This stunning collection of stories demonstrates once again why Alice Munro is celebrated as a pre-eminent master of the short story. While some of the stories are traditional, set in “Alice Munro Country” in Ontario or in B.C., dealing with ordinary women’s lives, others have a new, sharper edge. They involve child murders, strange sex, and a terrifying home invasion. By way of astonishing variety, the title story, set in Victorian Europe, follows the last journey from France to Sweden of a famous Russian mathematician. This daring, superb collection proves that Alice Munro will always surprise you.

A “profound and beautiful” (Francine Prose, O: The Oprah Magazine) collection of ten stories from Nobel Prize–winning author Alice Munro “Filled with subtle and far-reaching thematic reverberations. . . . Munro has an empathy so pitch-perfect . . . you are drawn deftly into another world.”—The New York Times Book Review A BEST BOOK OF THE YEAR: The New York Times Book Review, The Atlantic Monthly, The Boston Globe, Los Angeles Times, San Francisco Chronicle, Chicago Tribune, Kansas City Star, The Economist, Slate With clarity and ease, Alice Munro renders complex, difficult events and emotions into stories about the unpredictable ways in which men and women accommodate and often transcend what happens in their lives. In the first story, a young wife and mother, suffering from the unbearable pain of losing her three children, gains solace from a most surprising source. In another, a young woman, in the aftermath of an unusual and humiliating seduction, reacts in a clever if less-than-admirable fashion. Other tales uncover the “deep-holes” in a marriage, the unsuspected cruelty of children, and, in the title story, the yearnings of a nineteenth-century female mathematician.

Brilliantly paced, lit with sparks of danger and underlying menace, these are dazzling, provocative stories about Svengali men, and radical women who outmanoeuvre them, about destructive marriages and curdled friendships, about mothers and sons, about moments which change or haunt a life. Alice Munro takes on complex, even harrowing emotions and events, and renders them into stories that surprise, amaze and shed light on the unpredictable ways we accommodate to what happens in our lives. A young wife and mother, whose spirit has been crushed, finds release from her extraordinary pain in the most unlikely place. The student victim of a humiliating seduction (which involves reading Housman in the nude) finds an unusual way to get her own back and move on.An older woman, dying of cancer, weaves a poisonous story to save her life. Other stories uncover the 'deep holes' in marriage and their consequences, the dangerous intimacy of girls and the cruelty of children. The long title story follows Sophia Kovalevsky, a late nineteenth-century Russian emigree and mathematical genius, as she takes a fateful winter journey that begins with a visit to her lover on the Riviera, and ends in Sweden, where she is a professor at the only university willing to hire a woman to teach her subject. Munro's unsettling stories turn lives into art, expand our world and our understanding of the strange workings of the human heart.

A “provocative and seductive debut” of desire and doubleness that follows the life of a young Palestinian American woman caught between cultural, religious, and sexual identities as she endeavors to lead an authentic life (O, The Oprah Magazine). On a hot day in Bethlehem, a 12–year–old Palestinian–American girl is yelled at by a group of men outside the Church of the Nativity. She has exposed her legs in a biblical city, an act they deem forbidden, and their judgement will echo on through her adolescence. When our narrator finally admits to her mother that she is queer, her mother’s response only intensifies a sense of shame: “You exist too much,” she tells her daughter. Told in vignettes that flash between the U.S. and the Middle East—from New York to Jordan, Lebanon, and Palestine—Zaina Arafat’s debut novel traces her protagonist’s progress from blushing teen to sought–after DJ and aspiring writer. In Brooklyn, she moves into an apartment with her first serious girlfriend and tries to content herself with their comfortable relationship. But soon her longings, so closely hidden during her teenage years, explode out into reckless romantic encounters and obsessions with other people. Her desire to thwart her own destructive impulses will eventually lead her to The Ledge, an unconventional treatment center that identifies her affliction as “love addiction.” In this strange, enclosed society she will start to consider the unnerving similarities between her own internal traumas and divisions and those of the places that have formed her. Opening up the fantasies and desires of one young woman caught between cultural, religious, and sexual identities, You Exist Too Much is a captivating story charting two of our most intense longings—for love, and a place to call home.

WINNER OF THE NOBEL PRIZE© IN LITERATURE 2013 A New York Times Notable Book A Washington Post Notable Work of Fiction A Best Book of the Year: The Atlantic, NPR, San Francisco Chronicle, Vogue, AV Club In story after story in this brilliant new collection, Alice Munro pinpoints the moment a person is forever altered by a chance encounter, an action not taken, or a simple twist of fate. Her characters are flawed and fully human: a soldier returning from war and avoiding his fiancée, a wealthy woman deciding whether to confront a blackmailer, an adulterous mother and her neglected children, a guilt-ridden father, a young teacher jilted by her employer. Illumined by Munro’s unflinching insight, these lives draw us in with their quiet depth and surprise us with unexpected turns. And while most are set in her signature territory around Lake Huron, some strike even closer to home: an astonishing suite of four autobiographical tales offers an unprecedented glimpse into Munro’s own childhood. Exalted by her clarity of vision and her unparalleled gift for storytelling, Dear Life shows how strange, perilous, and extraordinary ordinary life can be.

NAMED A BEST BOOK OF THE YEAR BY THE WASHINGTON POST and REAL SIMPLE A profound and enchanting new novel from Booker Prize-longlisted author Niall Williams about the loves of our lives and the joys of reminiscing. You don't see rain stop, but you sense it. You sense something has changed in the frequency you've been living and you hear the quietness you thought was silence get quieter still, and you raise your head so your eyes can make sense of what your ears have already told you, which at first is only: something has changed. The rain is stopping. Nobody in the small, forgotten village of Faha remembers when it started; rain on the western seaboard was a condition of living. Now--just as Father Coffey proclaims the coming of electricity--it is stopping. Seventeen-year-old Noel Crowe is standing outside his grandparents' house shortly after the rain has stopped when he encounters Christy for the first time. Though he can't explain it, Noel knows right then: something has changed. This is the story of all that was to follow: Christy's long-lost love and why he had come to Faha, Noel's own experiences falling in and out of love, and the endlessly postponed arrival of electricity--a development that, once complete, would leave behind a world that had not changed for centuries. Niall Williams' latest novel is an intricately observed portrait of a community, its idiosyncrasies and its traditions, its paradoxes and its inanities, its failures and its triumphs. Luminous and otherworldly, and yet anchored with deep-running roots into the earthy and the everyday, This Is Happiness is about stories as the very stuff of life: the ways they make the texture and matter of our world, and the ways they write and rewrite us.

In classical and medieval times, happiness was defined as 'well-being, ' a notion that included moral goodness. Today happiness is most often defined as 'well-feeling, ' and identified with subjective states such as satisfaction and peace of mind. Deal Hudson argues that the prevailing view is dangerous in politics as well as ethics, creating individuals with no other sense of obligation than finding personal satisfaction, regardless of the moral and spiritual cost to themselves and others. Hudson calls for a return to the classical tradition: no one should be called 'happy' who cannot also be called morally good. However, a contemporary version of happiness should also go beyond the classical notion by making room in the happy life for suffering and passion. Using the history of the idea of happiness as a backdrop to a critique of contemporary views, Hudson examines happiness from philosophical, religious, psychological, sociological, literary, and political points of view--for example, he shows how the tension between the two definitions of happiness is at the heart of the Declaration of Independence. The result is an excellent overview of the history of an idea as well as a compelling argument for moral and political change in our time.