Opera's First Master

Opera's First Master
Title Opera's First Master PDF eBook
Author Mark Ringer
Publisher Hal Leonard Corporation
Pages 364
Release 2006
Genre Music
ISBN 9781574671100

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"Includes full-length Harmonia Mundi CD"--Cover, p. 1.

Tirsi E Clori

Tirsi E Clori
Title Tirsi E Clori PDF eBook
Author Claudio Monteverdi
Publisher
Pages 68
Release 1967
Genre
ISBN 9780271731179

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Monteverdi's Musical Theatre

Monteverdi's Musical Theatre
Title Monteverdi's Musical Theatre PDF eBook
Author Lecturer in Music Royal Holloway and Bedford New College Tim Carter
Publisher Yale University Press
Pages 348
Release 2002-01-01
Genre Music
ISBN 9780300096767

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Claudio Monteverdi (1567-1643) is well known as the composer of the earliest operas still performed today. His Orfeo, Il Ritorno d'Ulisse in Patria, and L'incoronazione di Poppea are internationally popular nearly four centuries after their creation. These seminal works represent only a part of Monteverdi's music for the stage, however. He also wrote numerous works that, while not operas, are no less theatrical in their fusion of music, drama and dance. This is a survey of Monteverdi's entire output of music for the theatre - his surviving operas, other dramatic musical compositions, and lost works.

The Performance of Italian Basso Continuo

The Performance of Italian Basso Continuo
Title The Performance of Italian Basso Continuo PDF eBook
Author Giulia Nuti
Publisher Routledge
Pages 165
Release 2017-07-05
Genre Music
ISBN 1351541609

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Basso continuo accompaniment calls upon a complex tapestry of harmonic, rhythmic, compositional, analytical and improvisational skills. The evolving knowledge that underpinned the performance of basso continuo was built up and transmitted from the late 1500s to the second half of the eighteenth century, when changes in instruments together with the assertion of control by composers over their works brought about its demise. By tracing the development of basso continuo over time and across the regions of Italy where differing practices emerged, Giulia Nuti accesses this body of musical usage. Sources include the music itself, introductions and specific instructions and requirements in song books and operas, contemporary accounts of performances and, in the later period of basso continuo, description and instruction offered in theoretical treatises. Changes in instruments and instrumental usage and the resulting sounds available to composers and performers are considered, as well as the altering relationship between the improvising continuo player and the composer. Extensive documentation from both manuscript and printed sources, some very rare and others better known, in the original language, followed by a precise English translation, is offered in support of the arguments. There are also many musical examples, transcribed and in facsimile. Giulia Nuti provides both a scholarly account of the history of basso continuo and a performance-driven interpretation of how this music might be played.

Monteverdi's Voices

Monteverdi's Voices
Title Monteverdi's Voices PDF eBook
Author Tim Carter
Publisher Oxford University Press
Pages 265
Release 2024-05-24
Genre Music
ISBN 0197759211

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"Ah, alas!" The "faithful shepherd" Mirtillo's woeful sigh of unrequited love, delivered with outrageous musical dissonances, has rung through the ages since the first publication of Claudio Monteverdi's madrigal "Cruda Amarilli" in 1605. But there is far more to the composer's nine books of madrigals than dissonant progressions--they are an integral part of the intellectual, artistic, and practical worlds of creation and performance in Italian musical and literary culture of the late sixteenth and early seventeenth centuries. While Monteverdi is also recognized for his operas and sacred works, it is no surprise that the madrigal dominated his output through his long career in Cremona, Mantua, and Venice. Author Tim Carter illustrates how the composer's wonderfully witty settings of Italian verse ran the gamut from compositions in the traditional polyphonic style for five unaccompanied voices to those in more modern idioms for one or more singers and instruments. Their poets included the major figures of the day--Torquato Tasso, Battista Guarini, and Giambattista Marino--as well as the classics, not least of all Petrarch, with texts that embraced all the current literary genres from lyric through epic to dramatic. Monteverdi also repeatedly asked and answered the fundamental question of any musical setting of poetry concerning the relationship between poetic and musical voice(s). Carter offers a more holistic perspective than has been adopted in the partial studies of Monteverdi's madrigals to date and moves far beyond conventional views of the composer and his work. He considers how Monteverdi engaged with poetry, with sound, and with the performers for whom he was writing. As Carter shows, Monteverdi was irascible, exasperating, and prone to error. Yet his astonishing musical mind was also inventive, playful, and capable of the most extraordinary wit--producing madrigals that continue to invite new approaches both to their study and to their performance.

Mannerism in Italian Music and Culture, 1530-1630

Mannerism in Italian Music and Culture, 1530-1630
Title Mannerism in Italian Music and Culture, 1530-1630 PDF eBook
Author Maria Rika Maniates
Publisher Manchester University Press
Pages 714
Release 1979
Genre Music
ISBN 9780719007378

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The Cambridge Companion to Monteverdi

The Cambridge Companion to Monteverdi
Title The Cambridge Companion to Monteverdi PDF eBook
Author John Whenham
Publisher Cambridge University Press
Pages 480
Release 2007-12-13
Genre Music
ISBN 1139828223

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Claudio Monteverdi is one of the most important figures of 'early' music, a composer whose music speaks powerfully and directly to modern audiences. This book, first published in 2007, provides an authoritative treatment of Monteverdi and his music, complementing Paolo Fabbri's standard biography of the composer. Written by leading specialists in the field, it is aimed at students, performers and music-lovers in general and adds significantly to our understanding of Monteverdi's music, his life, and the contexts in which he worked. Chapters offering overviews of his output of sacred, secular and dramatic music are complemented by 'intermedi', in which contributors examine individual works, or sections of works in detail. The book draws extensively on Monteverdi's letters and includes a select discography/videography and a complete list of Monteverdi's works together with an index of first lines and titles.