Two whip-smart satirical plays by the Pulitzer-winning author of Fat Ham that examine the racism at the root of America's founding--and its fruits in our present. In The Most Spectacularly Lamentable Trial of Miz Martha Washington, the widow of George Washington and self-proclaimed "Mother of America" lies helpless in her bed, ravaged by illness and cared for by the very slaves that will be free the moment she dies. In the terrifying and fantastical fever dream that follows, Martha is called to account for her lifelong dependence on the labor of enslaved people. A wildly theatrical, gleefully anachronistic play that puts Martha Washington's life and legacy on trial. In a present-day reimagining of the story of Sally Hemings and Thomas Jefferson, TJ Loves Sally 4 Ever takes place at Commonwealth of Virginia University, where a modern education is rooted in the nation's "complicated" history. As the campus wrestles with its antebellum legacy, undergraduate student Sally finds herself locked in a more personal battle with Dean TJ, the white dean of students named after Thomas Jefferson, who shares his namesake's predilection for grossly abusing his position of power over women of color. Amidst a swirl of marching bands, step teams, and bubbly tour guides, Sally must struggle to rewrite this too-familiar narrative, dismantle the wall of oppression, and embrace the dope ass future that waits beyond it.

The recently widowed “Mother of America” lies helpless in her Mount Vernon bed, ravaged by illness and cared for by the very slaves that will be free the moment she dies. As she begins to slip away, she falls deep into a fever dream of terrifying theatricality that investigates everything from her family to her historical legacy.

Gus is an artist. Vanessa is an actress. Gus wants to be presented in a major exhibition for artists of color, so he hires Vanessa to perform as Balkonaé Townsend, a brash and political artist that will fit the museum’s desire for “new voices.” Everything is great, until Balkonaé takes over and Gus has to deal with the mess he’s made. This plays spins out of control as it explores issues of race, gender, sexuality, and art.

Four black men find themselves stuck in a waiting room for the afterlife. As they attempt to make sense of their new paradise, Isa, Daz, Grif, and Tiny are forced to confront the reality of their past, and how they arrived in this unearthly place. Inspired by the ever-growing list of slain black men and women, KILL MOVE PARADISE illustrates the potential for collective transformation and radical acts of joy.

Upon hearing about the sudden death of his mother, Spencer returns to his home in Philadelphia to plan her funeral. Along the way Spencer falls in love, discovers the truth about his absent father, and learns that his past is also the making of his present. This magical journey through space and time takes us literally from Philadelphia to the moon and back.

An odyssey for the 21st century in poems that bind family and myth.

From the Pulitzer Prize-winning playwright of Topdog/Underdog comes a play about race and friendship in a deeply flawed society.