Tomaso Albinoni (1671-1751) is familiar as a Venetian composer, a contemporary of Vivaldi's, and as one of the first composers of concertos, many of which are frequently performed today. His vocal music, however, has been unjustly neglected. This book presents new information on Albinoni's unusual life and interesting details of the Venetian environment and music at the time. Talbot includes a detailed analytic study of the vocal music and a discussion and listing of several newly discovered works. From this objective assessment of his art, Albinoni emerges as a composer with a highly original vision whose music deserves to be better known.

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Tomaso Albinoni (1671-1751) is familiar as a Venetian composer, a contemporary of Vivaldi's, and as one of the first composers of concertos, many of which are frequently performed today. His vocal music, however, has been unjustly neglected. This book presents new information on Albinoni's unusual life and interesting details of the Venetian environment and music at the time. Talbot includes a detailed analytic study of the vocal music and a discussion and listing of several newly discovered works. From this objective assessment of his art, Albinoni emerges as a composer with a highly original vision whose music deserves to be better known.

"A History of Baroque Music is a detailed treatment of the music of the Baroque era, with particular focus on the seventeenth century. The author's approach is a history of musical style with an emphasis on musical scores. The book is divided initially by time period into early and later Baroque (1600-1700 and 1700-1750 respectively), and secondarily by country and composer. An introductory chapter discusses stylistic continuity with the late Renaissance and examines the etymology of the term "Baroque." The concluding chapter on the composer Telemann addresses the stylistic shift that led to the end of the Baroque and the transition into the Classical period."--Jacket.

Opera is the only guide to the research writings on all aspects of opera. This second edition presents 2,833 titles--over 2,000 more than the first edition--of books, parts of books, articles and dissertations with full bibliographic descriptions and critical annotations. Users will find the core literature on the operas of 320 individual composers and details of operatic life in 43 countries. All relevant works through to November 1999 have been considered, covering more than fifteen years of literature since the first edition was published.

This book is the only complete and up-to-date annotated bibliography available on women's activities and contributions in the creation and performance of music through the ages. Encompassing major books, articles and recordings published over the past five decades, the book examines a broad cross-section of contemporary thought, with each entry - with over 500 devoted to resources from countries outside the US - including annotation along with a critical description of content.