Isbister in the Orkneys is one of those extraordinary archaeological sites where the remains of Neolithic man and his works have been so well preserved that they give us an amazingly clear picture of the life and people of 5000 years ago. In Tomb of the Eagles John W. Hedges describes vividly the activities of a tribe which had as its totem the magnificent white-tailed sea eagle. For these people the building and use of the tomb was symbol and expression of their identity. It was here that the dead joined their ancestors–but only after the flesh had been stripped from their bones. It was here, too, that offerings were made. Here broken pots were piled; fish, eagles and joints of meat mouldered; and the hands of the living sorted the heaped bones of the dead.

Isbister in the Orkneys is one of those extraordinary archaeological sites where the remains of Neolithic man and his works have been so well preserved that they give us an amazingly clear picture of the life and people of 5000 years ago. In Tomb of the Eagles John W. Hedges describes vividly the activities of a tribe which had as its totem the magnificent white-tailed sea eagle. For these people the building and use of the tomb was symbol and expression of their identity. It was here that the dead joined their ancestors–but only after the flesh had been stripped from their bones. It was here, too, that offerings were made. Here broken pots were piled; fish, eagles and joints of meat mouldered; and the hands of the living sorted the heaped bones of the dead.

A man lies under the tawny earth, hands still clutching the knife that killed him.Thorfinn Sigurdarson, Earl of all Orkney and Caithness, has made a mistake, and he won't let himself forget it. Now rumours have started in the Norse lands that he might be getting a second chance - but should he take it, when it means that dead men are walking?

“Once an Eagle is simply the best work of fiction on leadership in print.” —General Martin E. Dempsey, 18th Chairman of the Joint Chiefs of Staff Required reading for West Point and Marine Corps cadets, Once An Eagle is the story of one special man, a soldier named Sam Damon, and his adversary over a lifetime, fellow officer Courtney Massengale. Damon is a professional who puts duty, honor, and the men he commands above self-interest. Massengale, however, brilliantly advances by making the right connections behind the lines and in Washington's corridors of power. Beginning in the French countryside during the Great War, the conflict between these adversaries solidifies in the isolated garrison life marking peacetime, intensifies in the deadly Pacific jungles of World War II, and reaches its treacherous conclusion in the last major battleground of the Cold War—Vietnam. Now reissued with a new foreword by acclaimed historian Carlo D'Este, here is an unforgettable story of a man who embodies the best in our nation—and in us all.

“The best nature writer working in Britain today.” – The Los Angeles Times. Eagles, more than any other bird, spark our imaginations. These magnificent creatures encapsulate the majesty and wildness of Scottish nature. But change is afoot for the eagles of Scotland: the golden eagles are now sharing the skies with sea eagles after a successful reintroduction programme. In ‘The Eagle’s Way’, Jim Crumley exploits his years of observing these spectacular birds to paint an intimate portrait of their lives and how they interact with each other and the Scottish landscape. Combining passion, beautifully descriptive prose and the writer’s 25 years of experience, ‘The Eagle’s Way’ explores the ultimate question - what now for the eagles? - making it essential reading for wildlife lovers and eco-enthusiasts.

This title was first published in 2000: Reverent memorial for the dead was the inspiration for the production of a significant category of artworks during the Middle Ages - artworks aimed as much at the laity as at the clergy, and intended to maintain, symbolically, the presence of the dead. Memoria, the term that describes the formal, liturgical memory of the dead, also includes artworks intended to house and honour the deceased. This book explores the ways in which medieval Christians sought to memorialize the deceased: with tombs, cenotaphs, altars and other furnishings connected to a real or symbolic burial site. A dozen essays analyze strategies for commemoration from the 4th to the 15th century: the means by which human memory could be activated or manipulated through the interaction between monuments, their setting, and the visitor. Building upon from the growing body of literature on memory in the Middle Ages, the collection focuses on the tomb monument and its context as a complex to define what is to be remembered, to fix memory, and to facilitate recollection. Remembering depended upon the emotionally charged interaction between the visitor, the funerary monument, strategically placed images or inscriptions, the liturgy and its participants. Commemorative artworks may consolidate social bonds as well as individual memory, as put forth in this volume. Parallels are drawn between mnemonic devices utilized in the Middle Ages, the design of monuments and contemporary scientific research in cognitive neuropsychology. The papers were originally presented at the 1994 meetings of the College Art Association and the International Congresses of Medieval Studies at Western Michigan University, Kalamazoo, and the University of Leeds, England, in 1995.

Abundant prehistoric remains survive in the wide landscapes of Europe, but none are arguably as fascinating or awe-inspiring as the “megalithic” (after the Greek megas: great, and lithos: stone) monuments built by the people who lived here during the three hugely important periods of European prehistory known respectively as the Neolithic, the Copper Age, and the Bronze Age. These huge, prehistoric stone structures can still be found scattered in their thousands across Europe and provide a tentative but evocative link to their builders, and to Europe’s distant past. From the Mediterranean islands to the colder climes of Scandinavia, Exploring Megalithic Europe takes readers to many European countries, examining both famous and lesser-known megalithic monuments and looking at what insights these remarkable reminders of prehistoric life may provide into the ancient communities responsible for their construction.