With over 1.3 million Swedish Americans in residence, it is no surprise that the United States has a wealth of landmarks that pay homage to the Swedish people and culture. Touring Swedish America details the locations, histories, and stories behind more than 1,000 such places, including the charming Holy Trinity Church, built in stone and brick in Wilmington, Delaware; the rustic S.M. Swenson log cabin in Austin, Texas; the water tower in the form of a rosemaled coffee cup in Stanton, Iowa; and actress Ann-Margaret's handprints outside the Mann Chinese Theater in West Hollywood, California. Published in conjunction with the Swedish Council of America, Touring Swedish America is the comprehensive guide to historic towns, homes, and churches erected during the mass Swedish migration beginning in 1840s, as well as the art, architecture, schools, hospitals, businesses, museums, and gardens still in use today. Organized by state and featuring easy-to-use appendixes that outline sites on the National Register of Historic Places, this comprehensive guide with handy regional maps is the perfect tool for all travelers on the hunt for slices of their Swedish past.

Reframing Swedish–American relations by focusing on contacts, crossings, and convergences beyond migration Studies of Swedish American history and identity have largely been confined to separate disciplines, such as history, literature, or politics. In Swedish–American Borderlands, this collection edited by Dag Blanck and Adam Hjorthén seeks to reconceptualize and redefine the field of Swedish–American relations by reviewing more complex cultural, social, and economic exchanges and interactions that take a broader approach to the international relationship—ultimately offering an alternative way of studying the history of transatlantic relations. Swedish–American Borderlands studies connections and contacts between Sweden and the United States from the seventeenth century to today, exploring how movements of people have informed the circulation of knowledge and ideas between the two countries. The volume brings together scholars from a wide range of disciplines within the humanities and social sciences to investigate multiple transcultural exchanges between Sweden and the United States. Rather than concentrating on one-way processes or specific national contexts, Swedish–American Borderlands adopts the concept of borderlands to examine contacts, crossings, and convergences between the nations, featuring specific case studies of topics like jazz, architecture, design, genealogy, and more. By placing interactions, entanglements, and cross-border relations at the center of the analysis, Swedish–American Borderlands seeks to bridge disciplinary divides, joining a diverse set of scholars and scholarship in writing an innovative history of Swedish–American relations to produce new understandings of what we perceive as Swedish, American, and Swedish American. Contributors: Philip J. Anderson, North Park U; Jennifer Eastman Attebery, Idaho State U; Marie Bennedahl, Linnaeus U; Ulf Jonas Björk, Indiana U–Indianapolis; Thomas J. Brown, U of South Carolina; Margaret E. Farrar, John Carroll U; Charlotta Forss, Stockholm U; Gunlög Fur, Linnaeus U; Karen V. Hansen, Brandeis U; Angela Hoffman, Uppsala U; Adam Kaul, Augustana College; Maaret Koskinen, Stockholm U; Merja Kytö, Uppsala U; Svea Larson, U of Wisconsin–Madison; Franco Minganti, U of Bologna; Frida Rosenberg, KTH Royal Institute of Technology, Stockholm; Magnus Ullén, Stockholm U.