Tracks We Share: Contemporary Art of the Pilbara celebrates the Aboriginal artists and artwork of Western Australia's Pilbara region in a landmark exhibition opening 11 March 2022 at The Art Gallery of Western Australia.A collaboration between FORM; The Art Gallery of Western Australia; Aboriginal art centres Cheeditha Art Group, Juluwarlu Art Group, Martumili Artists, Spinifex Hill Studio, and Yinjaa-Barni Art; and independent artists Katie West, Curtis Taylor, and Jill Churnside; Tracks We Share brings together more than 70 artists and over 200 artworks.This extraordinary body of work features the most exciting contemporary art coming out of the region while paying homage to the legacy that has informed it, offering a rare and broad-reaching insight into the region's artistic output over the years. The exhibition is one of the final stages in a multi-year project that maps the breadth of the region's diverse creative practice and honours the unique space the Pilbara's Aboriginal artists have carved out amongst contemporary Australian art.The title of the show was devised by a group of the exhibiting artists and references the many language groups and diverse Country of the Pilbara, while acknowledging the physical, cultural and artistic tracks that connect them all.Tracks We Share: Contemporary Art of the Pilbara will be accompanied by a publication, a public program of events and an education kit, details of which will be released in the coming months. Sign up for updates at www.tracksweshare.com.au.

The rule of law for Tawny owl forbids crossing the borders to no man's land. The young Tawny owl Olmo decides to resist this ancient rule, too much fascinated by the dark secrets of ancient times. Unafraid, he leaves his desolate homeland and embarks on a life-threatening journey. But his decision has serious consequences that will dramatically change the lives of the owl population. ‘A moving story that can hardly be thought more exemplary as a fable of the entanglement of people of our time. I hope this book is widely read.’ (Hans Bemmann, author of ‘The Stone and the Flute’ ) ‘Am an Owl’ is published for the first time in the original language. A relentless system regulates the coexistence of Barn owls, Tawny owls and Little owls. In the land of the owls, violations of these ancient rules are punished with death. But a new era has begun: former enemies inevitably become allies in the fight against a common, old enemy. With poetic wit and captivating powers of observation, Martin Hocke has woven this fantastic trilogy of novels, which revolves around owls and other nocturnal birds, into a parable that stands in the tradition of ‘Watership Down’ and ‘Wind in the Willows’ . Individual volumes: ‘Ancient Solitary Reign’ , ‘The Lost Domain’, ‘Am an Owl’

This is a comprehensive, yet unusual, book on the faith and life of Baptist Christians. It explores a Baptist understanding of the church, ministry, sacraments, and mission from a thoroughly theological perspective. In a series of interlinked essays, the author relates Baptist identity to a theology of covenant, and to participation in the communion of the triune God. The book thus surveys the tracks of heritage, giving a solid historical background to each of the major themes, while at the same time offering traces of possible paths for the future, based on a tracing out of a vision of God.

Now with a new chapter on the Wildcats' legendary comeback in the 2014 Final Four John Calipari, one of the most successful coaches in NCAA history, presents the world of college basketball from the coach's chair, unvarnished and straight from the heart. Players First is Calipari's account of his first six years coaching the University of Kentucky men's team, leading it to a national championship in 2012 and the championship game in 2014, all while dealing with the realities of the "one-and-done" mentality and an NCAA that sometimes seems to put players last. Filled with revelatory stories about what it takes to succeed at the highest level of the college game, Players First is a candid look at the great players and rivalries that have filled Calipari's life with joy and a sense of purpose.

A cutting-edge study grounded in a new feminist arts-based research and intervention tool, this book propounds an effective new methodology for social research and fundamental human engagement.

Sometimes the lives we lead don’t fit our natures. Ross Rowen, heir to a pharmaceutical fortune, deserts the velvet life of wealth and haute culture to live in poverty among blue-collar laborers. Shannon Flavin deserts a troubled family to take her place in the great Manhattan. They meet in the diner where Shannon waitresses and instantly fall in love. When Ross accosts a Vietnam War protestor, they travel to Shannon’s home in Blue Water, New Jersey. Life in the backwater resort clashes with Ross’s quixotic temperament. They return to Manhattan, but life in a Midtown mansion doesn’t match Shannon’s guileless disposition. She doesn’t belong in the gilded society Ross saunters through. She doesn’t belong among Ross’s intellectual friends. She returns alone to Blue Water. The broken tracks on the beach at Blue Water lead to reconciliation and the novel’s fundamental insight—it is not possible to cure a life. Misfits in the greater life of the world, they fit into one another’s life, perfectly. Shannon rescued Ross from a debauched life in New York. Ross follows her to Blue Water and learns what love requires. In the novel’s tumultuous close, Ross risks death to save the love of his life.