After two decades of publication, Tin House releases The Final Issue, featuring new stories, poems, and essays by Tin House writers from throughout our twenty-year history. “Twenty years ago I believed that stories, poems, and essays could build bridges and save lives. I still believe this. Thank you for sharing the dream with us. I can’t wait to read what you write next.”

Illustrated lettering is one of the most recognisable trends in design, but how do you take your work in this area to new levels and make your projects stand out from the crowd? Illustrator, designer and educator Marty Blake takes you through the craft of creative lettering: what you need to know about working with various media and how to incorporate image and text successfully. Each chapter focuses on one technique, covering its history, the tools and techniques needed to achieve it, along with examples from designers and illustrators from around the world – all with critical reflection on what works, and why. Whether you're lettering by hand or digitally, Drawn to Type is perfect for use alongside courses in illustration and typography, and as an inspirational guide for designers looking to give the written word that visual impact.

Shelter is many things - a visually dynamic, oversized compendium of organic architecture past and present; a how-to book that includes over 1,250 illustrations; and a Whole Earth Catalog-type sourcebook for living in harmony with the earth by using every conceivable material. First published in 1973, Shelter remains a source of inspiration and invention. Including the nuts-and-bolts aspects of building, the book covers such topics as dwellings from Iron Age huts to Bedouin tents to Togo's tin-and-thatch houses; nomadic shelters from tipis to "housecars"; and domes, dome cities, sod iglus, and even treehouses. The authors recount personal stories about alternative dwellings that illustrate sensible solutions to problems associated with using materials found in the environment - with fascinating, often surprising results.

“A back-to-the-land classic” (Garden & Gun) that will “inspire you to embrace a simpler life” (O, The Oprah Magazine). In the late seventies, at the age of eighteen and with a seventh-grade education, Dolly Freed wrote Possum Living about the five years she and her father lived off the land on a half-acre lot outside of Philadelphia. At the time of its publication in 1978, Possum Living became an instant classic, known for its plucky narration and no-nonsense practical advice on how to quit the rat race and live frugally. In her delightful, straightforward, and irreverent style, Freed guides readers on how to buy and maintain a home, raise and grow their own food, cope with the law, stay healthy, save money, and more, all in the name of self-reliant, independent living. Forty years later, Possum Living remains an essential guide to going off the grid. This updated edition includes an introduction by Novella Carpenter, and new wisdom from Freed on aging, used cars, emergency funds, and how to get back in touch with yourself. Possum Living, says Freed, is about how to cook; to go fishing; to be with family, friends, and neighbors; to forage for wild berries; to enjoy a hobby; to relax; or, even better, to do nothing at all. Some of the best living, she reminds us, happens in possum time.

Rafael Català and James Anderson have prepared this concise reference that provides access to poems from a broad cross section of poetry, literary, scholarly, popular, and general magazines, journals, and reviews published in the United States, Canada, and the Caribbean. These periodicals are listed in the "Periodicals Indexed" section, together with names of editors, addresses, issues indexed in this volume, and subscription information. Selection of periodicals is the responsibility of the editors, based on recommendations of poets, librarians, literary scholars, and publishers. Publishers participate by supplying copies of all issues to the editors. Criteria for inclusion include the quality of poems, their presentation, and the status or reputation of poets. Within these very broad and subjective guidelines, the editors attempt to include a cross section of periodicals by type of publisher and publication, place of publication, language, and type of poetry. Periodicals published outside of North America are included only if they have North American editors. This thirty-fourth annual volume was produced with the cooperation of participating periodicals from Canada, the United States, and the Caribbean. A separate index provides access by title or first line. This volume includes poems published in 2005, plus earlier years when periodical issues were delayed in publication or were received late.