Noel Burch's new book is a critique of the assumptions underlying 'classical' approaches to film history: the assumption that what we call the language of film was a natural, organic development, that it lay latent from the outset in the basic technology of the camera, waiting for the prescient pioneers to bring it into being; and the assumption that this language was a universal, neutral medium, innocent of any social or historical meaning in itself." "His major thesis is that, on the contrary, film language has a social and economic history, that it evolved in the way it did because of when and where it was constructed -- in the capitalist and imperialist west between 1892 and 1929." "The book examines the chronology of the emergence of what it defines as cinema's Institutional Mode of Representation and the socio-historical circumstances in which this took place. It examines the principles of visualisation -- camera placement and movement, lighting, editing, mise-en-scene -- that film-makers and audiences came to internalize over the first three decades. Special emphasis is laid on the allimportant change that occurred in the imaginary placing of the spectator, from a position of exteriority to the film image, implicit in both film-form and viewing conditions during the primitive era (pre-1909), to the imaginary centering of the spectator-subject, completed only with the generalisation of lip-synch sound after 1929. It is the contention of this book that this imaginary centering of a sensorily isolated spectator is the keystone of the cinematic illusion of reality, still achieved today by the same means as it was sixty years ago.

The Distant Observer brings together the novel trilogy, Durham Dreaming, Alien Ways and Endings & Beginnings, into a single volume. It recounts a tale spanning a period of 13,000 years, stretching halfway across the Galaxy. It is a tale of individual evolution.

The textbook introduces students to basic geometric concepts, such as metrics, connections and curvature, before examining general relativity in more detail. It shows the observational evidence supporting the theory, and the description general relativity provides of black holes and cosmological spacetimes. --

Cosmology: The Science of the Universe is an introduction to past and present cosmological theory. For much of the world's history, cosmological thought was formulated in religious or philosophical language and was thus theological or metaphysical in nature. However, cosmological speculation and theory has now become a science in which the empirical discoveries of the astronomer, theoretical physicist, and biologist are woven into intricate models that attempt to account for the universe as a whole. Professor Harrison draws on the discoveries and speculations of these scientists to provide a comprehensive survey of man's current understanding of the universe and its history. Tracing the rise of the scientific method, the major aim of this book is to provide an elementary understanding of the physical universe of modern times. Thoroughly revised and updated, this second edition extends the much acclaimed first edition taking into account the many developments that have occurred.