All of Giraffe's friends are good at something: Hippo is a brilliant ballerina, Ostrich is a sensational skater and Lion is a dazzling dancer. Poor Giraffe can't seem to get the hang of anything! No matter how hard she tries, she ends up in a tangled mess. Can Giraffe discover her hidden talent, or is she simply too tall to twirl?

The Paris Wife meets PBS’s Victoria in this enthralling novel of the life and loves of one of history’s most remarkable women: Winston Churchill’s scandalous American mother, Jennie Jerome. Wealthy, privileged, and fiercely independent New Yorker Jennie Jerome took Victorian England by storm when she landed on its shores. As Lady Randolph Churchill, she gave birth to a man who defined the twentieth century: her son Winston. But Jennie—reared in the luxury of Gilded Age Newport and the Paris of the Second Empire—lived an outrageously modern life all her own, filled with controversy, passion, tragedy, and triumph. When the nineteen-year-old beauty agrees to marry the son of a duke she has known only three days, she’s instantly swept up in a whirlwind of British politics and the breathless social climbing of the Marlborough House Set, the reckless men who surround Bertie, Prince of Wales. Raised to think for herself and careless of English society rules, the new Lady Randolph Churchill quickly becomes a London sensation: adored by some, despised by others. Artistically gifted and politically shrewd, she shapes her husband’s rise in Parliament and her young son’s difficult passage through boyhood. But as the family’s influence soars, scandals explode and tragedy befalls the Churchills. Jennie is inescapably drawn to the brilliant and seductive Count Charles Kinsky—diplomat, skilled horse-racer, deeply passionate lover. Their affair only intensifies as Randolph Churchill’s sanity frays, and Jennie—a woman whose every move on the public stage is judged—must walk a tightrope between duty and desire. Forced to decide where her heart truly belongs, Jennie risks everything—even her son—and disrupts lives, including her own, on both sides of the Atlantic. Breathing new life into Jennie’s legacy and the glittering world over which she reigned, That Churchill Woman paints a portrait of the difficult—and sometimes impossible—balance among love, freedom, and obligation, while capturing the spirit of an unforgettable woman, one who altered the course of history. Praise for That Churchill Woman “The perfect confection of a novel . . . We’re introduced to Jennie in all of her passion and keen intelligence and beauty. While she is surrounded by a cast of late-Victorian celebrities, including Bertie, Prince of Wales, it’s always Jennie who shines and takes the center stage she was born to.”—Melanie Benjamin, New York Times bestselling author of The Aviator’s Wife and The Swans of Fifth Avenue

There was a time when I aimed my camera at Dad like a gun, slowly, breathlessly, pulling the trigger on my Boogeyman who sat there innocent as a child, unpredictable as a madman, unaware of my effort to capture him on film. So says Katie, in the gripping novel, A View from the Buffalo Tree, which is about one womans triumph over a childhood clouded with dark secrets. Under the gnarled branches of the Buffalo Tree, Katie weaves a passionate, hard-hitting, family saga of mental delusions and dark taboos. All the while she strives to overcome grief with humor and grit. A View From the Buffalo Tree blooms with woven themes of love and loss, good and evil, faith and forgiveness.

Prepare to enter a world of what fashion designer Michael Kors has called "stylish intrigue, glamorous machinations, and such juicy fun." Take a wild ride with Amanda Goldberg and Ruthanna Hopper, who have culled their insider's purview to peel back Oscar's legendary curtain and reveal what really goes on under the sheets of Young Hollywood. Do Happy Hollywood Endings really exist, or does everyone end up on the cutting room floor sooner or later? It's a shocking, entertaining race to the end of the red carpet... Twenty-six-year-old Lola Santisi, daughter of an Academy Award-winning mega-director and a former cover model, is Hollywood Royalty without a kingdom—or even a condo—to call her own. This "Actorholic," who also suffers from "Career Deficit Disorder," is looking for more from life than what her famous last name has offered, namely her mother's last-season Chanel hand-me-downs and the lurking shadow of her father's fame. In her latest gig as a Hollywood ambassador, Lola's stepping out of her Louboutins and into fashion's ultimate combat boots to engage in LA's cruelest blood sport: convincing celebrities to wear an unknown designer's gowns to the Oscars. Providing advice, emotional support, and even a new mantra or two are her BFF (Best Friend Forever) Kate Woods, an obsessively ambitious talent agent desperate to go from unter to über, and her BAF (Best Actress Forever) Cricket Curtis, a struggling up-and-comer trying to surpass her role as a coma victim on Grey's Anatomy and overcome one rejection after another to become the next Cameron Diaz or Nicole Kidman, or the next anybody. Together, they dodge fashion roadkill while navigating General Motors' Annual Fashion Show, the Gagosian dinner at Mr. Chow, and more. Ultimately, the week culminates at the über-exclusive Vanity Fair Oscar party, where the allotted time slot on your invitation marks how far in or out you really are. But who will be left standing with job, heart, and stilettos still intact at the after-after-Oscar party?

Alien Bodies is a fascinating examination of dance in Germany, France, and the United States during the 1920s and 1930s. Ranging across ballet and modern dance, dance in the cinema and Revue, Ramsay Burt looks at the work of European, African American, and white American artists. Among the artists who feature are: * Josephine Baker * Jean Borlin * George Balanchine * Jean Cocteau * Valeska Gert * Katherine Dunham * Fernand Leger * Kurt Jooss * Doris Humphrey Concerned with how artists responded to the alienating experiences of modern life, Alien Bodies focuses on issues of: * national and 'racial' identity * the new spaces of modernity * fascists uses of mass spectacles * ritual and primitivism in modern dance * the 'New Woman' and the slender modern body

Follows a divorced wedding consultant as she finds her professional and personal life turned upside down by her demanding boss, psychotic clients, and neurotic friends.