As a teenager Fred Khumalo greeted his friends with a handshake and the words 'touch my blood'. It implied friendship and trust. The saying became his name. More than that, it became the way he viewed his world. Everything touched Fred Khumalo. Twice he was bewitched. Twice his father - the 'moegoe', the 'country bumpkin' - took him to inyangas to have the 'demons' banished. Twice his mother - the 'city girl' - took him to the doctor to have the 'fevers' cured. When the American Dudes became the fashion, Khumalo dressed up in outlandish style and strutted the streets. 'You had to be brave to be seen in the outfits that we wore. Green, yellow, maroon, powder blue. Outrageous stuff, garish stuff, bright stuff. Earth, Wind and Fire stuff. Michael Jackson (pre-nose job) stuff.' He smoked dagga with con men and criminals, he pickpocketed 'corpses' on Friday night trains. He worked as a gardener in the larney suburbs and drooled over pornographic photographs with his baas's son. He studied journalism and shacked up with whiteys in a commune called Snake Park, for a while the only darkie in a crazy swirl of booze and drugs and sex. And then the bloody fightings that tore apart KwaZulu/Natal in the 1980s touched his life. Sucked him into a place of horror and violence that threatened to destroy him. When a friend died in his arms with the words 'They really got me, Touch My Blood. They really got me,' Khumalo realised that if he was to outlive the madness he had to run. From the journalist and Sunday Times columnist comes a startlingly honest, humorous and poignant autobiography about growing up in a time of laughter and heartache.

Margaret Carr′s seminal work on Learning Stories was first published by SAGE in 2001, and this widely acclaimed approach to assessment has since gained a huge international following. In this new full-colour book, the authors outline the philosophy behind Learning Stories and refer to the latest findings from the research projects they have led with teachers on learning dispositions and learning power, to argue that Learning Stories can construct learner identities in early childhood settings and schools. By making the connection between sociocultural approaches to pedagogy and assessment, and narrative inquiry, this book contextualizes Learning Stories as a philosophical approach to education, learning and pedagogy. Chapters explore how Learning Stories: - help make connections with families - support the inclusion of children and family voices - tell us stories about babies - allow children to dictate their own stories - can be used to revisit children′s learning journeys - can contribute to teaching and learning wisdom This ground-breaking book expands on the concept of Learning Stories and includes examples from practice in both New Zealand and the UK. It outlines the philosophy behind this pedagogical tool for documenting how learning identities are constructed and shows, through research evidence, why the early years is such a critical time in the formation of learning dispositions. Margaret Carr is a Professor of Education at the University of Waikato, New Zealand. Wendy Lee is Director of the Educational Leadership Project, New Zealand.

'A real page-turner which puts you in France on the cusp of war from the very first page. Gripping. Tense. Mysterious. Kate Furnivall has a talent for creating places and characters who stay with you long after you’ve read the final word' JANE CORRY, bestselling author of Blood Sisters and My Husband's Wife 'Superb storytelling, brilliant narrative, engaging characters – a simply breath-taking exploration of two sisters on opposing sides who are both attempting to keep a lid on a past that won’t be silenced, while hiding the truth of the present. This intricate web of secrets and lies kept me guessing until the very end' DINAH JEFFERIES, bestselling author of The Tea Planter's Wife Discover a brilliant story of love, danger, courage and betrayal, from the internationally bestselling author of The Liberation. Could you kill someone? Someone you love? Paris, 1938. Twin sisters are divided by fierce loyalties and by a terrible secret. The drums of war are beating and France is poised, ready to fall. One sister is an aviatrix, the other is a socialite and they both have something to prove and something to hide. The Betrayal is an unforgettably powerful, epic story of love, loss and the long shadow of war, perfect for readers of Santa Montefiore and Victoria Hislop. Further praise for Kate Furnivall: ‘Wonderful . . . hugely ambitious and atmospheric’ Kate Mosse ‘A thrilling plot … Fast-paced with a sinister edge’ Times ‘Gripping . . . poignant, beautifully written …will capture the reader to the last’ Sun ‘Truly captivating’ Elle ‘Perfect escapist reading’ Marie Claire ‘An achingly beautiful epic’ New Woman ‘A rollicking good read’ Daily Telegraph

A NEW YORK TIMES BEST SELLER • “A must-read...Phoebe Robinson discusses race and feminism in such a funny, real, and specific way, it penetrates your brain and stays with you.”—Ilana Glazer, co-creator and co-star of Broad City A hilarious and timely essay collection about race, gender, and pop culture from comedy superstar and 2 Dope Queens podcaster Phoebe Robinson Being a black woman in America means contending with old prejudices and fresh absurdities every day. Comedian Phoebe Robinson has experienced her fair share over the years: she's been unceremoniously relegated to the role of “the black friend,” as if she is somehow the authority on all things racial; she's been questioned about her love of U2 and Billy Joel (“isn’t that...white people music?”); she's been called “uppity” for having an opinion in the workplace; she's been followed around stores by security guards; and yes, people do ask her whether they can touch her hair all. the. time. Now, she's ready to take these topics to the page—and she’s going to make you laugh as she’s doing it. Using her trademark wit alongside pop-culture references galore, Robinson explores everything from why Lisa Bonet is “Queen. Bae. Jesus,” to breaking down the terrible nature of casting calls, to giving her less-than-traditional advice to the future female president, and demanding that the NFL clean up its act, all told in the same conversational voice that launched her podcast, 2 Dope Queens, to the top spot on iTunes. As personal as it is political, You Can't Touch My Hair examines our cultural climate and skewers our biases with humor and heart, announcing Robinson as a writer on the rise. One of Glamour's “Top 10 Books of 2016”

Seyonne, the slave-turned-hero from Berg's highly acclaimed Transformation, returns to discover the nature of evil--in a "spellbinding" (Romantic Times) epic saga.

From the Holy Land and the long Crusades, to European kingdoms, 20th Century Paris, Venice, and New Orleans, Dark Ages sweeps the reader into a world of intrigue, danger, and timeless romance. Set in the Mid-Nineteen Nineties, in Southern Louisiana, Dark Ages opens a window into the subculture of Liatris, people upon whom vampire myths and legends were based. Anton Kierkegaard is a wealthy financier, trapped in a world of masters and slaves who are governed by their instincts, and by ancient laws as old as civilization. Into this world, he brings a young woman, Rachel Frederick. Held captive by powerful beings she cannot understand, Rachel becomes a pawn in the battle between coldly calculating creatures of the night, and the men who pursue them. Rachel must learn to survive at the center of a clash of cultures, questioning everything she has ever believed, even her own sanity.