Meet Toaff: a lovable squirrel, and new standout character, searching for a place to call home in this gem of a story by a Newbery Medal-winning author. Toaff is a small squirrel full of big questions. Why must I stay away from the human's house? Why shouldn't I go beyond the pine trees? Why do we fight with the red squirrels across the drive? His sister shrugs--that's just the way things are. His brother bullies--because I said so. And the older squirrels scold--too many questions! Can Toaff really be the only one to wonder why? When a winter storm separates him from his family, Toaff must make his own way in the world. It's a world filled with danger--from foxes and hawks and cats to cars and chainsaws. But also filled with delight--the dizzying scent of apple blossoms, the silvery sound of singing, the joy of leaping so far you're practically flying. Over the course of a year, Toaff will move into (and out of) many different dreys and dens, make some very surprising friends (and a few enemies), and begin to answer his biggest questions--what do I believe and where do I belong? Master storyteller Cynthia Voigt offers readers a rich and rewarding story of finding one's way in the world.

Leo Castelli reigned for decades as America’s most influential art dealer. Now Annie Cohen-Solal, author of the hugely acclaimed Sartre: A Life (“an intimate portrait of the man that possesses all the detail and resonance of fiction”—Michiko Kakutani, The New York Times), recounts his incalculably influential and astonishing life in Leo and His Circle. After emigrating to New York in 1941, Castelli would not open a gallery for sixteen years, when he had reached the age of fifty. But as the first to exhibit the then-unknown Jasper Johns, Castelli emerged as a tastemaker overnight and fast came to champion a virtual Who’s Who of twentieth-century masters: Rauschenberg, Lichtenstein, Warhol, and Twombly, to name a few. The secret of Leo’s success? Personal devotion to the artists, his “heroes”: by putting young talents on stipend and seeking placement in the ideal collection rather than with the top bidder, he transformed the way business was done, multiplying the capital, both cultural and financial, of those he represented. His enterprise, which by 1980 had expanded to an impressive network of satellite galleries in Europe and three locations in New York, thus became the unrivaled commercial institution in American art, producing a generation of acolytes, among them Mary Boone, Jeffrey Deitch, Larry Gagosian, and Tony Shafrazi. Leo and His Circle brilliantly narrates the course of one man’s power and influence. But Castelli had another secret, too: his life as an Italian Jew. Annie Cohen-Solal traces a family whose fortunes rose and fell for centuries before the Castellis fled European fascism. Never hidden but also never discussed, this experience would form the core of a guarded but magnetic character possessed of unfailing old-world charm and a refusal to look backward—traits that ensured Castelli’s visionary precedence in every major new movement from Pop to Conceptual and by which he fostered the worldwide enthusiasm for American contemporary art that is his greatest legacy. Drawing on her friendship with the subject, as well as an uncanny knack for archival excavation, Annie Cohen-Solal gives us in full the elegant, shrewd, irresistible, and enigmatic figure at the very center of postwar American art, bringing an utterly new understanding of its evolution.

When Mary Lou stirs up her brew, she spells trouble for the Dean of the Academy of Sophists: just one more problem when the future of the Academy is in jeopardy, faculty members vanish, an assistant causes a unique traffic jam, lab creatures escape, and a disenchanted junior professor tries to alter the Dean’s Gravity Quotient. Rooted in ancient Greek culture, the Dean’s Academy of Sophists contributes to humanity in its own whacky way, using ancient practices similar to witchcraft, but with a scientific basis. Although Sophistry and witchcraft parted ways in the fifteenth century, the Dean must defend the Academy against those who see these goings-on as decidedly witchy—with hilarious results. Mary Lou’s Brew is a humorous social and academic commentary for adults of all ages and is not to be taken seriously. It is written by a Yorkshire woman who knows her science and her brews.