This limited edition of 700 copies comes with a special Toilet Paper satin scarf. Toilet Paper is an artists' magazine created and produced by Maurizio Cattelan and Pierpaolo Ferrari, born out of a passion or obsession they both cultivate: images. The magazine contains no text; each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists' mental outbursts. Since the first issue, in June 2010, Toilet Paper has created a world that displays ambiguous narratives and a troubling imagination. It combines the vernacular of commercial photography with twisted narrative tableaux and surrealistic imagery. The result is a publication that is itself a work of art, which, through its accessible form as a magazine, and through its wide distribution, challenges the limits of the contemporary art economy.

Inspired by the result of their collaboration, the duo founded Toiletpaper, a magazine born out of their shared passion for making unique and surprising images. Working together, Cattelan and Ferrari create photographs that fuse the vernacular of commercial image making with witty tableaux and surrealism. The result - Toiletpaper - is a bi-annual publication that is itself a work of art. Characterized by high production value and sharp humor, the images produced by Cattelan and Ferrari are instantly recognizable and reflective of their respective positions as renowned artist and acclaimed photographer.-from https://www.artandcommerce.com/artists/photographers/Maurizio-Cattelan---Pierpaolo-Ferrari/bio.

'Toiletpaper' comprises startling photographs colliding commercial photography with twisted narrative tableaux and surrealistic imagery.

Read the great flash fiction story, The Toilet Paper, an amazing tale of Lilly and her pet dog Pluto. First published on author's blog, this flash fiction story soon grabbed readers attention and became one of the most read flash fiction on the his blog.

Trying to start a business in this economy? Struggling with little or no cash? Have no experience, no baseline to judge your progress against? Whether you’re just starting out or have been at it for years, the Toilet Paper Entrepreneur's "get real", actionable approach to business is a much-needed swift kick in the pants.

This is the hidden history of an invention that we use every day but seldom dare to speak of. In medieval China it was cutting-edge technology. For 19th-century Americans it was a newfangled alternative to dried corncobs and the Sears & Roebuck catalogue. Wits in Georgian London preferred pages of bad poetry. The sages of ancient Athens were content to wield the xylospongion instead. It's the tale of toilet paper; the biography of bumfodder. From its origins at the Imperial court of Emperor Hongwu to its reinvention as a quack remedy for haemorrhoids in 1870s New York city; from the Dutch and their mussel-shells to Henry VIII and his Groom of the Stool; from Madame de Prie's pioneering bidet to the space-age Washlet; from leaf-wielding chimpanzees to Mr Thirsty Fiber and the world's first three-adjective loo-roll - it's a story of necessity and invention, luxury and squalor, experiment and tradition. What does a submarine crew do when it runs out of toilet paper? Who stole the Pope's loo-roll? Does printer's ink cause piles? How do you fold a sheet of toilet paper in half more than seven times? What did 'bumphleteers' do, and why? Richard Smyth answers the questions you never thought to ask about the product we can't live without.

Issue 11 of Maurizio Cattelan and Pierpaolo Ferrari's accessible image-based artists' magazine that challenges the limits of the contemporary art economy Toilet Paper is an artists' magazine created and produced by Maurizio Cattelan and Pierpaolo Ferrari, born out of a passion or obsession they both cultivate: images. The magazine contains no text; each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists' mental outbursts. Since the first issue, in June 2010, Toilet Paper has created a world that displays ambiguous narratives and a troubling imagination. It combines the vernacular of commercial photography with twisted narrative tableaux and surrealistic imagery. The result is a publication that is itself a work of art which, through its accessible form as a magazine, and through its wide distribution, challenges the limits of the contemporary art economy.