Tomb of Terror published by Harvey was one of many Popular Horror Comics reaching their Zenith in the 1950's. Due to their exceptionally bloody and gory stories; they eventually were banned by the United States Congress under pressure from certain elements of the Public. Now back in Print for your Viewing and Reading Pleasure. This wonderful Work contains Stories in all their Fright from the First Five Isues.

The first Chamber of Chills was a 10-cent horror anthology published bimonthly by Harvey Publications that ran 26 issues (June 1951 - Dec. 1954). Artists included Bob Powell, Lee Elias, Rudy Palais, Howard Nostrand, and Kremer. Issue 7 is mentioned in Dr. Fredric Wertham's scathing 1954 indictment of comic books Seduction of the Innocent (p. 389). Chamber ceased publication following the Senate Subcommittee on Juvenile Delinquency hearings of 1954. Harvey then began concentrating on titles for young children, including Little Dot and Richie Rich. Chamber of Chills was formerly Blondie Comics and its numbering begins where Blondie left off (issue 20). The first four issues of Chamber are consequently numbered 21-24. The numbering was reset with the fifth issue February 1952. Chamber of Chills became Chamber of Clues in February 1955 and saw two issues, folding in April 1955.

The Thing! is an American horror comic book published by Charlton Comics that ran 17 issues from 1952 to 1954. Its tagline was "Weird tales of suspense and horror!" After the 17th issue it was cancelled and the series' numbering continued as Blue Beetle vol. 2.

The Beyond wasa Popular horror comic published by Ace comics during the 1950's. It, like many other comics of the genre, was banned from publication by the U.S. Congress. The reason was their exceptionally bloody and gory content. Now back in print for your viewing and reading pleasure. This wonderful work contains five complete issues. Digitally remastered and Image enhanced.

Between the 1930s and the invention of the internet, American comics reached readers in a few distinct physical forms: the familiar monthly stapled pamphlet, the newspaper comics section, bubblegum wrappers, and bound books. From Gum Wrappers to Richie Rich: The Materiality of Cheap Comics places the history of four representative comics—Watchmen, Uncle Scrooge, Richie Rich, and Fleer Funnies—in the larger contexts of book history, children’s culture, and consumerism to understand the roles that comics have played as very specific kinds of books. While comics have received increasing amounts of scholarly attention over the past several decades, their material form is a neglected aspect of how creators, corporations, and readers have constructed meaning inside and around narratives. Neale Barnholden traces the unusual and surprising histories of comics ranging from the most acclaimed works to literal garbage, analyzing how the physical objects containing comics change the meaning of those comics. For example, Carl Barks’s Uncle Scrooge comics were gradually salvaged by a fan-driven project, an evolution that is evident when considering their increasingly expensive forms. Similarly, Watchmen has been physically made into the epitome of “prestigious graphic novel” by the DC Comics corporation. On the other hand, Harvey Comics’ Richie Rich is typically misunderstood as a result of its own branding, while Fleer Funnies uses its inextricable association with bubblegum to offer unexpectedly sophisticated meanings. Examining the bibliographical histories of each title, Barnholden demonstrates how the materiality of consumer culture suggests meanings to comics texts beyond the narratives.

TOMB OF TERROR #15In the early 1950's, what was known as the "Pre-Code era", horror comics stretched (and often exceeded) the boundaries of what would be called "acceptable." TOMB OF TERROR was one of the most daring books, featuring not only suspenseful stories and excellent artistry, but the graphic horror that made parents fear for their childrens' sanity. Ah - good times!We have a great selection of issues for you: individually, as part of a multi-volume collection, or altogether in the giant CLASSIC COMICS LIBRARY #445These books are reprinted from the best available images, and the books will be updated as new copies are uncovered. Sometimes the early and rarer books reflect the age and the condition of the originals. Our books are NOT digitally remastered; they are taken from scans of actual comics. Many people enjoy these authentic characteristics. If you are not entirely happy, please contact us for exchange or refund at any time! ALL STORIES - NO ADSGet the complete catalog by contacting [email protected]

The Sandman meets Bladerunner in this LGBTQ+ Fantasy/SciFi blend! Sometimes dreams—called figments—escape the dreamer's mind. And it's Daher's job to track them down. When she finds herself caught up in the dreams of politically powerful family, Daher discovers secrets about the origins of figments. WHAT HAPPENS WHEN A DREAM ESCAPES? When a dream entity known as a figment emerges from a dreamer’s mind, it’s Daher’s job as an IJ to track them down and make the call: reinsert the figment, or grant them agency in our world. After an especially powerful figment escapes the dreams of an even more powerful politician’s son, Daher is pulled headlong into an investigation that traces all the way back to the incident that sent dreams, even nightmares, spilling into our reality. Collects the complete five issue series.