DEATH IN THE FAMILY BUT COME BACK SOON, the sign said. Obviously it was a lie. The people in the grocery store just wanted to make sure he couldn't buy the spice he needed to make the recipe he'd selected for that night (recipes must be followed exactly). Obviously they wanted him to eat out ... to meet the waitress, Marta, ... to see her horrible, unspeakable, unbearable ugliness. It was obvious to him: her maimed, twisted face was the living desire to be dead. He had to help Marta be dead. His teeth are perfectly white. He can't see colors. He keeps a combination lock on his door and has twelve shelves of cookbooks. His walls bleed blood. His suits each have a number, S-1 through S-6. And life goes on. Life goes on, if you can stand it. Life goes on, for the brave and the damned. Life goes on, but come back soon ... "An ambitious novel of psychological horror." - "Publishers Weekly" "Compelling-a tour-de-force of storytelling and style ... considerable artistry, marvelous pacing, and a welcome dose of macabre humor." - "Fantasy Review" "One of the best writers of horror in this country." - "Peter Straub"

BLOOD RUBIES It would bring bad luck, they said. But she split her pair of ruby earrings and gave one to each of her beautiful twin babies. Within hours she was burned to death in a fire. The twins lived. KATHERINE ​ Raised by a poor, childless couple, Katherine was shy and withdrawn, except in her love for the Sisters of the Immaculate Conception. In her heart, Katherine had found God. In her father’s heart, they found a butcher knife. ANDREA She grew up with all that money could buy. She was pretty and popular and went to the best schools. Her parents loved her dearly, and gladly did anything to please her. But what made Andrea happy, would make them dead. THEY MET IN THEIR NIGHTMARES In the dark of sleep, Katherine and Andrea had terrible dreams of being the other. Until the hand of evil that guided their waking lives brought them face to face with each other . . . and the crossed fate of horror awaiting them both.

Originally published by Avon Books in 1980.

“A mix of magic realism and Southern gothic, this stunning collaboration between King and McDowell…moves at a hypnotic pace, like an Alabama water moccasin slipping through black water.”—Publishers Weekly (starred review) Calliope “Calley” Dakin is no normal little girl. She hears things that maybe a little girl shouldn’t hear—and knows things a little girl should never know. Just seven when her beloved father is tortured, murdered, and dismembered by two women with no discernable motivation, Calley and her mother find themselves caught up in inexplicable events that exile them to Pensacola Beach. There—in a house that’s a dead ringer for Calley’s late great-grandmother’s house—another woman awaits their presence. A woman who understands what Calley is, but can’t begin to imagine just how strong her bond is with her father—even after death... Known for his chilling Blackwater series, author Michael McDowell left behind the unfinished manuscript for Candles Burning on his death in 1999. In the spirit of the ghost stories that Michael loved, Tabitha King has taken up where he left off.

Welcome to Babylon, a typical sleepy Alabama small town, where years earlier the Larkin family suffered a terrible tragedy. Now they are about to endure another: fourteen-year-old Margaret Larkin will be robbed of her innocence and her life by a killer who is beyond the reach of the law. But something strange is happening in Babylon: traffic lights flash an eerie blue, a ghostly hand slithers from the drain of a kitchen sink, graves erupt from the local cemetery in an implacable march of terror ... And beneath the murky surface of the river, a shifting, almost human shape slowly takes form. Night after night it will pursue the murderer. And when the full moon rises over Babylon, it will seek a terrible vengeance ...

Andrew Pinkney is a young English lawyer with boyish good looks and a gentle manner, but a dark side emerges when his girlfriend Jennifer laughs at his impotence. He lashes out in a violent rage, knocking her unconscious. At the suggestion of his employer, Andrew heads to an isolated cottage in the dark Welsh countryside to take a break and get a grip on himself. In the woods, he discovers the grotesque stinkhorn mushroom, whose phallic shape seems to rise in obscene mockery of his own shortcomings. But the stinkhorn gives him an idea, a way to win Jennifer back. As the seeds of obsession take root in Andrew's mind, he embarks on a nightmarish quest, with unexpected and horrifying results.