Tokyo Junkie is a memoir that plays out over the dramatic 60-year growth of the megacity Tokyo, once a dark, fetid backwater and now the most populous, sophisticated, and safe urban capital in the world. Follow author Robert Whiting (The Chrysanthemum and the Bat, You Gotta Have Wa, Tokyo Underworld) as he watches Tokyo transform during the 1964 Olympics, rubs shoulders with the Yakuza and comes face to face with the city’s dark underbelly, interviews Japan’s baseball elite after publishing his first best-selling book on the subject, and learns how politics and sports collide to produce a cultural landscape unlike any other, even as a new Olympics is postponed and the COVID virus ravages the nation. A colorful social history of what Anthony Bourdain dubbed, “the greatest city in the world,” Tokyo Junkie is a revealing account by an accomplished journalist who witnessed it all firsthand and, in the process, had his own dramatic personal transformation.

A riveting account of the role of Americans in the evolution of the Tokyo underworld in the years since 1945. In the ashes of postwar Japan lay a gold mine for certain opportunistic, expatriate Americans. Addicted to the volatile energy of Tokyo's freewheeling underworld, they formed ever-shifting but ever-profitable alliances with warring Japanese and Korean gangsters. At the center of this world was Nick Zappetti, an ex-marine from New York City who arrived in Tokyo in 1945, and whose restaurant soon became the rage throughout the city and the chief watering hole for celebrities, diplomats, sports figures, and mobsters. Tokyo Underworld chronicles the half-century rise and fall of the fortunes of Zappetti and his comrades, drawing parallels to the great shift of wealth from America to Japan in the late 1980s and the changes in Japanese society and U.S.-Japan relations that resulted. In doing so, Whiting exposes Japan's extraordinary "underground empire": a web of powerful alliances among crime bosses, corporate chairmen, leading politicians, and public figures. It is an amazing story told with a galvanizing blend of history and reportage.

In Kanazawa, the first literary novel in English to be set in this storied Japanese city, Emmitt’s future plans collapse when his wife, Mirai, suddenly backs out of negotiations to purchase their dream home. Disappointed, he’s surprised to discover Mirai’s subtle pursuit of a life and career in Tokyo, a city he dislikes. Harmony is further disrupted when Emmitt’s search for a more meaningful life in Japan leads him to quit an unsatisfying job at a local university. In the fallout, he finds himself helping his mother-in-law translate Kanazawa’s most famous author, Izumi Kyoka, into English. While continually resisting Mirai’s efforts to move to Tokyo, Emmitt becomes drawn into the mysterious death thirty years prior of a mutual friend of Mirai’s parents. It is only when he and his father-in-law climb the mountain where the man died that he learns the somber truth, and in turn discovers what the future holds for him and his wife. Packed with subtle literary allusion and closely observed nuance, with an intimacy of emotion inexorably tied both to the cityscape and Japan’s mountainous terrain, Kanazawa reflects the mood of Japanese fiction in a fresh, modern incarnation.

On a journey from NYC to mountainside Japan, the reader will first experience Iran and Afghanistan. Serendipitous encounters with famous people add color to this unusual story. Interactions with everyday folk, shared experiences of love, hope and tragedy, highlight our interconnectedness and humanity.

In this devastating exposé, investigative journalist Jon Mitchell reveals the shocking toxic contamination of the Pacific Ocean and millions of victims by the US military. For decades, US military operations have been contaminating the Pacific region with toxic substances, including plutonium, dioxin, and VX nerve agent. Hundreds of thousands of service members, their families, and residents have been exposed—but the United States has hidden the damage and refused to help victims. After World War II, the United States granted immunity to Japanese military scientists in exchange for their data on biological weapons tests conducted in China; in the following years, nuclear detonations in the Pacific obliterated entire islands and exposed Americans, Marshallese, Chamorros, and Japanese fishing crews to radioactive fallout. At the same time, the United States experimented with biological weapons on Okinawa and stockpiled the island with nuclear and chemical munitions, causing numerous accidents. Meanwhile, the CIA orchestrated a campaign to introduce nuclear power to Japan—the folly of which became horrifyingly clear in the 2011 meltdowns in Fukushima Prefecture. Caught in a geopolitical grey zone, US territories have been among the worst affected by military contamination, including Guam, Saipan, and Johnston Island, the final disposal site of apocalyptic volumes of chemical weapons and Agent Orange. Accompanying this damage, US authorities have waged a campaign of cover-ups, lies, and attacks on the media, which the author has experienced firsthand in the form of military surveillance and attempts by the State Department to impede his work. Now, for the first time, this explosive book reveals the horrific extent of contamination in the Pacific and the lengths the Pentagon will go to conceal it.

Countersexual Manifesto is an outrageous yet rigorous work of trans theory, a performative literary text, and an insistent call to action. Seeking to overthrow all constraints on what can be done with and to the body, Paul B. Preciado offers a provocative challenge to even the most radical claims about gender, sexuality, and desire. Preciado lays out mock constitutional principles for a countersexual revolution that will recognize genitalia as technological objects and offers step-by-step illustrated instructions for dismantling the heterocentric social contract. He calls theorists such as Derrida, Foucault, Butler, and Haraway to task for not going nearly far enough in their attempts to deconstruct the naturalization of normative identities and behaviors. Preciado’s claim that the dildo precedes the penis—that artifice, not nature, comes first in the history of sexuality—forms the basis of his demand for new practices of sexual emancipation. He calls for a world of sexual plasticity and fabrication, of bio-printers and “dildonics,” and he invokes countersexuality’s roots in the history of sex toys, pornography, and drag in order to rupture the supposedly biological foundations of the heterocentric regime. His claims are extreme, but supported through meticulous readings of philosophy and theory, as well as popular culture. The Manifesto is now available in English translation for its twentieth anniversary, with a new introduction by Preciado. Countersexual Manifesto will disrupt feminism and queer theory and scandalize us all with its hyperbolic but deadly serious defiance of everything we’ve been told about sex.