Recounts the dramatic true story of the Discalced Carmelite nuns of Compiègne, martyred during the French Revolution's "Great Terror," and known to the world through their fictional representation in Gertrud von Le Fort's Song at the Scaffoldand Francis Poulenc's Dialogues of the Carmelites. Includes index and 15 photos. More Information At the height of the French Revolution's "Great Terror," a community of sixteen Carmelite nuns from Compiègne offered their lives to restore peace to the church and to France. Ten days after their deaths by the guillotine, Robespierre fell, and with his execution on the same scaffold the Reign of Terror effectively ended. Had God thus accepted and used the Carmelites' generous self-gift? Through Gertrud von Le Fort's modern novella, Song at the Scaffold, and Francis Poulenc's famed opera, Dialogues of the Carmelites, (with its libretto by Georges Bernanos), modern audiences around the world have become captivated by the mysterious destiny of these Compiègne martyrs, Blessed Teresa of St. Augustine and her companions. Now, for the first time in English, William Bush explores at length the facts behind the fictional representations, and reflects on their spiritual significance. Based on years of research, this book recounts in lively detail virtually all that is known of the life and background of each of the martyrs, as well as the troubled times in which they lived. The Compiègne Carmelites, sustained by their remarkable prioress, emerge as distinct individuals, struggling as Christians to understand and respond to an awesome calling, relying not on their own strength but on the mercy of God and the guiding hand of Providence.

This book recounts the dramatic true story of the Discalced Carmelite nuns of Compiègne, martyred during the French Revolution's "Great Terror," and known to the world through their fictional representation in Gertrud von Le Fort's Song at the Scaffold and Francis Poulenc's Dialogues of the Carmelites. At the height of the French Revolution's "Great Terror," a community of sixteen Carmelite nuns from Compiègne offered their lives to restore peace to the church and to France. Ten days after their deaths by the guillotine, Robespierre fell, and with his execution on the same scaffold the Reign of Terror effectively ended. Had God thus accepted and used the Carmelites' generous self-gift? Through Gertrud von Le Fort's modern novella, Song at the Scaffold, and Francis Poulenc's famed opera, Dialogues of the Carmelites, (with its libretto by Georges Bernanos), modern audiences around the world have become captivated by the mysterious destiny of these Compiègne martyrs, Blessed Teresa of St. Augustine and her companions. Now, for the first time in English, William Bush explores at length the facts behind the fictional representations, and reflects on their spiritual significance. Based on years of research, this book recounts in lively detail virtually all that is known of the life and background of each of the martyrs, as well as the troubled times in which they lived. The Compiègne Carmelites, sustained by their remarkable prioress, emerge as distinct individuals, struggling as Christians to understand and respond to an awesome calling, relying not on their own strength but on the mercy of God and the guiding hand of Providence. The book includes an index and 15 photos.

Indispensable for the student or researcher studying women's history, this book draws upon a wide array of cultural settings and time periods in which women displayed agency by carrying out their daily economic, familial, artistic, and religious obligations. Since record keeping began, history has been written by a relatively few elite men. Insights into women's history are left to be gleaned by scholars who undertake careful readings of ancient literature, examine archaeological artifacts, and study popular culture, such as folktales, musical traditions, and art. For some historical periods and geographic regions, this is the only way to develop some sense of what daily life might have been like for women in a particular time and place. This reference explores the daily life of women across civilizations. The work is organized in sections on different civilizations from around the world, arranged chronologically. Within each society, the encyclopedia highlights the roles of women within five broad thematic categories: the arts, economics and work, family and community life, recreation and social customs, and religious life. Included are numerous sidebars containing additional information, document excerpts, images, and suggestions for further reading.

Winner of two Catholic Press Association Awards: Design and Production (Second Place) and History (Honorable Mention). The star of Bethlehem exemplifies the birth of Jesus, the Wittenberg Door is synonymous with the Protestant Reformation, and “the pill” symbolizes the sexual revolution. It’s “stuff” that helps tell the story of Christianity. In this unique, rich, and eye-catching book, popular Catholic author and EWTN host Mike Aquilina tells the Christian story through the examination of 100 objects and places. Some, like Michelangelo's Pietà, are priceless works of art. Others, like a union membership pen, don’t hold much monetary value. But through each of them, Aquilina offers a memorable and rewarding look at the history of the Church. When Catholics tell their story, they don’t just write it in books. They preserve it in memorials, monuments, artifacts, and museums. They build grand basilicas to house tiny relics. In this stunning book, Aquilina, together with his writer-daughter Grace, show how the history of the Church didn’t take place shrouded in the mists of time. It actually happened and continues to happen through things that we can see and sometimes hold in our hand. The Christian answer to Neil MacGregor's New York Times bestseller A History of the World in 100 Objects, Aquilina’s A History of the Church in 100 Objects introduces you to: The Cave of the Nativity (the importance of history, memory, and all things tangible) Catacomb niches (the importance of Rome, bones, and relics of the faith) Ancient Map of the World (the undoing of myths about medieval science) Stained Glass (representative of Gothic cathedrals) The Holy Grail (Romance literature and the emergence of writing for the laity) Loaves and fish (a link from Jesus to the sacrament of the Eucharist) The Wittenberg Door (Martin Luther and the onset of the Reformation) Each of these and the 93 other items and places in the book tell part of the Christian story. Each is an essential piece of the story of our salvation. God makes himself known and accessible through material things, always accommodating himself to our condition. It is, after all, the condition he created for us—spiritual and material—and the form he assumed for our salvation.

