In summer and fall 1941, as German armies advanced with shocking speed across the Soviet Union, the Soviet leadership embarked on a desperate attempt to safeguard the country's industrial and human resources. Their success helped determine the outcome of the war in Europe. To the Tashkent Station brilliantly reconstructs the evacuation of over sixteen million Soviet civilians in one of the most dramatic episodes of World War II. Rebecca Manley paints a vivid picture of this epic wartime saga: the chaos that erupted in towns large and small as German troops approached, the overcrowded trains that trundled eastward, and the desperate search for sustenance and shelter in Tashkent, one of the most sought-after sites of refuge in the rear. Her story ends in the shadow of victory, as evacuees journeyed back to their ruined cities and broken homes. Based on previously unexploited archival collections in Russia, Ukraine, and Uzbekistan, To the Tashkent Station offers a novel look at a war that transformed the lives of several generations of Soviet citizens. The evacuation touched men, women, and children from all walks of life: writers as well as workers, scientists along with government officials, party bosses, and peasants. Manley weaves their harrowing stories into a probing analysis of how the Soviet Union responded to and was transformed by World War II. Over the course of the war, the Soviet state was challenged as never before. Popular loyalties were tested, social hierarchies were recast, and the multiethnic fabric of the country was subjected to new strains. Even as the evacuation saved countless Soviet Jews from almost certain death, it spawned a new and virulent wave of anti-Semitism. This magisterial work is the first in-depth study of this crucial but neglected episode in the history of twentieth-century population displacement, World War II, and the Soviet Union.

Following his bestselling quest for Soviet Bus Stops, Canadian photographer Christopher Herwig has completed a subterranean expedition photographing the stations of each Metro network of the former USSR. From extreme marble and chandelier opulence to brutal futuristic minimalist glory, Soviet Metro Stations documents this wealth of diverse architecture.

“I am Moscow’s underground son, the result of one too many nights on the town,” says Mbobo, the precocious twelve-year-old narrator of Hamid Ismailov’s The Underground. Born from a Siberian woman and an African athlete competing in the 1980 Moscow Olympics, Mbobo navigates the complexities of being a fatherless, mixed-raced boy in the Soviet Union in the years before its collapse, guided only by the Moscow subway system. Named one of the "ten best Russian novels of the 21st Century" (Continent Magazine), The Underground is Ismailov’s haunting tour of the Soviet capital, on the surface and beneath. Though deeply engaged with great Russian authors of the past—Dostoyevsky, Nabokov, and, above all, Pushkin—Ismailov is an emerging master of Russian writing that reflects the country’s diversity today. Reviews "Hamid Ismailov has the capacity of Salman Rushdie at his best to show the grotesque realization of history on the ground." —Literary Review "The dream of grandeur is more than justified by the artfulness of The Underground, which...create[s] the motifs of blackness, subterranean movement, and isolation that are the novel’s strongest effects." —Transitions Online Hamid Ismailov is an Uzbek journalist, writer, and translator who was forced to flee Uzbekistan in 1992 for the United Kingdom, where he now works for the BBC World Service. His works are still banned in Uzbekistan. His writing has been published in Uzbek, Russian, French, English, and other languages. He is the author of novels including Sobranie Utonchyonnyh, Le Vagabond Flamboyant, Two Lost to Life, The Railway, The Underground, A Poet and Bin-Laden and The Dead Lake; poetry collections including Sad (Garden) and Pustynya (Desert); and books of visual poetry Post Faustum and Kniga Otsutstvi. Carol Ermakova studied German and Russian language and literature and holds an MA in translation from Bath University. She first visited Russia in 1991. More recently, Ermakova spent two years in Moscow working as a teacher and translator. Carol currently lives in the North Pennines and works as a freelance translator.

This report presents unevaluated information selected from Russian-language publications as indicated. It is produced and disseminated as an aid to United States Government research.

This study is the first to examine the experiences of the millions of Soviet civilians evacuated to the interior of the country during the Second World War in the context of their encounters and relations with local communities and populations across Soviet Central Asia, Kazakhstan, Siberia, and the Urals. The book considers the impact of this episode of massive population displacement across Eurasia on individuals, communities, and society more broadly. It explores how the challenges associated with wartime displacement gave rise to tensions between evacuees and local residents. These frictions, in turn, forced individuals to interrogate the meaning, terms, and limitations of citizenship and belonging in the Soviet Union. Evacuation thus played a critical role in the changing relationship between citizens and the Soviet state in the war and postwar periods. Furthermore, this study pays particular attention to the plight of Soviet Jewish evacuees, who constitute the largest contingent of Holocaust survivors in Europe, and the rise of anti-Semitism on the Soviet home front during the war. This volume will be of interest to students and scholars of the Second World War, migration and displacement, the Holocaust, Soviet Jewish history, and the Soviet experience more broadly.