'I've always thought that by now, I would have it all, a family, a career and a house with a garden. After buying many pairs of shoes, having a boyfriend with big muscles and going on several beach holidays, I find myself still looking happiness... Everybody else around me seems to be happy. I want to be happy too '

The laugh-out-loud true story of one girl's experience of life on Tinder. Rosy Edwards is the epitome of a contradictory twenty-something year old. She’s frugal when it comes to food shopping, but is willing to splash out on shampoo. She’s career minded, she just doesn’t know which career to have in mind right now. And although she’s happy being single, a part of her kind of wants a boyfriend. So after a few unsuccessful dates with friends of friends (read: being forced to date their shortest/dullest/oddest acquaintance), she put herself on Tinder, the app that has transformed the world of online dating. And she soon learns the unspoken rules the hard way: always reject a guy with black and white profile pics (he is ginger and/or ugly); is wearing a hat (bald); has a shot of his torso (moron) or is not standing beside anything scaleable (5”8 and under). And then there are the dates themselves. From a sky-high dinner date to a borderline drug bust in Chelsea, Rosy has experienced it all, swinging through her love life on the trapeze of Tinder. She falls for the wrong guys, ditches the nice ones, but can she finally find her happy ending. Brilliantly honest and hilariously funny, Rosy’s story shows us all that the key to a successful love life could just be a swipe away.

Come along for the ride as Lexi Knight, at age 40 and married to her high school sweetheart, embarks on an erotic personal journey of self-discovery via sexual exploration. In equal doses of passion, frankness, humor and heart, Lexi encounters a brave new world of sex, dating, and romance with a bevy of men she meets through Tinder during an unprecedented era of hook-up culture, social media, and sexting. As one-night stands with awkward strangers, trysts with fantasy lovers, and pseudo-romances ensue during a hot and wild San Fernando Valley summer, Lexi grows to love and enjoy her body and redefine herself as a sexual woman in the prime of her life.

Cinderella’s transformation from a lowly, overlooked servant into a princess who attracts everyone’s gaze has become a powerful trope within many cultures. Inspired by the Cinderella archive of books and collectables at the University of Bedfordshire, the essays in this collection demonstrate how the story remains active in various different societies where social and family relationships are adapting to modern culture. The volume explores the social arenas of dating apps and prom nights, as well as contemporary issues about women’s roles in the home, and gender identity. Cinderella’s cultural translation is seen through the contributors’ international perspectives: from Irish folklore to the Colombian Cenicienta costeña (Cinderella of the coast) and Spanish literary history. Its transdisciplinarity ranges from fashion in Charles Perrault and the Brothers Grimm’s publications to a comparison of Cinderella and Galatea on film, and essays on British authors Nancy Spain, Anne Thackeray Ritchie and Frances Hodgson Burnett.

There were good times and bad times, but in the beginning there were more good times. When I first met Candy those were the days of juice, when everything was bountiful. Only much later did it all start to seem like sugar and blood, blood and sugar...It's like you're cruising along in a beautiful car on a pleasant country road with the breeze in your hair and the smell of eucalyptus all around you. The horizon is always up there ahead, unfolding towards you, and at first you don't notice the gradual descent, or the way the atmosphere thickens. Bit by bit the gradient gets steeper, and before you realise you have no brakes, you're going pretty fucking fast.' Candy is a love story. It is also a novel about addiction. From the heady narcissism of the narrator's first days with his new lover, Candy, and the relative innocence of their shared habit, Candy charts their decline. Candy becomes a prostitute, the narrator becomes a scam artist, and smack becomes the total and only focus of their lives. But this is not just another junkie novel: Davies is a very fine writer and Candy is confronting, painful, sexy, tender and at times darkly hilarious. A remarkable novel.

A generous but increasingly put-upon bear makes batch after batch of doughnuts for her woodland friends without saving any for herself in this delightful debut picture book about counting, sharing, and being a good friend. LouAnn (a bear) is making a doughnut feast in preparation for her long winter's nap. But just before she takes the first bite, DING DONG! Her friend Woodrow (a woodchuck) drops by. LouAnn is happy to share her doughnuts, but as soon as she and Woodrow sit down to eat, DING DING! Clyde (a raccoon) is at the door. One by one, LouAnn's friends come over--Topsy (an opossum) and then Moufette (a skunk) and then Chip and Chomp (chipmunks)--until it's one big party. Louann welcomes her surprise guests and makes batch after batch of doughnuts, always dividing them equally among her friends. But she makes one BIG miscalculation. Soon LouAnn's kitchen is bare, winter is near, and she's had nothing to eat at all!

This book is about the reshaping of women's lives, loves and dreams. It tells the story of how expectations and emotional landscapes have shifted since 1950, when marriage was a major determinant of female life chances and teenage girls dreamed of Mr Right and happy endings.