This atlas presents a concrete tool to identify xylophagous activity by the remains they left in wooded areas in Western Europe. Xylophagous insects are among the largest predators of woody tissues. They leave discriminating traces, different for each species according to their bioecology, and so it is necessary to know how to recognize and characterize them. The book is a practical tool to help identify and interpret them through a standardized presentation of the most ubiquitous families and a key to their determination. It presents descriptions of the galleries and of morphometry of the faecal pellets based on macroscopic features for xylophagous identification, and includes information about the origin and distribution of the xylophagous biological cycles, bioclimatic conditions and bioecology, and the type of woods that are attacked. The book will be a useful guide for forest managers, heritage conservationists, environmental engineers, bioarchaeologists, entomologists, loggers, and wood anatomists.

This book is devoted to the ichnology of insects, and associated trace fossils, in soils and paleosols. The traces described here, mostly nests and pupation chambers, include one of the most complex architectures produced by animals. Chapters explore the walls, shapes and fillings of trace fossils followed by their classifications and ichnotaxonomy. Detailed descriptions and interpretations for different groups of insects like bees, ants, termites, dung beetles and wasps are also provided. Chapters also highlight the the paleoenvironmental significance of insect trace fossils in paleosols for paleontological reconstructions, sedimentological interpretation, and ichnofabrics analysis. Readers will discover how insect trace fossils act as physical evidence for reconstructing the evolution of behavior, phylogenies, past geographical distributions, and to know how insects achieved some of the more complex architectures. The book will appeal to researchers and graduate students in ichnology, sedimentology, paleopedology, and entomology and readers interested in insect architecture.

The idea of the book “Science and Conservation for Museum Collections” was born as a result of the experience made by CNR-ISTEC (Faenza) in the implementation of a course for Syrian restorers at the National Museum in Damascus. The book takes into consideration archaeological artefacts made out of the most common materials, like stones (both natural and artificial), mosaics, ceramics, glass, metals, wood and textiles, together with less diffuse artefacts and materials, like clay tablets, goldsmith artefacts, icons, leather and skin objects, bones and ivory, coral and mother of pearl. Each type of material is treated from four different points of view: composition and processing technology; alteration and degradation causes and mechanisms; procedures for conservative intervention; case studies and/or examples of conservation and restoration. Due to the high number of materials and to the great difference between their conservation problems, all the subjects are treated in a schematic, but precise and complete way. The book is mainly addressed to students, young restorers, conservators and conservation scientists all around the world. But the book can be usefully read by expert professionals too, because nobody can know everything and the experts often need to learn something of the materials not included in their specific knowledge. Twenty- two experts in very different fields of activity contributed with their experience for obtaining a good product. All they are Italian experts, or working in Italy, so that the book can be seen as an exemplification on how the conservation problem of Cultural Heritage is received and tackled in Italy. —————————————————— SCIENCE AND CONSERVATION FOR MUSEUM COLLECTIONS INTRODUCTION 1 – PREVENTIVE CONSERVATION 1.1 Introduction 1.2 International standards and guidelines 1.3 Environment-material interaction 1.4 Microclimate and monitoring 1.5 Handling works of art 1.6 Exhibition criteria 1.7 MUSA project: intermuseum network for conservation of artistic heritage Bibliography Acknowledgements 2 – STONE ARTEFACTS 2.1 What conservation means 2.2 Natural Stones 2.3 Artificial stones 2.4 Deterioration of the stone 2.5 Cleaning of stone artefacts 2.6 Consolidation and Protection 2.7 Case studies Bibliography 3 – MOSAICS 3.1 Manufacturing techniques 3.2 History of the mosaic 3.3 Degradation of mosaic 3.4 Restoration of mosaics 3.5 Case study Bibliography 4 – CERAMICS 4.1 Ceramic technology 4.2 Technological classification of ceramics 4.3 Alteration and degradation processes 4.4 Ceramic conservation and restoration 4.5 Case studies 4.6 Examples of restoration Bibliography Acknowledgements 5 – CLAY TABLETS 5.1 Defnition 5.2 Deterioration 5.3 Conservative intervention 5.4 Case study: Syrian tablets Bibliography Acknowledgements 6 – GLASS 6.1 General information 6.2 Processing techniques 6.3 Glass deterioration 6.4 Glass conservation and restoration 6.5 Case studies Bibliography Acknowledgements 7 – METALS 7.1 Origin of metals 7.2 Manufacturing techniques 7.3 Conservation state of metals 7.4 Conservative intervention for metals 7.5 Case studies: Recovery of metallic artefacts from terracotta containers Bibliography Acknowledgements 8 – GOLDSMITH ARTEFACTS 8.1 Goldsmith’s metals 8.2 Enamels 8.3 Precious stones 8.4 Alteration and degradation 8.5 Conservative intervention 8.6 Case studies Bibliography 9 – WOOD ARTEFACTS 9.1 Characteristics of the wood 9.2 Working techniques 9.3 Degradation of wood 9.4 How to start restoring 9.5 Restoration of a small inlaid table 9.6 Restoration of a commemorating wooden tablet 9.7 The restoration of a seventeenth-century wooden crucifix Bibliography 10 – ICONS 10.1 The construction of icons 10.2 Degradation and damages of icons 10.3 Methods of conservation and restoration of icons 10.4 Examples of conservative interventions Bibliography 11 – TEXTILE FINDS 11.1 Morphology, characteristics and properties of textiles 11.2 Decay of textile fibres 11.3 Conservation treatments of archaeological textiles 11.4 Conservation practice: two case histories Bibliography Acknowledgements 12 – LEATHER AND ANIMAL SKIN OBJECTS 12.1 Introduction 12.2 Skin 12.3 The tanning process 12.4 Parchment 12.5 Leather degradation 12.6 Conservative intervention 12.7 Examples of conservative interventions Bibliography 13 – INORGANIC MATERIALS OF ORGANIC ORIGIN 13.1 The materials 13.2 The restoration operations 13.3 Cases of study Bibliography Acknowledgements 14 – ANALYTICAL TECHNIQUES 14.1 General information 14.2 Optical microscopy 14.3 Spectroscopic techniques 14.4 Radiochemical techniques 14.5 Chromatography 14.6 Electron microscopy 14.7 Thermal analyses 14.8 Open porosity measurements 14.9 Analysis of microbial colonization Bibliography Acknowledgements

Easy and beautiful do-it-yourself projects to restore, recycle, and transform your furniture. Are you tired of seeing the same furniture in your home? Does your furniture look old and outdated? If you long for change and want to give your home a makeover, then this book is right for you. Restoring and Refinishing Furniture is an easy-to-use, step-by-step guide to repurposing your old and boring furniture. Anything can be used; the idea is to take what you already have in your home and to revitalize it as you see fit. The projects in this book range from creating a child’s coloring desk to building a glass-topped table with compartments for storage. In addition to providing clear instructions, Manuel lists the best tools to use to create the perfect piece of renovated furniture. Also included is advice on: Sanding wood Staining wood Applying fabrics and polishes Painting intricate designs With more than five hundred color photographs illustrating each step of the restoration process, Restoring and Refinishing Furniture will help you channel your creativity and reinvent your home.

Describes how to Improvement of wood products Describes Sustainable development Covers Environmental industrial processing