Afghanistane(tm)s de facto system of governance is a politically driven eoehybride order made up of shifting links among many different formal, informal, and illicit actors, networks, and institutions.

This lavishly produced voulume is the first reference work to focus on the symbols, meaning, and significance of art in native, or indigenous, cultures.

Book is laid out to be read fron tot oback or to open to any page and begin there. Full color throughout, very high production quality fully illustrated, very durabel soft bound with cover flaps. Sewn signatures.

A cultural exploration of the Latina fifteenth birthday celebration traces the experiences of a Queens teen who encounters anticipation and stress while preparing for her quinceañera, in an account that documents the history of the celebration's traditions as well as its growing popularity throughout America.

"An exquisite and powerful harvest, this – truly a Book of Common Prayer for our planet's people in this time." JOANNA MACY, author of 'Despair and Personal Power in the Nuclear Age'

Wait, young Douglas’s grandfather says as the bobber twitches on the surface of Little Lake. Be patient. And so begins an encounter with the promise and wonder of nature that will last a lifetime. Deep Woods, Wild Waters traces the winding path that carried Douglas Wood from one wonder to the next, through a landscape of rocks, woods, and waters, with stops along the way for questions and reflections that link human nature to the larger mysteries of the natural world. Like life itself, the author’s way is not linear. One landmark leads back to a favorite campsite, another prompts him to consider the “gospel of rocks,” another launches him into the wilderness beyond the stars—a contemplation of time and space and humanity’s place in all of it. The creator of thirty-four books, including the classic Old Turtle, and an expert woodsman and wilderness canoe guide, Wood brings all his storytelling and bushwhacking skills to bear as he takes us hurtling down wild rapids, crossing stormy lakes, or simply navigating the treacherous currents and twisty trails of everyday life. A warm, generous, and knowing guide, Wood maps a journey that, as he says, “anyone can take, through a landscape anyone can know.” Turning the pages, hiking the portages, running the rapids, or scanning the wild country from high promontory, he invites us to say, in a soul-satisfying moment of recognition, “I know that place.”

Humanities for the Environment, or HfE, is an ambitious project that from 2013-2015 was funded by a generous grant from the Andrew W. Mellon Foundation. The project networked universities and researchers internationally through a system of 'observatories'. This book collects the work of contributors networked through the North American, Asia-Pacific, and Australia-Pacific observatories. Humanities for the Environment showcases how humanists are working to 'integrate knowledges' from diverse cultures and ontologies and pilot new 'constellations of practice' that are moving beyond traditional contemplative or reflective outcomes (the book, the essay) towards solutions to the greatest social and environmental challenges of our time. With the still controversial concept of the 'Anthropocene' as a starting point for a widening conversation, contributors range across geographies, ecosystems, climates and weather regimes; moving from icy, melting Arctic landscapes to the bleaching Australian Great Barrier Reef, and from an urban pedagogical 'laboratory' in Phoenix, Arizona to Vatican City in Rome. Chapters explore the ways in which humanists, in collaboration with communities and disciplines across academia, are responding to warming oceans, disappearing islands, collapsing fisheries, evaporating reservoirs of water, exploding bushfires, and spreading radioactive contamination. This interdisciplinary work will be of great interest to scholars in the humanities, social sciences, and sciences interested in interdisciplinary questions of environment and culture.