Winner of the 2019 Stan and Tom Wick Poetry Prize Natalie Diaz, judge i say / my mother's name, / cristina & desert marigolds / crack through a boulder. / i say my father's name, martin / & all the novena candles / in the bed of the truck are aglow. These lines from the book's titular poem "On This Side of the Desert" encapsulate the dominant themes of the collection: the power and meaning derived from the act of naming; the deep interconnectedness of Latinx cultures, a product of strong family traditions and an intimate relationship with the natural world; and a profound spirituality rooted in the sacraments of Catholic orthodoxy. This poem, like many of those in Aguilar's collection is written from the perspective of a young boy growing up along the Mexican border. As Aguilar chronicles the unique challenges faced by border communities where surviving the desert is a perpetual struggle, and the distress of finding "an entire skeleton in torn clothes" is muted by frequency, he also modernizes the traditional pastoral form to encompass both beauty and trauma. This debut book of poetry describes the experience of being raised in southern California as a child of Mexican immigrants in the shadow of the borderlands. Just as the borderlands are defined by the desert, so, too, are its inhabitants defined by their families, their culture shaped from the clay of the Sonoran desert and given life by the nourishing water of their ancestors. In these poems, the desert is recognized for what it truly is--a living, breathing body filled with both joy and pain.

Aidan explores the ways in which Nietzsche's warning that 'the desert grows' has been taken up by Heidegger, Derrida and Deleuze in their critiques of modernity, and the desert in literature ranging from T.S Eliot to Don DeLillo; from imperial travel writing to postmodernism; and from the Old Testament to salvagepunk.

A bilingual poem which describes some of the sounds of nature in a desert.

Experience the benefits of yoga while learning about the desert! Join Emily as she spends a day in the Death Valley desert with her parents. Learn about the desert through easy yoga poses for kids while you glide like a hawk, dart like a fox, and slither like a snake! The storybook includes a list of kids yoga poses and a parent-teacher guide. Kids Yoga Stories introduce you to engaging characters who will get your child laughing, moving, and creating. Reading is good for the mind AND body! The story links several yoga poses in a specific sequence to create a coherent and meaningful story. This desert yoga story for ages 4 to 7 is more than a storybook, but it's also a unique experience for children.

The cult-y pocket-size field guide to the strange and intriguing secrets of the Mojave—its myths and legends, outcasts and oddballs, flora, fauna, and UFOs—becomes the definitive, oracular book of the desert For the past five years, Desert Oracle has existed as a quasi-mythical, quarterly periodical available to the very determined only by subscription or at the odd desert-town gas station or the occasional hipster boutique, its canary-yellow-covered, forty-four-page issues handed from one curious desert zealot to the next, word spreading faster than the printers could keep up with. It became a radio show, a podcast, a live performance. Now, for the first time—and including both classic and new, never-before-seen revelations—Desert Oracle has been bound between two hard covers and is available to you. Straight out of Joshua Tree, California, Desert Oracle is “The Voice of the Desert”: a field guide to the strange tales, singing sand dunes, sagebrush trails, artists and aliens, authors and oddballs, ghost towns and modern legends, musicians and mystics, scorpions and saguaros, out there in the sand. Desert Oracle is your companion at a roadside diner, around a campfire, in your tent or cabin (or high-rise apartment or suburban living room) as the wind and the coyotes howl outside at night. From journal entries of long-deceased adventurers to stray railroad ad copy, and musings on everything from desert flora, rumored cryptid sightings, and other paranormal phenomena, Ken Layne's Desert Oracle collects the weird and the wonderful of the American Southwest into a single, essential volume.

Originally published: New York: W. Sloane Associates, c1952.

Cassandra Hall meets her new lover at a Greenwich Village poetry reading and learns that he's a vampire. Soon Cassandra descends into a deeper realm of exotic thirst and unspeakable passion, where she must confront the dark side of her own sexuality . . . and a beautiful rival who threatens her earthly soul.