Crystalomancy, one of the oldest and simplest forms of discovering what the future holds, is now within everyone's grasp. Just disengage from the everyday, gaze into the crystal orb, and focus on the shapes that appear. It will take a little practice, but in time, users will become a "seer" and be able to glimpse their future. Titania, Britain's most famous White Witch, presents her own authentic crystal ball and explains how with the right approach, patience, and concentration, anyone can learn crystalomancy and see their own future and that of others. In the sixty-four-page illustrated guidebook, Titania takes readers by the hand and with easy-to-follow steps based on her own practical experience, gradually introduces them to the ancient art of scrying. With her guidance, users will soon be amazed at their psychic ability.

THE ONCE UPON A PRINCESS COLLECTOR SET Beauty’s Curse Beauty’s Quest Beauty’s Kiss Beauty’s Gift At her birth, Princess Aurora of Rhone—Rose to her friends—was cursed Magdalina, the wicked ruler of the fairies at war with her kingdom. Under the curse, Rose is doomed to die on her eighteenth birthday after pricking her finger on the spindle of a spinning wheel. Along with her friends—Theo, a priest on a quest for his own revenge; Mary, a young and talented fairy; Ethan and Sophia, siblings with a troubled past; and a newcomer to the group, Prince Philip—Rose sets out to find a way to break her curse, willing to risk everything to fight the battle of her life—the battle for her freedom, her kingdom, and her heart. Includes all four novellas and special artwork by Julia Mae Busko!

“I have better things to do.” “Like what?” Rose asked. “Waste your life on a fool’s journey, under a silly girl’s orders?” “I have never considered saving your life to be the same as wasting mine, Rosary.” He came and stood in front of her, the ease of his presence replaced by an unusual heat rather than familiar warmth. Rose had never before been bothered by the six inches he stood taller than her, but all of a sudden the shadow of his strength imposed itself on her. The cursed beauty of the moonlight revealed the clarity and sharpness of his eyes as she gazed up at him. “What if you did waste your life though? What if?” “If I have wasted my life, I have wasted it on you. Willingly." For four years, Princess Aurora of Rhone—Rose to her friends—has searched the world for a way to break the curse placed on her by Magdalina, the wicked ruler of the fairies at war with her kingdom. Under the curse, Rose is doomed to die on her eighteenth birthday after pricking her finger on the spindle of a spinning wheel. And time is running out. On the eve of her seventeenth birthday, Rose makes the journey home with her friends—Theo, a priest with a penchant for revenge; Mary, a young and talented fairy; and Ethan and Sophia, siblings with a troubled past–as pressure from her father, King Stefanos, leaves her with two equally unsatisfying options: Abdicate the throne, or get married. Enjoy this novella series retelling of the Sleeping Beauty, with new characters, new plot twists, and plenty of action and adventure. Perfect for teen and young adult historical fantasy readers, and check out Part II, Beauty's Quest, as the story continues!

Shakespeare, Performance and the Archive is a ground-breaking and movingly written exploration of what remains when actors evacuate the space and time of performance. An analysis of ‘leftovers’, it moves between tracking the politics of what is consciously archived and the politics of visible and invisible theatrical labour to trace the persistence of performance. In this fascinating volume, Hodgdon considers how documents, material objects, sketches, drawings and photographs explore scenarios of action and behaviour – and embodied practices. Rather than viewing these leftovers as indexical signs of a theatrical past, Hodgdon argues that the work they do is neither strictly archival nor documentary but performative – that is, they serve as sites of re-performance. Shakespeare, Performance and the Archive creates a deeply materialized historiography of performance and attempts to make that history do something entirely new. Barbara Hodgdon is Professor of English at the University of Michigan, now retired. Her major interest is in theatrical performances, especially performed Shakespeare. She is the author of: The End Crowns All, The Shakespeare Trade, and most recently the Arden edition of The Taming of the Shrew.

Former Agent of death Madeline Black may have been stripped of her wings—but she hasn’t lost her purpose… When Maddy finally killed her father, Azazel, she thought his depraved experiment died with him. But now Chicago has been infested with vampires immune to the effects of the sun, and the bloodbath is worse than she could have ever imagined. While the Agency refuses to interfere with other supernatural courts, Maddy is determined to do everything within her power to save her city—wings or no wings. But when the leader of the vampires requests that she turn herself in or risk more deaths, Maddy becomes a target for the very people she’s trying to save. Left with no other choice, she turns to Lucifer, the one creature who has the power to help her. But her grandfather’s aid has always come at a price…