The film critiques within represent the author's choices for the cinema's most significant fantasy endeavors.

Fantastic Press strikes again with its second trade paperback offering, this time exploring the ultra-fanciful universe of spaceships, exotic planets, time travel, and extraterrestrials. The "Top 100 Sci-Fi Movies" are reviewed and ranked by fantasy screenwriter/film historian Gary Gerani, who covers everything from early silent groundbreakers like A Trip to the Moon to today's widescreen, computer-generated blockbusters. With over 600 rare visuals, full-color layouts. and an introduction by one of Hollywood's greatest filmmakers, this exciting new pictorial overview is the ideal companion book to 2010's Top 100 Horror Movies.

The Fantasy Film provides a clear and compelling overview of this revitalized and explosively popular film genre. Includes analyses of a wide range of films, from early classics such as The Wizard of Oz and Harvey to Spiderman and Shrek, and blockbuster series such as The Lord of the Rings trilogy and The Harry Potter films Provides in-depth historical and critical overviews of the genre Fully illustrated with screen shots from key films

Taking its cue from the horror film fanzines of yesteryear... Horror and fantasy cinema from around the world with a distinctive retro sensibility, Creeping Flesh focuses on obscure and vilified horror movies, the discovery of "lost" films, BBC telefantasy, and an appreciation of American and British exploitation. Book jacket.

Fantasy is one of the most visible genres in popular culture - we see the creation of magical and imagined worlds and characters in every type of media, with very strong fan bases in tow. This latest guide in the successful Bloomsbury Must-Read series covers work from a wide range of authors: Tolkien, Philip Pullman, Terry Pratchett, Michael Moorcock, Rudyard Kipling and C.S Lewis to very contemporary writers such as Garth Nix and Steven Erikson. If you want to expand your range of reading or deepen your understanding of this genre, this is the best place to start.

The warlocks and ghosts of fantasy film haunt our popular culture, but the genre has too long been ignored by critics. This comprehensive critical survey of fantasy cinema demonstrates that the fantasy genre amounts to more than escapism. Through a meticulously researched analysis of more than a century of fantasy pictures--from the seminal work of Georges Melies to Peter Jackson's recent tours of Middle-earth--the work identifies narrative strategies and their recurring components and studies patterns of challenge and return, setting and character. First addressing the difficult task of defining the genre, the work examines fantasy as a cultural force in both film and literature and explores its relation to science fiction, horror, and fairy tales. Fantasy's development is traced from the first days of film, with emphasis on how the evolving genre reflected such events as economic depression and war. Also considered is fantasy's expression of politics, as either the subject of satire or fuel for the fires of propaganda. Discussion ventures into the subgenres, from stories of invented lands inhabited by fantastic creatures to magical adventures set in the familiar world, and addresses clashes between fantasy and faith, such as the religious opposition to the Harry Potter phenomenon. From the money-making classics to little-known arthouse films, this richly illustrated work covers every aspect of fantasy film.

An essential work of the cinematic history of the Weimar Republic by a leading figure of film criticism First published in 1947, From Caligari to Hitler remains an undisputed landmark study of the rich cinematic history of the Weimar Republic. Prominent film critic Siegfried Kracauer examines German society from 1921 to 1933, in light of such movies as The Cabinet of Dr. Caligari, M, Metropolis, and The Blue Angel. He explores the connections among film aesthetics, the prevailing psychological state of Germans in the Weimar era, and the evolving social and political reality of the time. Kracauer makes a startling (and still controversial) claim: films as popular art provide insight into the unconscious motivations and fantasies of a nation. With a critical introduction by Leonardo Quaresima which provides context for Kracauer’s scholarship and his contributions to film studies, this Princeton Classics edition makes an influential work available to new generations of cinema enthusiasts.