A collection of poems about the sense of touch including a baby's foot in one's palm, peach fuzz on the lip, and the forehead against a cold window.

Audisee® eBooks with Audio combine professional narration and text highlighting for an engaging read aloud experience! Two poets, one white and one black, explore race and childhood in this must-have collection tailored to provoke thought and conversation. How can Irene and Charles work together on their fifth grade poetry project? They don't know each other . . . and they're not sure they want to. Irene Latham, who is white, and Charles Waters, who is Black, use this fictional setup to delve into different experiences of race in a relatable way, exploring such topics as hair, hobbies, and family dinners. Accompanied by artwork from acclaimed illustrators Sean Qualls and Selina Alko (of The Case for Loving: The Fight for Interracial Marriage), this remarkable collaboration invites readers of all ages to join the dialogue by putting their own words to their experiences.

Both radically tender and desperate for change, Water I Won’t Touch is a life raft and a self-portrait, concerned with the vitality of trans people living in a dangerous and inhospitable landscape. Through the brambles of the Pennsylvania forest to a stretch of the Jersey Shore, in quiet moments and violent memories, Kayleb Rae Candrilli touches the broken earth and examines the whole in its parts. Written during the body’s healing from a double mastectomy—in the wake of addiction and family dysfunction—these ambitious poems put new form to what’s been lost and gained. Candrilli ultimately imagines a joyful, queer future: a garden to harvest, lasting love, the insistent flamboyance of citrus.

Henri Cole's last three books have shown a continuously mounting talent. In his new book, Touch, written with an almost invisible but ever-present art, he continues to render his human topics—a mother's death, a lover's addiction, war—with a startling clarity. Cole's new poems are impelled by a dark knowledge of the body—both its pleasures and its discontents—and they are written with an aesthetic asceticism in the service of truth. Alternating between innocence and violent self-condemnation, between the erotic and the elegiac, and between thought and emotion, these poems represent a kind of mid-life selving that chooses life. With his simultaneous impulses to privacy and to connection, Cole neutralizes pain with understatement, masterful cadences, precise descriptions of the external world, and a formal dexterity rarely found in contemporary American poetry. Touch is a Publishers Weekly Best Poetry Books title for 2011.

Sarah Kay's powerful spoken word poetry performances have gone viral, with more than 10 million online views and thousands more in global live audiences. In her second single-poem volume, Kay takes readers along a lyrical road toward empowerment, exploring the promise and complicated reality of being a woman. During her spoken word poetry performances, audiences around the world have responded strongly to Sarah Kay's poem The Type. As Kay wrote in The Huffington Post: "Much media attention has been paid to what it means to 'be a woman,' but often the conversation focuses on what it means to be a woman in relation to others. I believe these relationships are important. I also think it is possible to define ourselves solely as individuals... We have the power to define ourselves: by telling our own stories, in our own words, with our own voices." Never-before-published in book form, The Type is illustrated throughout and perfect for gift-giving.

Written in 2010, "Touchscreen" has been embraced by the tech community as a conversation starter and jumping point to explore technology's role in our lives. Whereas the question used to be, "What CAN technology do for us?," the real question has become, "What SHOULD technology do for us?" How do we balance our expanding online connections with our innate desire for authentic human interaction? Poet, spoken-word artist, and songwriter Marshall Davis Jones challenges us to ask these questions. Marshall Davis Jones found his voice in 2006 at the renowned Nuyorican Poet's Cafe. From there, he has been on a mission to touch the world and inspire others to believe in being human. His original works have been featured on the BBC World News Network, in two TEDx programs, and in the internationally renowned Musical Instrument Museum in Phoenix Arizona.