Eight hundred years ago, Albert of Jerusalem gave the hermit-penitents of Mount Carmel a way of life to follow. Since then, this rule has inspired and formed mystics and scholars, men and women, lay and ordained to seek the living God. In The Carmelite Tradition Steven Payne, OCD, brings together representative voices to demonstrate the richness and depth of Carmelite spirituality. As he writes, Carmelite spirituality seeks nothing more nor less than to 'stand before the face of the living God' and prophesy with Elijah, to 'hear the word of God and keep it' with Mary, to grow in friendship with God through unceasing prayer with Teresa, to 'become by participation what Christ is by nature' as John of the Cross puts it, and thereby to be made, like Thérèse of Lisieux, into instruments of God's transforming merciful love in the church and society." The lives and writings in The Carmelite Tradition invite readers to stand with these holy men and women and seek God in the hermitage of the heart. Steven Payne, OCD, of the Washington Province of Discalced Carmelite Friars, is a member of the Carmelite Friars' formation team at the Monastery of St. John of the Cross near Nairobi, Kenya, and director of the Institute of Spirituality and Religious Formation (ISRF) at Tangaza College, a constituent college of the Catholic University of Eastern Africa (CUEA) in Nairobi. He is the past editor of ICS Publications and of Spiritual Life magazine and the author of several works in philosophy of religion, theology, and Carmelite spirituality. He is a member of the Carmelite Forum and of the Carmelite Institute in Washington DC, of which he is a past president. "

This penetrating study makes a case for the centrality of the concept of representation (Stellvertretung) in Hans Urs von Balthasar’s theological project. How is it possible for Christ to act in the place of humanity? In Hans Urs von Balthasar’s Theology of Representation, Jacob Lett broaches this perplexing soteriological question and offers the first book-length analysis of Balthasar’s theology of representation (Stellvertretung). Lett’s study shows how Balthasar rehabilitates the category of representation by developing it in relationship to the central mysteries of the Christian faith: concerned by the lack of metaphysical and theological foundations for understanding the question above, Balthasar ultimately grounds representation in the trinitarian life of God, making “action in the place of the other” central to divine and creaturely being. Lett not only articulates the centrality of representation to Balthasar’s theological project but also demonstrates that Balthasar’s theology of representation has the potential to reshape discussions in the fields of soteriology, Christology, trinitarian theology, anthropology, and ecclesiology. This work covers a wide range of themes in Balthasar’s theology, including placial and spatial metaphors, a post-Chalcedonian Christology of Christ’s two wills, and theories of drama. This book is also a text of significant comparative range: Lett considers Balthasar’s key interlocutors (Gregory of Nyssa, Maximus, Aquinas, Przywara, Ulrich, Barth) and expands this base to include voices beyond those typically found in Balthasarian scholarship, including Dietrich Bonhoeffer and Dorothee Sölle. The overall result is a deeply probing presentation of one of Balthasar’s most significant contributions to contemporary theology.

The Catholic faith is not a set of rules or a body of doctrines, but is a way of life, writes David Scott. It's a lived faith that contains convincing, intellectually coherent, and spiritually fulfilling answers to the biggest questions: Who is God? Who is Jesus? Why are we here? Where are we going? The Catholic Passion invites readers into a conversation about the things that matter most. It is not an argument for the Catholic faith but a journey to the heart of it—a richly rewarding reflection on prayer, the Bible, sacraments, the church, and God-made-human in Jesus Christ. Scott does not tell the story of the faith through church documents or cate­chism quotations. Instead, he looks at the faith experience of real Catholics—people like the American writer Andre Dubus, the French composer Olivier Messiaen, the Chinese human rights activist Henry Wu, the French martyr Charles de Foucauld, and the American reformer Dorothy Day. These and other Catholics embody a faith that warms the heart as it enlightens the mind. One theme emerges from Scott's reflections on the lives of Catholics and the Scriptures: God's passion of love for humankind burns on in the Catholic Church. The Catholic passion is the conviction that there is nothing God will not do to win our love. "The Catholic Passion is a monumental work. David Scott weaves material from scripture, history, the arts, the liturgy, theology, spirituality, and personal reflection, showing us that nothing human is alien to Christ—and nothing divine is withheld from God's people." —Scott Hahn, author of The Lamb's Supper "The Catholic Passion is a masterwork—beautiful, compelling, and wonderfully readable; an outstanding portrait of what Catholics believe and why. I highly recommend it." —Charles J. Chaput, OFM Cap, archbishop of Denver "David Scott helps us see a vibrant Catholicism that offers brilliant meaning in a world darkened by materialism and violence. He presents a vision that allows the treasures of the past to envision an orthodox Catholicism for the future." —Fr. Mitch Pacwa, SJ, EWTN