The most important book on planning practice of the late 20th Century. It will set the terms of debate for years to come. Robert Beauregard The best contemporary text for teaching planning history and theory. It pushes theory and practice beyond its stubbornly modernist paradigms and into the new spaces opened by post-modern, post-colonial and feminist critiques. Edward Soja Sandercock draws on recent theoretical and political debates on gender, rate and sexuality as well as on grassroot struggles in the radically multiple cities of the late 20th Century to argue that planners have to find a way of building the new multicultural city, the Cosmopolis. Neil Smith A brilliant tour de force, an original critique no thinking planner should be without. Passionate yet coherently reasoned and lucidly written, the book advances a Utopian vision, deeply grounded in actual cases drawn from a wide variety of countries, to demonstrate how multicultural urban communities can achieve justice in a democratic manner. Janet Abu-Lughod From polis to metropolis, men and women have continued to struggle to perfect our cities. Urban history presents a picture of grand ideals and devastating failures. Towards Cosmopolis explores why we have failed, and how we could succeed, in building an urban Utopia - with a difference. Globalization, civil society, feminism and post-colonialism are the forces, ever shifting and changing, which are shaping our cities. We need a new vision to face such change. Sandercock pulls down the pillars of modernist city planning and raises in their place a new post-modern planning, a planning sensitive to community, environment and cultural diversity. Towards Cosmopolis is illustrated with case material from around the world - which present 'a thousand tiny empowerments' of current planning practice - and with a superb range of specially commissioned images. This bold critique cuts to the heart of current debates about the future of our cities. It deserves a place on every citizen's shelf.

The 21st century will be the century of multicultural cities, of the struggle for equality and diversity and the struggle against fundamentalism. Cosmopolis II presents a truly global tour of contemporary cities - from Birmingham to Rotterdam, Frankfurt to Berlin, Sydney to Vancouver, and Chicago to East St. Louis. Passionately written and superbly illustrated with a range of specially commissioned images, Cosmopolis II is a visionary book of our urban future.

Planning is described as being increasingly sidelined by the impacts of neo-liberal restructuring. At the same time, 'culture' is nowadays seen as the world's key intellectual resource possessing new creative weight in sociological, economic and environmental terms. This book argues that, in the light of this cultural turn, there is the opportunity to re-position planning and proposes an original, practical and robust system of 'culturisation'. Culturisation is defined as the ethical, critical and reflexive integration of culture into planning and potentially other areas such as public administration, corporate strategy and development thinking. Cultural theory, planning theory, global governance policy and recent, innovative culturised practices are all explored to this end. The new theoretical and practical approach put forward shows how deeper, richer and more relevant ideas about culture can be utilized in planning, and is illustrated with international examples and two major case studies detailing new vistas for a refurbished planning.

This volume makes a challenging critique of the idea of Cosmopolis - that is, the idea of world or 'global' government. In recent years this idea has been put forward as a way of averting the threat of war and international disorder, and as a way of avoiding the destruction of the planet. Proponents of this idea call for a radical reform of the United Nations which aims to legitimize this institution as an international police force and as a provider of global justice. Zolo criticizes this new cosmopolitan philosophy and rejects the idea of trying to eliminate international conflict through the use of centralized and superior military force. He seeks instead to develop a conception of international relations which takes account of their pluralistic, dynamic and conflictual nature. This conception moves away from the logic of hierarchical centralization, which so dominates the UN Charter, and towards the logic of 'weak interventionism' and 'weak pacifism' which relies on self-organization, co-ordination and negotiation. Timely, provocative and iconoclastic, Cosmopolis is an important contribution to current debates in politics, international relations and social and political theory.

Eric Packer, a young billionaire asset manager, journeys across New York in his limousine despite a threat against his life, and the occurances of various events that are stalling traffic throughout the city.

This critical Reader is the essential companion to any course in twentieth-century literature. Drawing upon the work of a wide range of key writers and critics, the selected extracts provide: a literary-historical overview of the twentieth century insight into theoretical discussions around the purpose, value and form of literature which dominated the century closer examination of representative texts from the period, around which key critical issues might be debated. Clearly conveying the excitement generated by twentieth-century literary texts and by the provocative critical ideas and arguments that surrounded them, this reader can be used alongside the two volumes of Debating Twentieth-Century Literature or as a core text for any module on the literature of the last century. Texts examined in detail include: Chekhov's The Cherry Orchard, Mansfield's Short Stories, poetry of the 1930s, Gibbon's Sunset Song, Eliot's Prufrock, Brecht's Galileo, Woolf's Orlando, Okigbo's Selected Poems, du Maurier's Rebecca, poetry by Ginsburg and O'Hara, Dick's Do Androids Dream of Electric Sheep?, Puig's Kiss of the Spiderwoman, Beckett's Waiting for Godot, Heaney's New Selected Poems 1966-1987, Gurnah's Paradise and Barker's The Ghost Road.

Mapping Possibility traces the intertwined intellectual, professional, and emotional life of Leonie Sandercock. With an impressive career spanning nearly half a century as an educator, researcher, artist, and practitioner, Sandercock is one of the leading figures in community planning, dedicating her life to pursuing social, cultural, and environmental justice through her work. In this book, Leonie Sandercock reflects on her past writings and films, which played an important role in redefining the field in more progressive directions, both in theory and practice. It includes previously published essays in conjunction with insightful commentaries prefacing each section, and four new essays, two discussing Sandercock’s most recent work on a feature-film project with Indigenous partners. Innovative, visionary, and audacious, Leonie’s community-based scholarship and practice in the fields of urban planning and community development have engaged some of the most intractable issues of our time – inequality, discrimination, and racism. Through award-winning books and films, she has influenced the planning field to become more culturally fluent, addressing diversity and difference through structural change. This book draws a map of hope for emerging planners dedicated to equity, justice, and sustainability. It will inspire the next generation of community planners, as well as current practitioners and students in planning, cultural studies, urban studies, architecture, and community development.