St. Elmo's Fire is a maritime phenomenon where natural electrical discharge, primarily from lightning, causes a ship's mast to glow. Its aura can be seen for miles, and it has been believed to be either an evil omen or a sign of protection and good luck at sea. Beginning in the Port of New York in fall, 1834, St. Elmo's Fire is a fast-paced story of adventure and misadventure. Twenty-year-old Donecha (DONecka) Van Fossen, bookish son of Irish-Dutch immigrant parents, manages to escape their dreary life and follow his dream of becoming a seaman. After his family's tenement is burned to the ground, Donecha is taken aboard the sailing ship Il Paradiso as tutor to the captain's son, eleven-year-old Lyle, who has been held captive at sea for most of his young life. Finding out why and by whom is the central mystery. As the bond between Donecha and Lyle grows, they discover that the true mission of Il Paradiso is twofold: to rescue Liana, Lyle's hidden sister, from the clutches of Mediterranean relatives who would seize both children and appropriate their rightful inheritance, and also to find their mysterious mother, who appears to Lyle as the "glow in the sky". Moving from the Port of New York across the Atlantic to various Mediterranean ports, and back, the travelers return shortly before the Great Fire of New York leveled most of lower Manhattan in December, 1835. Well into the nineteenth century, the stormy Atlantic was still open range for privateers, latter day pirates. Dramatic encounters and narrow escapes throughout the journey build suspense. The rescue effort involves intrigues, pursuits, betrayals, as well as merriment, humor and a touch of romance. In the end Il Paradiso succeeds where Il Purgatorio and Il Inferno have failed. In addition to Donecha and Lyle, other major characters include Mr. Crawdon, landlord, shipowner and father to Lyle; Slogo, the ship's galley cook; Lyle's sister, Liana; and Lyle's pet monkey, the Little Marqus. Characters are merry and scary, wry and sly. Linked into plot and character development are recurrent motifs of fires, secret passages, lively turnabouts of streotypes and the escapades of Lyle's clever little monkey. In the end, the wily Mr. Crawdon and the unlikely Slogo turn out to be the saviors of them all. Numerous character and plot shifts draw the reader to a surprising conclusion. St. Elmo's Fire is a family-oriented story, between 35,000 and 36,000 words, divided into 26 short chapters, It is suitable for family reading and late elementary or middle school readers, both boys and girls, or as a chapter book. The characters and situations are credible in context and historical and geographical detail is generally accurate. The story would be well illustrated with lively drawings, say pen and gouache. Cinematic potential.

During Chattanooga's post-Civil War industrial boom, A.M. Johnson subdivided land inherited by his wife, Thankful, from her industrialist father, James Whiteside. Located on the eastern side of Lookout Mountain, south of Chattanooga, Johnson named his new community St. Elmo after the title of the popular novel by Augusta Evans, who had visited the area before the war and used it as a setting for her book. By 1900, the community had grown to over 2,000 residents and was the home of wealthy industrialists, as well as small business owners and factory workers. Known as Chattanooga's first suburb, the St. Elmo neighborhood is listed in the National Register of Historic Places.

You can quote lines from Sixteen Candles (“Last night at the dancemy little brother paid a buck to see your underwear”), your iPod playlist includes more than one song by the Psychedelic Furs and Simple Minds, you watch The Breakfast Club every time it comes on cable, and you still wish that Andie had ended up with Duckie in Pretty in Pink. You’re a bonafide Brat Pack devotee—and you’re not alone. The films of the Brat Pack—from Sixteen Candles to Say Anything—are some of the most watched, bestselling DVDs of all time. The landscape that the Brat Packmemorialized—where outcasts and prom queens fall in love, preppies and burn-outs become buds, and frosted lip gloss, skinny ties, and exuberant optimism made us feel invincible—is rich with cultural themes and significance, and has influenced an entire generation who still believe that life always turns out the way it is supposed to. You Couldn’t Ignore Me If You Tried takes us back to that era, interviewing key players, such as Molly Ringwald, Anthony Michael Hall, Ally Sheedy, Judd Nelson, Andrew McCarthy, and John Cusack, and mines all the material from the movies to the music to the way the films were made to show how they helped shape our visions for romance, friendship, society, and success.

Fans of Patti Smith's Just Kids and Rob Lowe's Stories I Only Tell My Friends will love this beautifully written, entertaining, and emotionally honest memoir by an actor, director, and author who found his start as an 80s Brat pack member -- the inspiration for the Hulu documentary Brats, written and directed by Andrew McCarthy. Most people know Andrew McCarthy from his movie roles in Pretty in Pink, St. Elmo's Fire, Weekend at Bernie's, and Less than Zero, and as a charter member of Hollywood's Brat Pack. That iconic group of ingenues and heartthrobs included Rob Lowe, Molly Ringwald, Emilio Estevez, and Demi Moore, and has come to represent both a genre of film and an era of pop culture. In his memoir Brat: An '80s Story, McCarthy focuses his gaze on that singular moment in time. The result is a revealing look at coming of age in a maelstrom, reckoning with conflicted ambition, innocence, addiction, and masculinity. New York City of the 1980s is brought to vivid life in these pages, from scoring loose joints in Washington Square Park to skipping school in favor of the dark revival houses of the Village where he fell in love with the movies that would change his life. Filled with personal revelations of innocence lost to heady days in Hollywood with John Hughes and an iconic cast of characters, Brat is a surprising and intimate story of an outsider caught up in a most unwitting success.

In the film world today, there is extraordinary attention paid to actors, actresses and directors, yet the producers who gave many of them their first breaks and helped mold their careers have managed to remain outside the limelight. This work covers producers who gave early breaks to actors and actresses like Al Pacino and Demi Moore, directors like Steven Spielberg and Todd Haynes, and writers like Aaron Sorkin. These legends may never have become known if not for their producers' behind-the-scenes insight and ability to recognize talent. Interviewees include David Brown (Jaws, A Few Good Men), Martin Richards (Chicago, The Shining), Barbara Broccoli and Michael G. Wilson (Goldeneye, Die Another Day), Dino DeLaurentiis (La Strada, Hannibal), Michael Phillips (Taxi Driver, The Sting), Martin Bregman (Serpico, Scarface), Lauren Shuler Donner (You've Got Mail, X-Men), Robert Chartoff (Rocky, Raging Bull), Mace Neufeld (The Hunt for Red October, Patriot Games), Paula Wagner (Vanilla Sky, Mission: Impossible), and many, many more!