To the Brink of Destruction exposes how America's rating agencies helped generate the global financial crisis of 2007 and beyond, surviving and thriving in the aftermath. Despite widespread scrutiny, rating agencies continued to operate on the same business model and wield extraordinary power, exerting extensive influence over public policy. Timothy J. Sinclair brings the shadowy corners of this story to life by examining congressional testimony, showing how the wheels of accountability turned—and ultimately failed—during the crisis. He asks how and why the agencies risked their lucrative franchise by aligning so closely with a process of financial innovation that came undone during the crisis. What he finds is that key institutions, including the agencies, changed from being judges to being advocates years before the crisis, eliminating a vital safety valve meant to hinder financial excess. Sinclair's well-researched investigation offers a clear, accessible explanation of structured finance and how it works. To the Brink of Destruction avoids tired accusations, instead providing novel insight into the role rating agencies played in the worst crisis of modern global capitalism.

A riveting tale of risk and obsession set in the alluring world of Macau’s casinos, by the author of the critically acclaimed The Forgiven. As night falls on Macau and the neon signs that line the rain-slick streets come alive, Doyle – “Lord Doyle” to his fellow players – descends into his casino of choice to try his luck at the baccarat tables that are the anchor of his current existence. A corrupt English lawyer who has escaped prosecution by fleeing to the East, Doyle spends his nights drinking and gambling and his days sleeping off his excesses, continually haunted by his past. Taking refuge in a series of louche and dimly lit hotels, he watches his fortune rise and fall as the cards decide his fate. In a moment of crisis he meets Dao-Ming, an enigmatic Chinese woman who appears to be a denizen of the casinos just like himself, and seems to offer him salvation in the form of both money and love. But as Doyle attempts to make a rare and true connection, all that he accepts as reality seems to be slipping from his grasp. Resonant of classics by Dostoevsky and Graham Greene, The Ballad of a Small Player is a timeless tale steeped in eerie suspense and rich atmosphere.

As I mingled among my fellow graduates, my view of the future did not extend much beyond the following day, when I would be heading to the beach. College in the fall was too far in the future to contemplate now. The only days that held relevance were the next ninety-nine, which would fashion what I hoped to be my best summer yet. So begins The Eve of Destruction, David Dickey's coming-of-age tale about the summer of 1965, a tranquil time when the country rested unwittingly on the brink of a cultural revolution. Follow eighteen-year-old Dane, Woody, and the crew around their Southern California neighborhoods as they experience the ups and downs of friendship and young love, and wrestle with some of life's basal choices. Join them on misadventures and general teenage mischief as they seek revelry and endure summer jobs. With music, cars, and popular culture of the decade woven into the backdrop, The Eve of Destruction is a nostalgic story about the 1960's and a worthy ode to the Boomer generation.

“An informative and often enthralling book…in the appealing style of Tom Clancy” (Kirkus Reviews) about the 1983 war game that triggered a tense, brittle period of nuclear brinkmanship between the United States and the former Soviet Union. What happened in 1983 to make the Soviet Union so afraid of a potential nuclear strike from the United States that they sent mobile ICBMs (intercontinental ballistic missiles) into the field, placing them on a three-minute alert Marc Ambinder explains the anxious period between the United States and the Soviet Union from 1982 to 1984, with the “Able Archer ’83” war game at the center of the tension. With astonishing and clarifying new details, he recounts the scary series of the close encounters that tested the limits of ordinary humans and powerful leaders alike. Ambinder provides a comprehensive and chilling account of the nuclear command and control process, from intelligence warnings to the composition of the nuclear codes themselves. And he affords glimpses into the secret world of a preemptive electronic attack that scared the Soviet Union into action. Ambinder’s account reads like a thriller, recounting the spy-versus-spy games that kept both countries—and the world—in check. From geopolitics in Moscow and Washington, to sweat-caked soldiers fighting in the trenches of the Cold War, to high-stakes war games across NATO and the Warsaw Pact, “Ambinder’s account of a serious threat of global annihilation…is spellbinding…a masterpiece of recent history” (Publishers Weekly, starred review). The Brink serves as the definitive intelligence, nuclear, and national security history of one of the most precarious times in recent memory and “shows the consequences of nuclear buildups, sometimes-careless language, and nervous leaders. Now, more than ever, those consequences matter” (USA TODAY).

In Music in the Holocaust Shirli Gilbert provides the first large-scale, critical account of the role of music amongst communities imprisoned under Nazism. She documents a wide scope of musical activities, ranging from orchestras and chamber groups to choirs, theatres, communal sing-songs, and cabarets, in some of the most important internment centres in Nazi-occupied Europe, including Auschwitz and the Warsaw and Vilna ghettos. Gilbert is also concerned with exploring theways in which music - particularly the many songs that were preserved - contribute to our broader understanding of the Holocaust and the experiences of its victims. Music in the Holocaust is, at its core, a social history, taking as its focus the lives of individuals and communities imprisoned under Nazism.Music opens a unique window on to the internal world of those communities, offering insight into how they understood, interpreted, and responded to their experiences at the time.

An oral history in the vein of Please Kill Me Leftöver Crack is a band of drug abusing, dumpster diving, cop-hating, queer positive, pro-choice, crust punks that successfully blend ska-punk, pop, hip-hop and death metal genres. They've been banned from clubs, states and counties and kicked off multiple record labels. They've received teen-idol adoration and death threats from their fans. They've played benefits for a multitude of causes while leaving a trail of destruction in their wake. But, if you dig below the crusty, black metal-patch encased surface, you'll find a contemplative, nuanced band that, quite literally, permanently changed the punk rock community. By combining catchy ska-punk with lyrics that referenced political theorist Michael Parenti, drug usage, and suicide, the band formed a unique mélange that was both provocative and challenging. In fact, the band's hooks were so sharp that after releasing their debut LP, Mediocre Generica, an entire culture of "Crack City Rockers" grew around the band, pushing the youth towards both the positive and negative aspects of extreme punk rock. Of course, being the combustible band that they are, the band has gotten involved in its far share of fiascoes: full-scale riots in Phoenix and NYC, getting punched out by their own fans, showing up to tour Florida with machetes after receiving death threats from the local gang. Architects of Self-Destruction: An Oral History of Leftöver Crack traces the band's entire history by speaking to the band members themselves, fellow musicians, their fans, and of course, those that still hold a grudge against the LoC... FYI, that's a lot of people.

Rajeev Gandhi, the former prime minister of India, is brutally assassinated by a LTTE human bomb. The culprits are on the run, trying to escape the cluthces of SIT whose noose is tightening with ever passing day, and the main suspect, Sivrasan, is about to be caught. Krishan is on his way to Jaffna when he gets the blow of his life. The LTTE has declared him a traitor. And then...unfolds a chilling saga of human persistence, macabre political games and heinous internatioinal conspiracies.