In To the Island of Tides, Alistair Moffat travels to – and through the history of – the fated island of Lindisfarne. Known by the Romans as Insula Medicata and famous for its monastery, it even survived Viking raids. Today the isle maintains its position as a space for retreat and spiritual renewal. Walking from his home in the Borders, through the historical landscape of Scotland and northern England, Moffat takes us on a pilgrimage in the footsteps of saints and scholars, before arriving for a secular retreat on the Holy Isle. To the Island of Tides is a walk through history, a meditation on the power of place, but also a more personal journey; and a reflection on where life leads us.

Nicholas Muellner's most recent image-text book journeys through shifting tableaux of exile and solitude in the digital age. Seductive, disorienting, informative and allegorical, In Most Tides an Island is at once a glimpse of contemporary post-Soviet queer life, a meditation on solitude and desire, and an inquiry into the nature of photography and poetry in a world consumed by cruelty, longing, resignation and hope. This work emerged from two very different impulses: to witness the lives of closeted gay men in provincial Russia, and to compose the gothic tale of a solitary woman on a remote tropical island. Along the way, these disparate pursuits - one predicated on documentation, the other on invention - unexpectedly converged. Shot along Baltic, Caribbean and Black Sea coastlines, distant landscapes met at the rocky point of Alone. From that vista, they ask: what do intimacy and solitude mean in a radically alienated but hyper-connected world? In Most Tides an Island challenges photographic and literary conventions, collapsing portraiture and landscape, documentary and fiction, metaphor and description into the artist's distinct form of hybrid narrative. This shape-shifting work is threaded together by the voice of the wandering narrator and the unexpected visual echoes between these far-flung landscapes. A mysterious stream of faceless but expressive online profile pictures further links the divergent stories. These anonymous figures serve as an emotional semaphore, signaling across genres and geographies and between language and image.

Birdie Fuller doesn’t like change. And a lot of change is happening at once. Her daughter and three-year-old grandson are moving out of her apartment to a nearby city. Will Birdie be able to survive the loneliness without Hannah and Gus? She joins a dating website to find companionship and meets the seemingly perfect man. But is their relationship too good to be real? When the past comes back to haunt Birdie, she struggles to maintain the sobriety she’s worked so hard to achieve? While the beauty and wildlife of Palmetto Island provide inspiration for Hannah’s creativity, she realizes that in order to grow her web design business, she must move to a bigger city. But is she ready to leave the security of her mother’s apartment? For three years, she’s been hiding out on the island, avoiding contact with her son’s biological father. She never told Ryan about the pregnancy. He doesn’t know about Gus. When Ryan shows up at Birdie’s cafe out of the blue, Hannah’s world comes crashing down around her. Will she give Ryan another chance? Or will another man steal her heart? Escape to the Lowcountry for the first installment in the Palmetto Island series. Be sure to download Muddy Bottom, the series’s novella prequel, for free.

In Tides: The Science and Spirit of the Ocean, writer, sailor, and surfer Jonathan White takes readers across the globe to discover the science and spirit of ocean tides. In the Arctic, White shimmies under the ice with an Inuit elder to hunt for mussels in the dark cavities left behind at low tide; in China, he races the Silver Dragon, a twenty-five-foot tidal bore that crashes eighty miles up the Qiantang River; in France, he interviews the monks that live in the tide-wrapped monastery of Mont Saint-Michel; in Chile and Scotland, he investigates the growth of tidal power generation; and in Panama and Venice, he delves into how the threat of sea level rise is changing human culture—the very old and very new. Tides combines lyrical prose, colorful adventure travel, and provocative scientific inquiry into the elemental, mysterious paradox that keeps our planet’s waters in constant motion. Photographs, scientific figures, line drawings, and sixteen color photos dramatically illustrate this engaging, expert tour of the tides.

In his most brilliant and powerful novel, Pat Conroy tells the story of Tom Wingo, his twin sister, Savannah, and the dark and violent past of the family into which they were born. Set in New York City and the lowcountry of South Carolina, the novel opens when Tom, a high school football coach whose marriage and career are crumbling, flies from South Carolina to New York after learning of his twin sister's suicide attempt. Savannah is one of the most gifted poets of her generation, and both the cadenced beauty of her art and the jumbled cries of her illness are clues to the too-long-hidden story of her wounded family. In the paneled offices and luxurious restaurants of New York City, Tom and Susan Lowenstein, Savannah's psychiatrist, unravel a history of violence, abandonment, commitment, and love. And Tom realizes that trying to save his sister is perhaps his last chance to save himself. With passion and a rare gift of language, the author moves from present to past, tracing the amazing history of the Wingos from World War II through the final days of the war in Vietnam and into the 1980s, drawing a rich range of characters: the lovable, crazy Mr. Fruit, who for decades has wordlessly directed traffic at the same intersection in the southern town of Colleton; Reese Newbury, the ruthless, patrician land speculator who threatens the Wingos' only secure worldly possession, Melrose Island; Herbert Woodruff, Susan Lowenstein's husband, a world-famous violinist; Tolitha Wingo, Savannah's mentor and eccentric grandmother, the first real feminist in the Wingo family. Pat Conroy reveals the lives of his characters with surpassing depth and power, capturing the vanishing beauty of the South Carolina lowcountry and a lost way of life. His lyric gifts, abundant good humor, and compelling storytelling are well known to readers of The Great Santini and The Lords of Discipline. The Prince of Tides continues that tradition yet displays a new, mature voice of Pat Conroy, signaling this work as his greatest accomplishment.

A sea kayak battles the freezing Irish waters as the morning sun rises out of the countryside. On the western horizon is the pinnacle of Skellig Michael-700 feet of vertical rock rising out of exploding seas. Somewhere on the isolated island are sixth-century monastic ruins where the light of civilization was kept burning during the Dark Ages by early Christian Irish monks. Puffins surface a few yards from the boat, as hundreds of gannets wheel overhead on six foot wing spans. The ocean rises violently and tosses paddler and boat as if they were discarded flotsam. This is just one day of Chris Duff's incredible three month journey.

When Meg Whitaker's father decides to sell the family's lobster-fishing business to her high school nemesis, she sets out to prove she should inherit it instead. Though she's never had any interest in running the small fleet--or even getting on a boat due to her persistent seasickness--she can't stand to see Oliver Ross take over. Not when he ruined her dreams for a science scholarship and an Ivy League education ten years ago. Oliver isn't proud of what he did back then. Angry and broken by his father walking out on his family, he lashed out at Meg--an innocent bystander. But owning a respected fishing fleet on Prince Edward Island is the opportunity of a lifetime, and he's not about to walk away just because Meg wants him to. Meg's father has the perfect solution: Oliver and Meg must work the business together, and at the end of the season, he'll decide who gets it. Along the way, they may discover that their stories are more similar than they thought . . . and their dreams aren't what they expected. Bestselling author Liz Johnson invites you back to Prince Edward Island for a brand-new series about family, forgiveness, and the kind of love that heals all wounds. "Johnson kicks off her Prince Edward Island Shores series with this heartwarming romance . . . Johnson's fans will eagerly anticipate the next installment of this promising series."--Publishers Weekly starred review