He was young, arrogant, wealthy and in the bloom of health—or was he? “Undoubtedly one of the best writers of English mysteries and chiller-killer plots.”—The Los Angeles Times Like any small community, Linchester has its intrigues: love affairs, money problems, unhappy marriages. But the gossip is elevated to new heights when young Patrick Selby dies on the very night of his beautiful wife’s birthday party. The whole neighborhood was there, witness to the horrible attack of wasp stings Patrick suffered at the end of the evening. But did Patrick die of a wasp sting? Dr. Greenleaf thinks not. Heart failure, more likely. Still, Greenleaf isn’t at peace about his death. After all, everyone in Linchester hated Patrick. With the help of a certain naturalist, Dr. Greenleaf begins to think about murder. . . . “Rendell is awfully good.”—The New York Times Book Review

Like any small community, Linchester has its intrigues: love affairs, money problems, unhappy marriages. But the gossip is elevated to new heights when young Patrick Selby dies on the very night of his beautiful wife's birthday party. The whole neighbourhood was there, witness to the horrible attack of wasp stings Patrick suffered at the end of the evening. But did Patrick die of a wasp sting? Dr. Greenleaf thinks not. Heart failure, more likely. Still, Greenleaf isn't at peace about his death. After all, everyone in Linchester hated Patrick. With the help of a certain naturalist, Dr. Greenleaf begins to think about murder.

This is a unique and enlightened insight into mental illness. This book has taken the author over two decades to write. A must-read for all interested in not just the working of the human brain but also its breakdown. This is an exciting new work that uses the latest ideas of the functioning of the human brain to tell a dark but true story of its dysfunction. This is his first novel,his first work of fiction.

Societies and entire nations draw their identities from certain founding documents, whether charters, declarations, or manifestos. The Book of Common Prayer figures as one of the most crucial in the history of the English-speaking peoples. First published in 1549 to make accessible the devotional language of the late Henry the VIII's new church, the prayer book was a work of monumental religious, political, and cultural importance. Within its rituals, prescriptions, proscriptions, and expressions were fought the religious wars of the age of Shakespeare. This diminutive book--continuously reformed and revised--was how that age defined itself. In Shakespeare's Common Prayers, Daniel Swift makes dazzling and original use of this foundational text, employing it as an entry-point into the works of England's most celebrated writer. Though commonly neglected as a source for Shakespeare's work, Swift persuasively and conclusively argues that the Book of Common Prayer was absolutely essential to the playwright. It was in the Book's ambiguities and its fierce contestations that Shakespeare found the ready elements of drama: dispute over words and their practical consequences, hope for sanctification tempered by fear of simple meaninglessness, and the demand for improvised performance as compensation for the failure of language to fulfill its promises. What emerges is nothing less than a portrait of Shakespeare at work: absorbing, manipulating, reforming, and struggling with the explosive chemistry of word and action that comprised early modern liturgy. Swift argues that the Book of Common Prayer mediates between the secular and the devotional, producing a tension that makes Shakespeare's plays so powerful and exceptional. Tracing the prayer book's lines and motions through As You Like It, Hamlet, Twelfth Night, Measure for Measure, Othello, and particularly Macbeth, Swift reveals how the greatest writer of the age--of perhaps any age--was influenced and guided by its most important book.

An Instant New York Times Bestseller! An Instant Indies Bestseller! A scrappy former maid and jewel thief must outwit gods, injustice, and her own past in this sequel to the Indie Next Pick, Little Thieves by Margaret Owen. Let's get one thing straight - Vanja Schmidt wasn't trying to start a cult. After taking down a corrupt margrave, breaking a deadly curse, and finding romance with the vexingly scrupulous junior prefect Emeric Conrad, Vanja had one great mystery left: her long-lost birth family . . . and whether they would welcome a thief. But in her search for an honest trade, she hit trouble and invented a god, the Scarlet Maiden, to scam her way out. Now that lie is growing out of control—especially when Emeric arrives to investigate and the Scarlet Maiden manifests to claim him as a virgin sacrifice. For his final test to become a prefect, Emeric must determine if Vanja is guilty of serious fraud or if the Scarlet Maiden—and her claim to him—is genuine. Meanwhile, Vanja is chasing an alternative sacrifice that could be their way out. The hunt leads her not only into the lairs of monsters and the paths of gods, but also the ties of her past. And with what should be the simplest way to save Emeric hanging over their heads, he and Vanja must face a more dangerous question: Is there a future for a thief and a prefect, and at what price? From the indie bestselling author Margaret Owen comes the thrilling next installment in the Little Thieves trilogy with all new interior illustrations from the author.