Tobias Smollett After 300 Years offers a collection of essays on one of the great literary figures of the eighteenth century: the Scottish writer, Tobias Smollett (1721-1771). Drawing together the work of an international group of scholars, with a variety of critical approaches, the book examines aspects of Smollett's life, writing and reputation on the occasion of the three-hundredth anniversary of his birth. Smollett is perhaps best known today as a novelist. However, he also worked tirelessly as a translator, historian, critic and editor. Whilst this book gives space to Smollett's innovations in writing fiction (described, variously, as malapropic, metaleptic, avuncular and periodical), it also draws on his wider work, situating it in the intellectual and visual culture of the book trade, traditions of domestic and humoral medicine, the politics of the Anglo-Scottish Union and projects to write a national history. Moments of Smollett's biography are revisited through newly-published correspondence, including accounts of his relationship to the sale of enslaved people. A new area for Smollett studies - his reception in Russia - suggests the reach of his work. The book concludes with some reflections on the state of Smollett studies today and the urgent message this eighteenth-century writer might bring to twenty-first century classrooms.

Tobias Smollett After 300 Years offers a collection of essays on one of the great literary figures of the eighteenth century: the Scottish writer, Tobias Smollett (1721–1771). Drawing together the work of an international group of scholars, with a variety of critical approaches, the book examines aspects of Smollett’s life, writing and reputation on the three-hundredth anniversary of his birth.

This collection draws together original scholarship from international contributors on a range of aspects of professional and semi-professional medical work and its relations to British culture. It combines a diverse spectrum of scholarly approaches, from medical history to book history, exploring literary and scientific texts, such as satiric poetry, essays, anatomies, advertisements, and the novel, to shed light on the mythologisation and transmission of medical (mis)information through literature and popular culture. It analyses the persuasive and sometimes deceptive means by which myths, as well as information and beliefs, about medicine and the medical professions proliferated in English literary culture of this period, from early eighteenth-century household remedies to the late nineteenth-century concerns with vaccination that are still relevant today.

Cigar Box Lithographs: Volume IV, written and compiled by Charles J. A. Humber, the fourth in a series showcases the author’s longtime passion for tobacco-related collectibles. Like the previous volumes, this beautifully illustrated book is a historical window into the world of cigar box ephemera. In the newest edition, Humber starts off in his signature style, with a deep dive into a rare collectible. In this case, it’s a cigar box, the inside cover emblazoned with the beloved Bard. Humber delves into the cigar box’s provenance (New York), then quickly shifts to Shakespeare’s enduring cachet, speaking about his plays, sonnets, and Ontario’s famous Stratford Festival. Also similar to its precursors, in Volume IV readers are once again treated to Humber’s chatty, erudite writing style; reading it no doubt makes Cigar Box Lithographs fans feel like they’re sitting down with a treasured friend enjoying a long and fascinating conversation.