In this book, Lisa Coutras explores the structure and complexity of J.R.R. Tolkien’s narrative theology, synthesizing his Christian worldview with his creative imagination. She illustrates how, within the framework of a theological aesthetics, transcendental beauty is the unifying principle that integrates all aspects of Tolkien’s writing, from pagan despair to Christian joy. J.R.R. Tolkien’s Christianity is often held in an unsteady tension with the pagan despair of his mythic world. Some critics portray these as incompatible, while Christian analysis tends to oversimplify the presence of religious symbolism. This polarity of opinion testifies to the need for a unifying interpretive lens. The fact that Tolkien saw his own writing as “religious” and “Catholic,” yet was preoccupied with pagan mythology, nature, language, and evil, suggests that these areas were wholly integrated with his Christian worldview. Tolkien’s Theology of Beauty examines six structural elements, demonstrating that the author’s Christianity is deeply embedded in the narrative framework of his creative imagination.

In this book, Lisa Coutras explores the structure and complexity of J.R.R. Tolkien’s narrative theology, synthesizing his Christian worldview with his creative imagination. She illustrates how, within the framework of a theological aesthetics, transcendental beauty is the unifying principle that integrates all aspects of Tolkien’s writing, from pagan despair to Christian joy. J.R.R. Tolkien’s Christianity is often held in an unsteady tension with the pagan despair of his mythic world. Some critics portray these as incompatible, while Christian analysis tends to oversimplify the presence of religious symbolism. This polarity of opinion testifies to the need for a unifying interpretive lens. The fact that Tolkien saw his own writing as “religious” and “Catholic,” yet was preoccupied with pagan mythology, nature, language, and evil, suggests that these areas were wholly integrated with his Christian worldview. Tolkien’s Theology of Beauty examines six structural elements, demonstrating that the author’s Christianity is deeply embedded in the narrative framework of his creative imagination.

This book invites readers into Tolkien’s world through the lens of a variety of philosophers, all of whom owe a rich debt to the Neoplatonic philosophical tradition. It places Tolkien’s mythology against a wider backdrop of Catholic philosophy and asks serious questions about the nature of creation, the nature of God, what it means to be good, and the problem of evil. Halsall sets Tolkien alongside both his contemporaries and ancient authors, revealing his careful use of literary devices inspired by them to craft his own “mythology for England.”

For Christians who are fans of Tolkien, Smith compares the tales of the Hobbits to those of spirituality, wherein God calls those that listen to embark on a journey.

While nothing can equal or replace the adventure in reading ; Tolkienಙs masterwork, The Lord of the ; Rings, Peter Kreeft says that the journey into its ; underlying philosophy can be another exhilarating ; adventure. Thus, Kreeft takes the reader on a voyage ; of discovery into the philosophical bones of Middle earth. ; He organizes the philosophical themes in The Lord of the ; Rings into 50 categories, accompanied by over 1,000 ; references to the text of Lord.Since many of the great ; questions of philosophy are included in the 50-theme ; outline, this book can also be read as an engaging ; introduction to philosophy. For each of the philosophical ; topics in Lord, Kreeft presents tools by which they can be ; understood. Illustrated.

An illustrated journey into the life and imagination of one of the world's best-loved authors, Tolkien's Worlds provides a unique exploration of the relationship between the real and the fantastical and is an essential companion for anyone who wants to follow in Tolkien's footsteps.

Offers a new reading of Tolkien in terms of Chesterton's literary and theological project.