"Carefully considered, successful instances of experimental fiction" disrupt gender, genre, and identity in this deranged, otherworldly collection (Literary Hub). A woman metamorphoses into a giant slug; another quite literally eats her heart out; a wasp falls in love with an orchid; and hair starts sprouting from the walls. These stories slip and slide between genres—from video games to fan fiction, body horror to choose-your-own-adventure—as characters cycle through giddying changes in gender, physiology, species, and identity. Collapsing boundaries between bodies and forms, these fictions interrogate the visceral, gross, and absurd. “This book is fucking weird,” wrote Brit Mandelo in 2015. It’s only gotten weirder since. Slug and Other Stories is a revised and expanded edition of a contemporary cult classic. Finally back in print, this collection is a testament to the messy anti-logic of queer feelings by a revelatory new voice.

“A delightfully weird and very queer reimagining of 90s YA nostalgia.” —Autostraddle "Queer dynamite." —Kristen Arnett, author of Mostly Dead Things Finalist for the 2022 Lambda Literary Award in Transgender Fiction Meet Margaret. At age twelve, she was head detective of the mystery club Girls Can Solve Anything. Margaret and her three best friends led exciting lives solving crimes, having adventures, and laughing a lot. But now that she's entered high school, the club has disbanded, and Margaret is unmoored—she doesn't want to grow up, and she wishes her friends wouldn't either. Instead, she opts out, developing an eating disorder that quickly takes over her life. When she lands in a treatment center, Margaret finds her path to recovery twisting sideways as she pursues a string of new mysteries involving a ghost, a hidden passage, disturbing desires, and her own vexed relationship with herself. Margaret and the Mystery of the Missing Body reimagines nineties adolescence—mashing up girl group series, choose-your-own-adventures, and chronicles of anorexia—in a queer and trans coming-of-age tale like no other. An interrogation of girlhood and nostalgia, dysmorphia and dysphoria, this debut novel puzzles through the weird, ever-evasive questions of growing up.

What is so radical about not having sex? To answer this question, this collection of essays explores the feminist and queer politics of asexuality. Asexuality is predominantly understood as an orientation describing people who do not experience sexual attraction. In this multidisciplinary volume, the authors expand this definition of asexuality to account for the complexities of gender, race, disability, and medical discourse. Together, these essays challenge the ways in which we imagine gender and sexuality in relation to desire and sexual practice. Asexualities provides a critical reevaluation of even the most radical queer theorizations of sexuality. Going beyond a call for acceptance of asexuality as a legitimate and valid sexual orientation, the authors offer a critical examination of many of the most fundamental ways in which we categorize and index sexualities, desires, bodies, and practices. As the first book-length collection of critical essays ever produced on the topic of asexuality, this book serves as a foundational text in a growing field of study. It also aims to reshape the directions of feminist and queer studies, and to radically alter popular conceptions of sex and desire. Including units addressing theories of asexual orientation; the politics of asexuality; asexuality in media culture; masculinity and asexuality; health, disability, and medicalization; and asexual literary theory, Asexualities will be of interest to scholars and students in sexuality, gender, sociology, cultural studies, disability studies, and media culture.

Literary Nonfiction. LGBTQIA Studies. To be part of the most elite Tori Amos tape trading webring of 1998, you've got to be better than the best. This is how teenage Megan Milks sees it as they negotiate 2:1 trades of rare concert audio with some of the most intense Toriphiles the Internet has to offer--as well as navigate fandom friendships haunted with nascent queer meaning. In this new volume of REMEMBER THE INTERNET, Milks leads us through a world of concerts and USEnet meetups, a world just now inventing the rules for being with one another online: bring references, bring blanks.

"We Are the Baby-Sitters Club is the ultimate companion guide for a generation of devout superfans. This book revisits the beloved series through grown-up eyes—but never loses the magic we all felt the moment we cracked open a fresh new book. BSC forever!" —Lucia Aniello, director and executive producer of The Baby-Sitters Club Netflix series A nostalgia-packed, star-studded anthology featuring contributors such as Kristen Arnett, Yumi Sakugawa, Myriam Gurba, and others exploring the lasting impact of Ann M. Martin's beloved Baby-Sitters Club series In 1986, the first-ever meeting of the Baby-Sitters Club was called to order in a messy bedroom strewn with RingDings, scrunchies, and a landline phone. Kristy, Claudia, Stacey, and Mary Anne launched the club that birthed an entire generation of loyal readers. Ann M. Martin's Baby-Sitters Club series featured a complex cast of characters and touched on an impressive range of issues that were underrepresented at the time: divorce, adoption, childhood illness, class division, and racism, to name a few. In We Are the Baby-Sitters Club, writers and a few visual artists from the original BSC generation will reflect on the enduring legacy of Ann M. Martin's beloved series, thirty-five years later—celebrating the BSC's profound cultural influence. Contributors include Paperback Crush author Gabrielle Moss, illustrator SiobhÁn Gallagher, and filmmaker Sue Ding, as well as New York Times bestselling author Kristen Arnett, Lambda Award–finalist Myriam Gurba, Black Girl Nerds founder Jamie Broadnax, and Paris Review contributor Frankie Thomas. One of LitHub's Most Anticipated Books of 2021, We Are the Baby-Sitters Club looks closely at how Ann M. Martin's series shaped our ideas about gender politics, friendship, fashion and beyond.

A Paris Review Staff Pick and an Amazon Editors' Pick. Finalist for the 2022 Lambda Literary Award for Lesbian Fiction and the Ernest J. Gaines Award for Literary Excellence, and longlisted for the 2022 Joyce Carol Oates Prize. "Bold, witty, ominous and vulnerable . . . How to Wrestle a Girl shines in its propensity to magnify small moments, challenge our presumptions and dissect the beauty, danger and wonder of girlhood." --The New York Times Book Review Hilarious, tough, and tender stories from a farseeing star on the rise Venita Blackburn’s characters bully and suffer, spit and tease, mope and blame. They’re hyperaware of their bodies and fiercely observant, fending off the failures and advances of adults with indifferent ease. In “Biology Class,” they torment a teacher to the point of near insanity, while in “Bear Bear HarvestTM,” they prepare to sell their excess fat and skin for food processing. Stark and sharp, hilarious and ominous, these pieces are scabbed, bruised, and prone to scarring. Many of the stories, set in Southern California, follow a teenage girl in the aftermath of her beloved father’s death and capture her sister’s and mother’s encounters with men of all ages, as well as the girl’s budding attraction to her best friend, Esperanza. In and out of school, participating in wrestling and softball, attending church with her hysterically complicated family, and dominating boys in arm wrestling, she grapples with her burgeoning queerness and her emerging body, becoming wary of clarity rather than hoping for it. A rising star, Blackburn is a trailblazing stylist, and in How to Wrestle a Girl she masterfully shakes loose a vision of girlhood that is raw, vulnerable, and never at ease.

"Original artwork by Michael McClard"--Title page verso.