This book explores how that love influenced Tolkien's ideas about linguistic taste, his invention of languages, many of the themes and motifs in his creative writing, and his sense of a (regional) English identity. Drawing on unpublished material as well as Tolkien's published fiction, poetry and academic writing, Tolkien and Wales describes more fully than ever before the extent and depth of Tolkien's debt to the Welsh language and Welsh literature. It also argues that Tolkien's love of Wales and Welsh is inseparable from his love of England and his sense of belonging to the border country of the West Midlands. Besides discussing such famous books as The Hobbil and The Lord of the Rings, particular attention is paid to relatively neglected texts such as Tolkien's lecture on 'English and Welsh' and a poem that he published in The Welsh Review, The Lay of Aotrou and Iotroun. Where earlier scholarship has addressed Tolkien's debt to Welsh it has tended to do so in the context of 'Celtic' influence in general, but this book shows that Tolkien had very different attitudes to different Celtic languages. Tolkien and Wales reveals the seminal influence of Wales and Welsh on the writings of the twentieth century's most popular writer. Book jacket.

Tolkien and Wales is the first book to offer a detailed examination of the influence of Wales on Tolkien's fiction and scholarly work, including some relatively neglected texts.

Tolkien and Wales is the first book to offer a detailed examination of the influence of Wales on Tolkien's fiction and scholarly work, including some relatively neglected texts.

Tolkien and Welsh provides an overview of J.R.R.Tolkien's use of Welsh in his Legendarium, ranging from the obvious (Gwynfa-the Welsh word for Paradise), to the apparent (Took-a Welsh surname), to the veiled (Gerontius-the Latinizaton of a royal Welsh name), to the hidden (Goldberry-the English calque of a Welsh theonym). Though it is a book by a linguist, it was written for the non-linguist with the goal of making the topic accessible. The unavoidable jargon is explained in a glossary, and the narrative presents an overview of how Welsh influenced Tolkien's story line, as well as his synthetic languages Quenya and Sindarin. The study is based on specific examples of attested names, placed in the context of their linguistic and cultural background, while highlighting the peculiar features of Welsh, "the senior language of the men of Britain" (MC 189), that Tolkien found so intriguing. It supplements, rather than competes with Carl Phelpstead's excellent Tolkien and Wales, which sidestepped the topic of the Celtic linguistics behind Tolkien's work. Learn the story behind Lithe, Buckland, Anduin, and Baranduin. Pagination: xxx + 274, B&W illustrations by James Dunning, maps, Index, Trade Paper Jason Fisher--the editor of Tolkien and the Study of His Sources (McFarland, 2011), and the host of the blog 'Lingwë: Musings of a Fish' -- says: Tolkien and Welsh "should be pretty accessible to most readers." Mark gets "into some of the particulars of Welsh (and Sindarin) phonology--especially on the matter of mutation, a prominent feature of both languages--but Mark writes primarily for the lay person." Where Carl Phelpstead's book Tolkien and Wales "presents a broad survey of the forest as a whole, Mark's book is down at the level of the trees within it, even single leaves, grappling with individual words and names. If you are familiar with his previous books, it is much like those, but with the driving thread being the influence of Welsh on Tolkien's nomenclature and storytelling. I think Mark's book and Carl's complement each other and could be profitably read together." Tolkien and Welsh has been invited to enter the 2013 Competition for the Literature Wales Book of the Year Award. Participation is by invitation only. Despite the fact that the "Preface" explicitly advises the reader that: "The focus is on sources that were current at the time in which Tolkien lived and wrote. Modern theories may have supplanted the theories of Tolkien's time, but that is irrelevant. This volume explores the question of what Tolkien thought, not what we think we know now." some reviewers surprisingly fault Tolkien and Welsh for citing sources that present views that might not be supported by modern scholarship.

This work is a fresh look at the Maps of the Wilderland in The Hobbit, leading to the discovery that Professor Tolkien drew the imaginary maps from the Map of Wales back to front, or in reverse. The maps of the Shire in The Lord of The Rings are drawn likewise, of England. ‘“They are on their way to visit the land of their fathers, away east beyond Mirkwood,” put in Gandalf...’ Gandalf’s talk of the ‘land of their fathers’ is, by translation of its national anthem, Professor J.R.R. Tolkien’s hidden clue to the geography of Wales, which we learn the Professor loved, including its language. The focal point of The Hobbit, the Lonely Mountain, is identified as Cadair Idris of North-West Wales. Many of the topographical features of the Mountain coincide. The volcano-mouth Lake of the Lonely Mountain so resembles Llyn Cau of Cadair Idris. The marvel is that the lake has been overlooked so long: not only by Smaug the Dragon, but also by most commentators on The Hobbit. Which reader remembers there is a lake at all? Stephen interprets many of the allusions borrowed by Tolkien in his fantastic tale, including Beorn at the Carrock, the herons of Wales at Lake Town, and dragon fire at the Withered Heath. The work is divided into nine parts, with three site groupings. His unique focus on Tolkien’s map-making methodology will make his book relevant not only to Tolkien fans worldwide, but those interested in geography too.

" J.R.R. Tolkien's zeal for medieval literary, religious, and cultural ideas deeply influenced his entire life and provided the seeds for his own fiction. In Tolkien's Art, Chance discusses not only such classics as The Hobbit, The Lord of the Rings, and The Silmarillion, but focuses on his minor works as well, outlining in detail the sources and influences–from pagan epic to Christian legend-that formed the foundation of Tolkien's masterpieces, his "mythology for England."

The existence of the Welsh-language can come as a surprise to those who assume that English is the foundation language of Britain. However, J. R. R. Tolkien described Welsh as the 'senior language of the men of Britain'. Visitors from outside Wales may be intrigued by the existence of Welsh and will want to find out how a language which has, for at least fifteen hundred years, been the closest neighbour of English, enjoys such vibrancy, bearing in mind that English has obliterated languages thousands of miles from the coasts of England. This book offers a broad historical survey of Welsh-language culture from sixth-century heroic poetry to television and pop culture in the early twenty-first century. The public status of the language is considered and the role of Welsh is compared with the roles of other of the non-state languages of Europe. This new edition of The Welsh Language offers a full assessment of the implications of the linguistic statistics produced by the 2011 Census. The volume contains maps and plans showing the demographic and geographic spread of Welsh over the ages, charts examining the links between words in Welsh and those in other Indo-European languages, and illustrations of key publications and figures in the history of the language. It concludes with brief guides to the pronunciation, the dialects and the grammar of Welsh.