Lyrical and radical, a debut novel that created a sensation in France Winner of the Prix Goncourt for first novel, one of the most prestigious literary awards in France A young revolutionary plants a bomb in a factory on the outskirts of Algiers during the Algerian War. The bomb is timed to explode after work hours, so no one will be hurt. But the authorities have been watching. He is caught, the bomb is defused, and he is tortured, tried in a day, condemned to death, and thrown into a cell to await the guillotine. A routine event, perhaps, in a brutal conflict that ended the lives of more than a million Muslim Algerians. But what if the militant is a “pied-noir”? What if his lover was a member of the French Resistance? What happens to a “European” who chooses the side of anti-colonialism? By turns lyrical, meditative, and heart-stoppingly suspenseful, this novel by Joseph Andras, based on a true story, was a literary and political sensation in France, winning the Prix Goncourt for First Novel and being acclaimed by Le Monde as “vibrantly lyrical and somber” and by the journal La Croix as a “masterpiece”.

Chester Jones drives his new car to the forested slopes of the Dandenong Ranges in Victoria, Australia, in order to deliver an extravagant gift to a client after clinching a massive business deal. On the side of the road he discovers something that will change many lives, most particularly that of his and his wife's. In the meantime, a shark-eaten body of a woman is washed up on a beach by the Great Ocean Road and Detective Bruce Nash is called in to investigate. A few days later the forensic pathologist breaks news to the detective that will change the course of the investigation. Nash eventually retires to the Dandenong area without having ever solved the case. On a walk one day, Nash is shocked to see someone that is a carbon copy of the woman that washed up on the beach years before. Will You Keep Me Tomorrow will take the reader on a journey of wealth, poverty, romance, surprise and murder across the globe.

“McMahon unfurls a whirlwind of suspense...Combining murder mystery and coming-of-age tale with supernatural elements, this taut novel is above all a reflection on the haunting power of memory.” –Entertainment Weekly A woman’s past and present collide in terrifying ways in this explosive debut by New York Times bestselling author Jennifer McMahon. Forty-one-year-old school nurse Kate Cypher has returned home to rural Vermont to care for her mother, who's afflicted with Alzheimer's. On the night she arrives, a young girl is murdered—a horrific crime that eerily mirrors another from Kate's childhood. Three decades earlier, her dirt-poor friend Del—shunned and derided by classmates as "Potato Girl"—was brutally slain. Del's killer was never found, while the victim has since achieved immortality in local legends and ghost stories. Now, as this new murder investigation draws Kate irresistibly in, her past and present collide in terrifying, unexpected ways. Because nothing is quite what it seems . . . and the grim specters of her youth are far from forgotten. More than just a murder mystery, Jennifer McMahon's extraordinary debut novel, Promise Not to Tell, is a story of friendship and family, devotion and betrayal—tautly written, deeply insightful, beautifully evocative, and utterly unforgettable.

NEW YORK TIMES BEST SELLER • Sam and Sadie—two college friends, often in love, but never lovers—become creative partners in a dazzling and intricately imagined world of video game design, where success brings them fame, joy, tragedy, duplicity, and, ultimately, a kind of immortality. It is a love story, but not one you have read before. "Delightful and absorbing." —The New York Times • "Utterly brilliant." —John Green One of the Best Books of the Year: The New York Times, Entertainment Weekly, TIME, GoodReads, Oprah Daily From the best-selling author of The Storied Life of A. J. Fikry: On a bitter-cold day, in the December of his junior year at Harvard, Sam Masur exits a subway car and sees, amid the hordes of people waiting on the platform, Sadie Green. He calls her name. For a moment, she pretends she hasn’t heard him, but then, she turns, and a game begins: a legendary collaboration that will launch them to stardom. These friends, intimates since childhood, borrow money, beg favors, and, before even graduating college, they have created their first blockbuster, Ichigo. Overnight, the world is theirs. Not even twenty-five years old, Sam and Sadie are brilliant, successful, and rich, but these qualities won’t protect them from their own creative ambitions or the betrayals of their hearts. Spanning thirty years, from Cambridge, Massachusetts, to Venice Beach, California, and lands in between and far beyond, Gabrielle Zevin’s Tomorrow, and Tomorrow, and Tomorrow examines the multifarious nature of identity, disability, failure, the redemptive possibilities in play, and above all, our need to connect: to be loved and to love.

Contains twelve biographies of living Negro men and women who have struggled to find a measure of satisfying success.

My book is my biography as a typical baby boomer born after the Second World War, growing up in the 50s and early 60s, which were my happy times, which would end with my enlistment in the marines! My book ends with the political fallout from that war.

It's Friday night, and Derek Collins has a slight problem, he's all out of weed. That's right the herb, the Ganja, Mary Jane, or good old fashioned grass. With his normal guy out of town, Derek will have to do the unthinkable: try to score on his own. What starts as simple lead to scoring spirals into an evening of debauchery, violence and so many WTF moments we couldn't even keep count (but honestly we didn't try). Derek will have to avoid the clutches of the sex-starved four hundred pound stripper. Assist a "street" Anthropologist with tagging and releasing Hipsters back into the wild. It's going to be a very long night as every turn brings him more and more trouble. From a cult with a fiendish surprise in their pants, to a deranged drag queen's "floor show". And even a kangaroo court where grammar is on trial, and punishable by death! All Derek wanted was an eighth, all he got were Despicable People.