fears such all-consuming lust makes her weak, but she's proven she can match his desire. Kavian needs a queen who can endure everything about him — can Amaya face his dark past and embrace her desert destiny?

When Rose was whisked away from London to Prince Khalim's desert palace on board his private jet, he treated her more like a princess than an employee. Yet she knew she could never be his wife. An appropriate bride would be chosen and he would have to live his life of duty. But now their need for each other was so demanding—all she could do was surrender to the sheikh….

This book, the first full-length cross-period comparison of medieval and modern literature, offers cutting edge research into the textual and cultural legacy of the Middle Ages: a significant and growing area of scholarship. At the juncture of literary, cultural and gender studies, and capitalizing on a renewed interest in popular western representations of the Islamic east, this book proffers innovative case studies on representations of cross-religious and cross-cultural romantic relationships in a selection of late medieval and twenty-first century Orientalist popular romances. Comparing the tropes, characterization and settings of these literary phenomena, and focusing on gender, religion, and ethnicity, the study exposes the historical roots of current romance representations of the east, advancing research in Orientalism, (neo)medievalism and medieval cultural studies. Fundamentally, Representing Difference invites a closer look at medieval and modern popular attitudes towards the east, as represented in romance, and the kinds of solutions proposed for its apparent problems.

Prince al Drac''ar al Karim, Sheikh of Dhurahn,must find a bride for his brother—and whobetter than Englishwoman Sadie Murray, whois stranded and jobless in the desert. But Drax must make sure that Sadie is asvirginal as she seems. While he has her in hispower she''s his to command, and he''ll test herwife-worthiness at every opportunity.