A strikingly written debut collection of vivid short stories set in and around Gansbaai, a small coastal town in South Africa's Western Cape.

An anthology of selected short stories, all of which were previously published in an individual writer’s collection or in either Stray or The Bed Book of Short Stories published by Modjaji Books. The authors include Sarah Lotz (internationally best selling author), Lauri Kubuitsile, Makhosazana Xaba, Meg Vandermerwe, Arja Salafranca, Wame Molefhe, Jolyn Phillips, Melissa de Villiers, Sandra Hill, Reneilwe Malatji, Jayne Bauling, Jo-Ann Bekker, Julia Martin, Isabella Morris, Alex Smith, Isabella Morris and Colleen Higgs. Several of the authors went on to win awards for their collections, see below, and one of the stories was shortlisted for the Caine Prize. Modjaji has a proud history of publishing debut short story collections that are successful in literary and sales terms. There are few other publishers who take the risk of publishing debut short story collections.

This book considers the key critical interventions on short story writing in South Africa written in English since the year 2000. The short story genre, whilst often marginalised in national literary canons, has been central to the trajectory of literary history in South Africa. In recent years, the short story has undergone a significant renaissance, with new collections and young writers making a significant impact on the contemporary literary scene, and subgenres such as speculative fiction, erotic fiction, flash fiction and queer fiction expanding rapidly in popularity. This book examines the role of the short story genre in reflecting or championing new developments in South African writing and the ways in which traditional boundaries and definitions of the short story in South Africa have been reimagined in the present. Drawing together a range of critical interventions, including scholarly articles, interviews and personal reflective pieces, the volume traces some of the aesthetic and thematic continuities and discontinuities in the genre and sheds new light on questions of literary form. Finally, the book considers the place of the short story in twenty-first century writing and interrogates the ways in which the short story form may contribute to, or recast ideas of, the post-apartheid or post-transitional. The perfect guide to contemporary short story writing in South Africa, this book will be essential reading for researchers of African literature.

This handbook provides a critical overview of literature dealing with groups of people or regions that suffer marginalization within Africa. The contributors examine a multiplicity of minority discourses expressed in African literature, including those who are culturally, socially, politically, religiously, economically, and sexually marginalized in literary and artistic creations. Chapters and sections of the book are structured to identify major areas of minority articulation of their condition and strategies deployed against the repression, persecution, oppression, suppression, domination, and tyranny of the majority or dominant group. Bringing together diverse perspectives to give a holistic representation of the African reality, this handbook is an important read for scholars and students of comparative and postcolonial literature and African studies.

This anthology consists of academic essays, creative non-fiction, poetry and short stories on race and racism by black women from South Africa and Brazil. Through these different genres, the book engages with the complexities of race in social, political, economic, institutional and personal spaces. Concerned with social justice, human rights and freedom, these writings spotlight the amalgamation of racial, gender and class subjectivities and how these are marked, un-marked, re-marked and re-made on bodies. The book connects globally and locally to social and political phenomena in the modern-day world. The contributors interrogate their political and personal worlds, revealing layered, intersecting ways of being that were essentially centred by colonial histories but not defined in totality by coloniality and oppression. In speaking to the proximity of these experiences, they reflect and narrate the past, contemplate the present and imagine the future. This curated anthology asks questions centred around freedom. What does freedom mean? When do we have it, and when do we not? Most importantly, how do we get it? Print edition not for sale in Sub Saharan Africa.

There is a growing interest in studying narrative discourse as ‘experimental values laboratory,’ both reflecting social values and participating in their circulation. Given the omnipresence of narrative and story-telling practices in public life, from advertising to politics, law, and the media, the need for narrative savviness – that is, the ability to read for the values that inhere in and are transmitted through narrative – transcends the study of fiction. This volume brings into focus the ways in which narratives are informed and shaped by values, and how they transmit values themselves. The authors in the volume take a broad range of approaches to narrative, including narratology, rhetoric, ecocriticism, narrative (meta)hermeneutics, applied narratology, and frame theory. By bringing together strands of contemporary narrative theory that are not often found in dialogue with one another, the volume aims to capture the most recent developments in the study of narrative ethics.

Issues for Nov. 1957- include section: Accessions. Aanwinste, Sept. 1957-