Poetry. Winner of the 2006 National Book Critics Circle Award for Poetry. "TOM THOMSON IN PURGATORY falls gracefully into the American tradition of the extended persona poem...Troy Jollimore knows how to trot forth a character as distinct as one who might be encountered in sharply rendered fiction...Of course, we know and delight in the knowledge that Tom Thomson is a verbal phantom, the result of the poet's word-spinning, but at the same time we lean forward to believe in him--our hero for the moment, a man of the hour...Reading this book, you are bound to take both Tom Thomson and his creator to your heart and to savor the miscellany of other poems that make up this superb collection"--Billy Collins.

A National Post Bestseller! How did Tom Thomson die in the summer of 1917? Was landscape painter Tom Thomson shot by poachers, or by a German-American draft dodger? Did a blow from a canoe paddle knock him unconscious and into the water? Was he fatally injured in a drunken fight? Did he end his life out of fear of being forced to marry his pregnant girlfriend? Commemorating the one-hundredth anniversary of the death of the renowned Canadian landscape painter, The Many Deaths of Tom Thomson offers an authoritative review of the historical record, as well as some theories you might not have thought of in a hundred years. Cultural historian Gregory Klages surveys first-hand testimony and archival records about Thomson’s tragic demise, attempting to sort fact from legend in the death of this Canadian icon.

Love often seems uncontrollable and irrational, but we just as frequently appear to have reasons for loving the people we do. In Love's Vision, Troy Jollimore offers a new way of understanding love that accommodates both of these facts, arguing that love is guided by reason even as it resists and sometimes eludes rationality. At the same time, he reconsiders love's moral status, acknowledging its moral dangers while arguing that it is, at heart, a moral phenomenon--an emotion that demands empathy and calls us away from excessive self-concern. Love is revealed as neither wholly moral nor deeply immoral, neither purely rational nor profoundly irrational. Rather, as Diotima says in Plato's Symposium, love is "something in between." Jollimore makes his case by proposing a "vision" view of love, according to which loving is a way of seeing that involves bestowing charitable attention on a loved one. This view recognizes the truth in the cliché "love is blind," but holds that love's blindness does not undermine the idea that love is guided by reason. Reasons play an important role in love even if they rest on facts that are not themselves rationally justifiable. Filled with illuminating examples from literature, Love's Vision is an original examination of a subject of vital philosophical and human concern.

The 2020 edition of contemporary American poetry returns, guest edited by Paisley Rekdal, the award-winning poet and author of Nightingale, proving that this is “a ‘best’ anthology that really lives up to its title” (Chicago Tribune). Since 1988, The Best American Poetry anthology series has been “one of the mainstays of the poetry publication world” (Academy of American Poets). Each volume in the series presents some of the year’s most remarkable poems and poets. Now, the 2020 edition is guest edited by Utah’s Poet Laureate Paisely Rekdal, called “a poet of observation and history...[who] revels in detail but writes vast, moral poems that help us live in a world of contraries” by the Los Angeles Times. In The Best American Poetry 2020, she has selected a fascinating array of work that speaks eloquently to the “contraries” of our present moment in time.

Lush and allusive, tuned to a background in translating Nepal Bhasa poetry, RUNNING OUT OF WORDS FOR AFTERWARDS gives voice to cycles of desire, loss, and renewal. Like the many rivers that flow through this book, David Hargreaves' poems, in various turns, can be urgent, expansive, unpredictable, or calm, conveying the reader through landscapes both mystical and mundane, through illusions of selfhood, and the struggles of language to accept its own limitations. Poetry. Asian & Asian American Studies.